Sounds of the Seventies: The Late ’70s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Last Dance
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
recording of:
Last Dance
lyricist and composer:
Paul Jabara
publisher:
EMI Blackwood Music Inc., Management Three Music, Olga Music and フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 51st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1978 winner)
Donna Summer3.653:23
2In the Navy
engineer:
Michael Hutchinson
executive producer:
Henri Belolo
producer:
Jacques Morali
lead vocals:
Victor Willis (Victor Edward Willis, member of the Village People)
conductor:
Horace Ott
brass [horns] arranger and strings arranger:
Horace Ott
phonographic copyright (℗) by:
Metronome GmbH (Manufacturing department of Metronome Records GmbH — not a label) (in 1979)
produced for:
Can’t Stop Productions, Inc.
recorded at and mixed at:
Sigma Sound Studios (New York) in New York, New York, United States
recording of:
In the Navy
lyricist:
Henri Belolo and Victor Willis (Victor Edward Willis, member of the Village People)
composer:
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group and Scorpio Music (French label and publisher) (in 1979)
Village People43:47
3More Than a Feeling
producer:
John Boylan and Tom Scholz
acoustic guitar, bass and electric guitar:
Tom Scholz (from 1975-10 until 1976-04)
drums (drum set):
Sib Hashian (from 1975-10 until 1976-04)
vocals:
Brad Delp (from 1975-10 until 1976-04)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
recording of:
More Than a Feeling (from 1975-10 until 1976-04)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston4.83:27
4Magnet and Steel
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978)
recording of:
Magnet and Steel
writer:
Walter Egan
publisher:
EMI April Music Inc.
Walter Egan3:22
5Sad Eyes
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979)
recording of:
Sad Eyes
lyricist and composer:
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:33
6Happy Days
recording of:
Happy Days
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
BMG Music and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Pratt & McClain2:37
7Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:23
8Sharing the Night Together
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978)
cover recording of:
Sharing the Night Together
writer:
Ava Aldridge and Eddie Struzick
publisher:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. and Leosong (publisher)
Dr. Hook42:55
9I Go Crazy
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
I Go Crazy
lyricist and composer:
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC and Web IV Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis3:42
10I Want You
executive producer:
Berry Gordy, Jr. and Marvin Gaye
producer:
T-Boy Ross and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
vocals:
Marvin Gaye (in 1975)
arranger:
Coleridge-Taylor Perkinson
recorded at:
Marvin’s Room in Hollywood, Los Angeles, California, United States (in 1975)
recording of:
I Want You (in 1975)
lyricist:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
composer:
Arthur “T‐Boy” Ross and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marvin Gaye3:58
11Lovin’ You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:26
12Making Our Dreams Come True
bass:
Max Bennett (US jazz bassist and session musician)
drums (drum set):
Mike Baird (drummer)
flute:
Clifford Shank and William Collette
guitar:
Ben Benay
horn [horns]:
Dick Hyde, David Luell, William Peterson, Bobby Shew and Phillip Teele
keyboard [keyboards]:
David Foster (Canadian music producer, arranger and composer)
percussion:
Victor Feldman (jazz musician)
solo saxophone:
David Luell
strings:
Sid Sharp and His Magic Strings
lead vocals:
Cyndi Grecco
vocals:
The Ron Hicklin Singers
arranger:
Charles Fox (film/TV composer, also Latin pianist)
recording of:
Making Our Dreams Come True (Theme From Laverne & Shirley)
lyricist:
Norman Gimbel and Ellen Weston
writer:
Laurie Maitland
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Bruin Music Company
Cyndi Grecco52:32
13Gold
bass:
Brian Garofalo
drums (drum set):
Michael Botts
electric guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and John Stewart (singer-songwriter (Kingston Trio))
keyboard [keyboards]:
Joey Carbone
background vocals:
Stevie Nicks
lead vocals:
John Stewart (singer-songwriter (Kingston Trio))
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979)
recording of:
Gold
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Bugle Publishing and Unichappell (publisher)
John Stewart4:24
14Dreaming
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 4) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 414)
recording of:
Dreaming (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie3.653:04
15We Just Disagree
recorded in:
Washington, D.C., United States (in 2003-05)
assistant engineer:
Michael Beiriger and Rick Smith (engineer)
producer:
Dave Mason (co‐founder of Traffic) and Ron Nevison
bass guitar [bass]:
Gerald Johnson
drums (drum set):
Rick Jaeger (drummer)
keyboard:
Mike Finnigan (keyboardist)
percussion:
Bobbye Hall
vocals:
Mike Finnigan (keyboardist)
strings arranger:
Alan MacMillan
arranger:
Dave Mason (co‐founder of Traffic)
concertmaster:
James Getzoff (American concertmaster and violinist)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
produced for:
Gadget Productions Inc.
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
live recording of:
We Just Disagree (in 2003-05)
lyricist and composer:
Jim Krueger
publisher:
Bruiser Music, EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
recording of:
We Just Disagree
lyricist and composer:
Jim Krueger
publisher:
Bruiser Music, EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Dave Mason3.653:02
16You Don’t Have to Be a Star (to Be in My Show)
recording of:
You Don't Have to Be a Star (To Be in My Show)
writer:
James Dean (US soul songwriter) and John Glover (US Funk/disco/soul producer & songwriter)
Marilyn McCoo & Billy Davis Jr.53:54
17Kiss and Say Goodbye
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans3:36
18Lonely Boy
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Lonely Boy
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold4.53:59
19Ebony Eyes
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 96)
recording of:
Ebony Eyes
lyricist and composer:
Bob Welch (early member of Fleetwood Mac)
publisher:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) and Glenwood Music Corp.
Bob Welch3:35
20Right Time of the Night
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recording of:
Right Time of the Night
lyricist and composer:
Peter McCann
publisher:
Universal Tunes, Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and American Broadcasting Music, Inc. (from 1976 to present)
Jennifer Warnes2:55
21Undercover Angel
recording of:
Undercover Angel
lyricist and composer:
Alan O’Day
Alan O’Day3:27
22Bluer Than Blue
assistant recording engineer:
Rich Schirmer
recording engineer:
Brent Maher
producer:
Steve Gibson (US country vocalist and guitarist) and Brent Maher
bass guitar [bass]:
Jack Williams (US multi-instrumentalist and arranger)
drums (drum set):
Kenny Malone (session drummer/percussion)
percussion:
Farrell Morris
piano:
Shane Keister
lead vocals:
Michael Johnson (singer, songwriter & guitarist)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
EMI America Records, Inc. (holding – file NO releases here!) (in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1978) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1978)
recorded at:
Creative Workshop in Nashville, Tennessee, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 81)
recording of:
Bluer Than Blue
lyricist and composer:
Randy Goodrum
publisher:
Let There Be Music, Springcreek Music, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Michael Johnson2:54

Credits

Release group

part of:Sounds of the Seventies (Time-Life Music) (number: 34) (order: 34)