The Telarc Super Sampler

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fanfare for the Common Man
recording engineer:
Jack Renner (engineer for Telarc) (on 1982-05-24)
producer:
Robert Woods (classical music producer, founder of TELARC) (on 1982-05-24)
orchestra:
Atlanta Symphony Orchestra (on 1982-05-24)
conductor:
Louis Lane (American conductor) (on 1982-05-24)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (on 1982-05-24)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (on 1982-05-24)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:22
2The Empire Strikes Back: The Imperial March
recording engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (on 1983-11-21)
conductor:
Erich Kunzel (conductor) (on 1983-11-21)
phonographic copyright (℗) by:
TELARC International Corporation (in 1984)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1983-11-21)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (on 1983-11-21)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams2:53
3Peer Gynt Suite no. 1: In the Hall of Mountain King
engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra) (on 1979-07-17)
conductor:
Leonard Slatkin (conductor) (on 1979-07-17)
recorded at:
Powell Hall in St. Louis, Missouri, United States (on 1979-07-17)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (on 1979-07-17)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:31
4Wallflower Walz
recording engineer:
Jack Renner (engineer for Telarc) (from 1985-09-17 until 1987-11-23) and Robert Woods (classical music producer, founder of TELARC) (from 1985-09-17 until 1987-11-23)
producer:
Robert Woods (classical music producer, founder of TELARC) (from 1985-09-17 until 1987-11-23)
orchestra:
Cincinnati Pops Orchestra (from 1985-09-17 until 1987-11-23)
conductor:
Erich Kunzel (conductor) (from 1985-09-17 until 1987-11-23)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1985-09-17 until 1987-11-23)
recording of:
Cakewalk: Wallflower Waltz (from 1985-09-17 until 1987-11-23)
composer:
Louis Moreau Gottschalk (American composer)
arranger:
Hershy Kay
part of:
Cakewalk
Louis Moreau Gottschalk2:21
5"Rialto Ripples" Rag
piano:
William Tritt
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Erich Kunzel (conductor)
phonographic copyright (℗) by:
Telarc (in 1988)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
Rialto Ripples
composer:
George Gershwin (composer)
publisher:
Jerome H. Remick & Co. (in 1917)
George Gershwin2:37
6Organ Fugue in G minor
organ:
Michael Murray (organist and liner notes)
edit of:
Fantasia and Fugue in G minor, BWV 542 ("The Great") by Michael Murray (organist and liner notes)
recording of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542: II. Fuge
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (Fantasia and Fugue in G minor, BWV 542)
Johann Sebastian Bach6:00
7Alexander Nevsky: Song About Alexander Nevsky
choir vocals:
Los Angeles Master Chorale (on 1986-11-18)
orchestra:
Los Angeles Philharmonic (on 1986-11-18)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1986-11-18)
recorded at:
Royce Hall in Los Angeles, California, United States (on 1986-11-18)
recording of:
Alexander Nevsky, op. 78: II. Song About Alexander Nevsky (on 1986-11-18)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1938 until 1939)
part of:
Alexander Nevsky, op. 78
Sergei Prokofiev3:03
8Gymnopédie no. 1
assistant engineer:
Bruce Leek and Joseph Magee
engineer and producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor), Thomas Knab (editor) and Elaine Martone (engineer)
classical guitar and guitar:
Ángel Romero (guitarist/conductor)
recorded at:
Mission San Luis Rey de Francia in Oceanside, California, United States (from 1987-08-03 until 1987-08-06)
Erik Satie2:50
9Symphony no. 3 "Organ": Finale
organ:
Michael Murray (organist and liner notes)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
edit of:
Symphony No. 3 in C minor, op. 78 "Organ Symphony": II. Allegro moderato — Presto — Maestoso — allegro — molto allegro by The Philadelphia Orchestra, Eugene Ormandy (conductor), Michael Murray (organist and liner notes)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint-Saëns4:43
10Carmina Burana: In taberna
choir vocals:
Atlanta Symphony Orchestra Chorus
orchestra:
Atlanta Symphony Orchestra
conductor:
Robert Shaw (conductor)
edit of:
Carmina burana: Part Two: In the Tavern (Nos. 11 - 14) by Atlanta Symphony Orchestra and Chorus, Robert Shaw (conductor)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:15
11Entry of the Gladiators
recording engineer:
Jack Renner (engineer for Telarc) and Robert Woods (classical music producer, founder of TELARC)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Vjezd gladiátorů, op. 68 (Entry of the Gladiators)
composer:
Julius Fučík (Czech composer) (in 1897)
Julius Fučík2:36
12Some People
vocals:
Liza Minnelli
Stephen Sondheim, Jule Styne3:08
13Banditen Galop
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Banditen-Galopp, op. 378
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 378)
Johann Strauss Jr.2:47
14Anchors Aweigh
recording engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
The Cleveland Symphonic Winds
conductor:
Frederick Fennell (conductor)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1978-12-03)
instrumental recording of:
Anchors Aweigh
lyricist:
Alfred Hart Miles (in 1906)
composer:
Charles A. Zimmerman (in 1906)
Alfred Hart Miles, Charles Zimmermann2:58
15Crand Canyon Suite: Cloudburst (with Thunderstorm Effects)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
edit of:
Grand Canyon Suite: Cloudburst by Cincinnati Pops Orchestra, Erich Kunzel (conductor)
partial recording of:
Grand Canyon Suite: V. Cloudburst
composer:
Ferde Grofé (pianist, arranger, conductor and composer) (from 1929 until 1931)
part of:
Grand Canyon Suite
Ferde Grofé5:02
16Noctune in E-flat major, op. 9 no. 2
piano:
Jon Kimura Parker (pianist)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin4:18
17The Planets: Excerpt From Jupiter
orchestra:
Royal Philharmonic Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
edit of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity by Royal Philharmonic Orchestra, André Previn (pianist, conductor, composer, arranger)
partial recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:08
18Theme from Superman
orchestra:
Cincinnati Pops Orchestra (on 1983-11-21)
conductor:
Erich Kunzel (conductor) (on 1983-11-21)
phonographic copyright (℗) by:
TELARC International Corporation (in 1984)
recording of:
Main Theme (Superman: The Movie) (on 1983-11-21)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams54:29
19Shenandoah from Western Medley
choir vocals:
Men of the May Festival Chorus
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Richard Hayman
medley including a recording of:
Shenandoah
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 324)
Erich Kunzel, Cincinnati Pops Orchestra2:18
20Piano Concerto no. 4: Excerpt from 2nd Movement
piano:
Rudolf Serkin (pianist)
orchestra:
Baltimore Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
edit of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto / III. Rondo. Vivace by Boston Symphony Orchestra, Seiji Ozawa (conductor and composer), Rudolf Serkin (pianist)
partial recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven3:41
21The Damnation of Faust: Dance of the Sylphs
orchestra:
Baltimore Symphony Orchestra (in 1987-10)
conductor:
David Zinman (conductor) (in 1987-10)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (in 1987-10)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:29
22Symphony no. 2 in C minor "Resurrection": Finale
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra)
conductor:
Leonard Slatkin (conductor)
edit of:
Symphony no. 2 in C minor “Resurrection”: V. Tempo des Scherzos. Wild herausfahrend. Allegro energico. Langsam. Misterioso by Kathleen Battle (soprano), Maureen Forrester (contralto), Saint Louis Symphony Chorus, Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra), Leonard Slatkin (conductor)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:25

Credits

Release

manufactured in:Canada
printed in:Canada
distributed by:PolyGram Distribution (PolyGram Distribution Inc., Canadian distributor, 1979–1991)
copyrighted (©) by:PolyGram Inc. (1978–1990) (in 1988)
phonographic copyright (℗) by:Telarc (in 1988)
manufactured for:PolyGram Records
glass mastered by:Cinram (CD/DVD/Blu‐ray manufacturer)
Discogs:https://www.discogs.com/release/18646876 [info]