Wiener Philharmoniker Symphony Edition

~ Release by Wiener Philharmoniker (see all versions of this release, 1 available)

Annotation

CD 38 & 39 (Mahler 2): fig. Universal Edition A. G. Vienna/Internationale Gustav Mahler Gesellschaft, Vienna

CD 40 & 41 (Mahler 3): fig. Kritische Gesamtausgabe, Universal Edition, Vienna/Philharmonia

Annotation last modified on 2015-08-13 07:37 UTC.

Tracklist

1▶CD: Mozart: Symphonies Nos. 1, 4 & 5, K. Anh. 223 & 221
2▶CD: Mozart: Symphonies Nos. 6-9
3▶CD: Mozart: Symphonies Nos. 10-13
4▶CD: Mozart: Symphonies Nos. 14-17
5▶CD: Mozart: Symphonies Nos. 18-20
6▶CD: Mozart: Symphonies Nos. 21-25
7▶CD: Mozart: Symphonies Nos. 27-29
8▶CD: Mozart: Symphonies Nos. 26, 30, 31 “Paris” & 39
9▶CD: Mozart: Symphonies Nos. 32-34 & 35 “Haffner”
10▶CD: Mozart: Symphonies Nos. 36 “Linz” & 38 “Prague”
11▶CD: Symphonies Nos. 40 & 41 “Jupiter”
12▶CD: Haydn: Symphonies Nos. 88-90
13▶CD: Haydn: Symphonies Nos. 91, 92 “Oxford” & 105
14▶CD: Beethoven: Symphonies Nos. 1 & 3 “Eroica”
15▶CD: Beethoven: Symphonies Nos. 2 & 4
16▶CD: Beethoven: Symphonies Nos. 5 & 7
17▶CD: Beethoven: Symphonies Nos. 6 “Pastoral” & 8
18▶CD: Beethoven: Symphony No. 9 “Choral”
19▶CD: Schubert: Symphonies Nos. 3 & 8 “Unfinished” & 5
20▶CD: Schubert: Gesang der Geister über den Wassern, Symphony No. 9 “Great”
21▶CD: Mendelssohn: Symphonies Nos. 4 “Italien” & 5 “Reformation”
22▶CD: Schumann: Symphonies Nos. 1 “Spring” & 2
23▶CD: Schumann: Symphonies Nos. 3 “Rhenish” & 4
24▶CD: Brahms: Symphony No. 1
25▶CD: Brahms: Symphony No. 2 · Academic Festival Overture
26▶CD: Brahms: Symphonies Nos. 3 & 4
27▶CD: Bruckner: Symphony No. 1
28▶CD: Bruckner: Symphony No. 4 “Romantic”
29▶CD: Bruckner: Symphony No. 5
30▶CD: Bruckner: Symphony No. 7
31▶CD: Bruckner: Symphony No. 8
32▶CD: Bruckner: Symphony No. 9
33▶CD: Tchaikovsky: Symphony No. 4
34▶CD: Tchaikovsky: Symphony No. 5
35▶CD: Tchaikovsky: Symphony No. 6
36▶CD: Dvořák: Symphony Nos. 6 & 7
37▶CD: Dvořák: Symphony Nos. 8 & 9 “From the New World”
38▶CD: Mahler: Symphony No. 2 “Resurrection” (I)
39▶CD: Mahler: Symphony No. 2 “Resurrection” (II)
40▶CD: Mahler: Symphony No. 3 (I)
41▶CD: Mahler: Symphony No. 3 (II)
42▶CD: Mahler: Symphony No. 4
43▶CD: Mahler: Symphony No. 5
44▶CD: Mahler: Symphony No. 6
45▶CD: Mahler: Symphony No. 10 / Symphony No. 8 “Symphony of a Thousand” (I)
46▼CD: Mahler: Symphony No. 8 “Symphony of a Thousand” (II)
#TitleArtistRatingLength
1Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: I. Poco adagio
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:26
2Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: II. Più mosso. (Allegro moderato)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:05
3Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: III. Wieder langsam - Chor und Echo: “Waldung, sie schwankt heran”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:32
4Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: IV. Moderato. Pater ecstaticus: “Ewiger Wonnebrand”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo baritone vocals [Pater Ecstaticus]:
Hermann Prey (baritone) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:36
5Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: V. Allegro - (Allegro appassionato). Pater profundus: “Wie Felsenabgrund mir zu Füßen”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo bass vocals [Pater Profundus]:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:30
6Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: VI. Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: “Gerettet ist das edle Glied” - Chor seliger Knaben: “Hände verschlinget euch”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:06
7Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: VII. Molto leggeiro. Chor der jüngeren Engel: “Jene Rosen aus den Händen”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:50
8Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: VIII. Schon etwas langsamer und immer noch mäßiger. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Wiener Singverein (on 1975-08-30)
solo alto vocals:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:23
9Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: IX. Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür'soeben, nebelnd um Felsenhöh'” - Chor seliger Knaben: “Freudig empfangen wir” - Doctor Marianus: “Hier ist die Aussicht frei”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:22
10Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: X. Sempre l'istesso tempo. Doctor Marianus: “Höchste Herrscherin der Welt”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo tenor vocals [Doctor Marianus]:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:24
11Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XI. Äußerst langsam. Adagissimo. Chor I/II: “Dir, der Unberührbaren” - Chor der BuBerinnen und Una poenitentium: “Du schwebst zu Höhen der ewigen Reiche”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:56
12Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XII. Fließend. Magna Peccatrix: “Bei der Liebe, die den Füßen” - Mulier Samaritana: “Bei dem Bronn, zu dem schon weiland” - Maria Aegyptiaca: “Bei dem hochgeweihten Orte”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo contralto vocals [Maria Aegyptiaca]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Mulier Samaritana]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Magna Peccatrix]:
Margaret Price (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
13Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XIII. Una poenitentium: “Neige, du Ohnegleiche”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:13
14Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XIV. Unmerklich frischer. Selige Knaben: “Er überwächst uns schon” - Una poenitentium: “Vom edlen Geisterchor umgeben”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:57
15Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XV. Mater gloriosa: “Komm! hebe dich zu höher'n Sphären”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
vocals:
Gerti Zeumer (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:23
16Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XVI. Doctor Marianus: “Blicket auf zum Retterblick alle reuig Zarten”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:01
17Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XVII. Sehr langsam beginnend. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:28
47▶CD: Mahler: Symphony No. 9
48▶CD: Sibelius: Symphonies Nos. 1 & 5
49▶CD: Sibelius: Symphonies Nos. 2 & 7
50▶CD: Shostakovich: Symphonies Nos. 6 & 9