Music in the Time of Velázquez: Songs and Instrumental Pieces from 17th-Century Spain

~ Release by José Miguel Moreno, La Romanesca (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Folías
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Folias (from 1991-11 until 1992-04)
composer:
Gaspar Sanz
4:04
2Peynándose estaba un olmo
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Peynándose estaba un olmo (from 1991-11 until 1992-04)
composer:
Juan Hidalgo (Baroque Spanish composer)
1:49
3¡Tonante dios!
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
¡Tonante dios! (from 1991-11 until 1992-04)
composer:
Juan Hidalgo (Baroque Spanish composer)
2:39
4Canarios
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Canarios (from 1991-11 until 1992-04)
composer:
Antonio Martín y Coll
2:02
5Ojos, pues me desdeñáis
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Ojos, pues me desdeñáis (from 1991-11 until 1992-04)
composer:
José Marin (Spanish Baroque composer; dates approx.)
2:54
6Susana passeggiata
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Susana passeggiata (from 1991-11 until 1992-04)
composer:
Bartolomé de Selma y Salaverde
is based on:
Susanne un jour
6:57
7De las luces que en el mar
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
Romanesca (trio, performs music from the Baroque era) and La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
De las luces que en el mar (from 1991-11 until 1992-04)
composer:
Juan Hidalgo (Baroque Spanish composer)
2:26
8Cuydado, pastor
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Cuydado, pastor (from 1991-11 until 1992-04)
composer:
Juan Hidalgo (Baroque Spanish composer)
2:58
9Canarios
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Canarios (from 1991-11 until 1992-04)
composer:
Gaspar Sanz
part of:
Instrucción de música sobre la guitarra española, volumen 1
3:37
10Ay que sí, ay que no
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Ay que sí, ay que no (from 1991-11 until 1992-04)
composer:
Juan Hidalgo (Baroque Spanish composer)
3:10
11Españoletas
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Españoletas (from 1991-11 until 1992-04)
composer:
Lucas Ruiz de Ribayaz
4:16
12Aquella sierra nevada
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Aquella sierra nevada (from 1991-11 until 1992-04)
composer:
José Marin (Spanish Baroque composer; dates approx.)
3:06
13Fantasía
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Fantasía (from 1991-11 until 1992-04)
composer:
Bartolomé de Selma y Salaverde
5:45
14No piense Menguilla
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
Romanesca (trio, performs music from the Baroque era) and La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
No piense Menguilla (from 1991-11 until 1992-04)
composer:
José Marin (Spanish Baroque composer; dates approx.)
3:14
15Marionas
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Marionas (from 1991-11 until 1992-04)
composer:
Francisco Guerau
4:35
16Sosieguen, descansen
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Salir el amor del mundo: Sosieguen descansen (from 1991-11 until 1992-04)
composer:
Sebastián Durón Picazo
part of:
Salir el amor del mundo
5:51
17Ay, que me rio de Amor
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
soprano vocals:
Marta Almajano (soprano)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
recording of:
Ay, que me rio de Amor (from 1991-11 until 1992-04)
composer:
Juan Hidalgo (Baroque Spanish composer)
1:37
18Lantururú
engineer:
José Carlos Cabello (engineer) and José Miguel Moreno (Spanish lutenist and guitarist)
producer:
Lourdes Uncilla
editor:
Carlos Céster (producer and engineer)
conductor:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1991-11 until 1992-04)
performer:
La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1991-11 until 1992-04)
1:45