| # | Title | Artist | Rating | Length |
|---|
| 1 | My Prerogative- assistant recording engineer and assistant mixer:
- Jim Hanneman
- recording engineer:
- Dennis Mitchell
- drum machine programming:
- Markell Riley
- producer:
- Gene Griffin
- mixer:
- Gene Griffin, Dennis Mitchell and Teddy Riley
- bass saxophone, bass synthesizer and synthesizer:
- Teddy Riley
- finger snaps:
- Bobby Brown
- background vocals:
- Bernard Bill, Lee Drakeford, Aaron Hall and Teddy Riley
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- G.R. Productions
- recorded at:
- Axis Studios in Manhattan, New York, New York, United States
- mixed at:
- Soundworks in New York, New York, United States
- music videos:
- My Prerogative by Bobby Brown
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 98) and Billboard: The 500 Best Pop Songs (number: 460)
- recording of:
- My Prerogative
- writer:
- Bobby Brown , Gene Griffin and Teddy Riley
- publisher:
- Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. , Universal Music–Z Tunes LLC and Virgin Music (Publishers) Ltd.
| Bobby Brown | 4 | 4:48 |
| 2 | Billie Jean | Michael Jackson | | 4:57 |
| 3 | Rhythm of the Night | DeBarge | 3.6 | 3:47 |
| 4 | I Ran (So Far Away) | A Flock of Seagulls | 4.35 | 5:03 |
| 5 | Too Shy | Kajagoogoo | 3.65 | 3:43 |
| 6 | What’s on Your Mind (Pure Energy) | Information Society | | 4:15 |
| 7 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:35 |
| 8 | Together Forever- keyboard [Fairlight] programming:
- Ian Curnow (in 1987)
- additional engineer:
- Jamie Bromfield , Mike Duffy , Phil Harding and Karen Hewitt
- assistant engineer:
- Boky, Gordon Dennis , Jonathan King and Yoyo
- engineer:
- Mark McGuire
- producer:
- Aitken, Stock and Waterman
- mixer:
- Mixmasters Pete Hammond
- drums (drum set) [drums]:
- A Linn (in 1987)
- guitar [guitars]:
- Matt Aitken (in 1987)
- keyboard [keyboards]:
- Mike Stock and Matt Aitken (in 1987)
- background vocals [backing vocals]:
- Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (in 1987) and Suzanne Rhatigan (in 1987)
- vocals:
- Rick (in 1987)
- arranger:
- Gordon Jenkins
- phonographic copyright (℗) by:
- Pete Waterman Ltd. (in 1987)
- miscellaneous support:
- PWL (task: original sound recordings made by)
- recorded at:
- PWL Studio 1 (in 1987) and PWL Studio 2 (in 1987)
- mixed at:
- PWL Studio 1 and PWL Studio 2
- recording of:
- Together Forever (in 1987)
- writer:
- Matt Aitken, Mike Stock and Pete Waterman
- publisher:
- All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (from 1987 to present)
| Rick Astley | 4.65 | 3:24 |
| 9 | Like a Virgin | Madonna | | 3:09 |
| 10 | Mercedes Boy | Pebbles | | 4:53 |
| 11 | Roll With It | Steve Winwood | 3 | 5:17 |
| 12 | Don’t Forget Me (When I’m Gone)- recording engineer:
- Paul Northfield (lead vocals) and Hayward Parrott
- engineer:
- Mike Jones (task: Sounds Interchange)
- producer:
- Jim Vallance
- assistant mixer:
- Randy Staub
- mixer:
- Ed Thacker
- guest background vocals:
- Bryan Adams (on 1985-11-04)
- recorded at:
- Armoury Studios in Vancouver, British Columbia, Canada (background vocals), Le Studio in Morin‐Heights, Québec , Canada (lead vocals), McClear Place Studios in Toronto, Ontario, Canada (horn [horns], background vocals), Sounds Interchange in Toronto, Ontario, Canada and Eastern Sound in Toronto, Ontario, Canada (on 1985-11-04: background vocals [Bryan Adams' backing vocals])
- mixed at:
- Phase One Studios in Toronto, Ontario, Canada
- recording of:
- Don’t Forget Me (When I’m Gone)
- written in:
- Vancouver, British Columbia, Canada (in 1985-05)
- writer:
- Alan Frew, Sam Reid and Jim Vallance (in 1985-05)
- publisher:
- Copyright Control and EMI Music Publishing
| Glass Tiger | 4.5 | 4:05 |
| 13 | Love Bizarre | Sheila E. | | 3:46 |
| 14 | Freeway of Love | Aretha Franklin | | 5:50 |
| 15 | Every Breath You Take | The Police | | 4:02 |
| 16 | Rio | Duran Duran | | 5:32 |
| 17 | (I’ve Had) The Time of My Life- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner , Michael Lloyd , Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records , BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- ヤマハミュージックEH(CM) (ended), Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. , Sony/ATV Tunes LLC , ソニー・ミュージックパブリッシング A事業部 , フジパシフィックミュージック , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley and Jennifer Warnes | 3.75 | 4:43 |
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