Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: Brandenburg Concertos 1–3 BWV 1046-1048
2▶CD: Brandenburg Concertos 4–6 BWV1049-1051
3▶CD: Orchestral Suites 1, 2 & 3 BWV 1066, BWV 1067 & 1068
4▶CD: Violin Concerti BWV 1042, BWV 1041, BWV 1052, BWV 1056 & BWV 1043
5▶CD: Harpsichord Concertos BWV 1052-1055
6▶CD: Harpsichord Concertos BWV 1056-1057-1058-1060-1065
7▶CD: Concertos for 2 & 3 Harpsichords BWV 1061-1064
8▶CD: Triple Concerto BWV 1044, Concerto for Oboe D'amore BWV 1055R, Concerto for 3 Violins BWV 1064
9▶CD: Sonatas and Partitas for Solo Violin BWV 1001-1003
10▶CD: Sonatas and Partitas for Solo Violin BWV 1004-1006
11▶CD: Cello Suites 1, 3 & 5
12▶CD: Cello Suites 2, 4 & 6
13▶CD: Flute Sonatas BWV 1013, 1030, 1032 & 1034-1035
14▶CD: Flute Sonatas BWV 1038-1039 / Ein Musikalisches Opfer
15▶CD: Lute,BWV 996, BWV 998 & BWV 995
16▶CD: Lute,BWV 997, BWV 1006a, BWV 999 & BWV 1000
17▶CD: Gamba sonatas, BWV 1028, BWV 1027 & BWV1029
18▶CD: Musikalisches Opfer
19▶CD: Violin Sonatas BWV 1014-1016
20▶CD: Violin Sonatas BWV 1017-1019
21▶CD: Notenbüchlein für Anna Magdalena Bach
22▶CD: BWV 1023 / BWV 1021 / BWV 1039 / BWV 1038
23▶CD: The Well Tempered Clavier, Book I: BWV 846 - BWV 857
24▶CD: The Well Tempered Clavier, Book I: BWV 858 - BWV 869
25▶CD: The Well Tempered Clavier, Book II: BWV 870 - BWV 881
26▶CD: The Well Tempered Clavier, Book II: BWV 882 - BWV 893
27▶CD: Partitas BWV 825 / BWV 826 / BWV 830
28▶CD: Partitas BWV 827 / BWV 828 / BWV 829
29▶CD: Keyboard Works 1700-1710
30▶CD: Keyboard Works 1700-1710
31▶CD: Keyboard Works 1700-1710
32▶CD: Italian Concerto BWV 971 / French Overture BWV 831 / Chromatic Fantasy and Fugue BWV 903
33▶CD: Goldberg Variations BWV 988
34▶CD: English Suites BWV 806 / BWV 807 / BWV 808
35▶CD: English Suites BWV 809 / BWV 810 / BWV 811
36▶CD: Concerto Transcriptions
37▶CD: Concerto Transcriptions
38▶CD: French Suites BWV 812 / BWV 813 / BWV 814 / BWV 815
39▶CD: French Suites BWV 816 / BWV 817 / Suites BWV 819 / BWV 818
40▶CD: Toccatas BWV 913 - 916
41▶CD: Die Kunst Der Fuge: beginning
42▶CD: Die Kunst der Fuge: conclusion
43▶CD: Sonatas, Suites & Fantasias
44▶CD: Suites, Fantasias, Preludes & Fuges
45▶CD: Inventions & Sinfonias
46▶CD: Cantatas: BWV 1 / BWV 3 / BWV 5
47▶CD: Cantatas: BWV 2 / BWV 4 / BWV 6 / BWV 8
48▶CD: Cantatas: BWV 7 / BWV 9 / BWV 10
49▶CD: Cantatas: BWV 12 / BWV 13 / BWV 14
50▶CD: Cantatas: BWV 16 / BWV 17 / BWV 18 / BWV 19
51▶CD: Cantatas: BWV 20 / BWV 21 / BWV 23
52▶CD: Cantatas: BWV 22 / BWV 24 / BWV 25 / BWV 26 / BWV 27
53▶CD: Cantatas: BWV 28 / BWV 29 / BWV 30
54▶CD: Cantatas: BWV 31 / BWV 32 / BWV 33
55▶CD: Cantatas: BWV 34 / BWV 35 / BWV 36
56▶CD: Cantatas: BWV 37 / BWV 38 / BWV 39 / BWV 40
57▶CD: Cantatas: BWV 41 / BWV 42 / BWV 43
58▶CD: Cantatas: BWV 44 / BWV 45 / BWV 46 / BWV 47
59▶CD: Cantatas: BWV 48 / BWV 49 / BWV 50 / BWV 51
60▶CD: Cantatas: BWV 54 / BWV 55 / BWV 56 / BWV 57 / BWV 59
61▶CD: Cantatas: BWV 58 / BWV 60 / BWV 61 / BWV 63
62▶CD: Cantatas: BWV 62 / BWV 64 / BWV 65 / BWV 67
63▶CD: Cantatas: BWV 66 / BWV 68 / BWV 69 / BWV 71
64▶CD: Cantatas: BWV 70 / BWV 72 / BWV 73 / BWV 74
65▶CD: Cantatas: BWV 75 / BWV 76 / BWV 77
66▶CD: Cantatas: BWV 78 / BWV 79 / BWV 80 / BWV 81
67▶CD: Cantatas: BWV 82 / BWV 83 / BWV 84 / BWV 85
68▶CD: Cantatas: BWV 86 / BWV 87 / BWV 88 / BWV 89 / BWV 90
69▶CD: Cantatas: BWV 91 / BWV 92 / BWV 93
70▶CD: Cantatas: BWV 94 / BWV 95 / BWV 96 / BWV 98
71▶CD: Cantatas: BWV 97 / BWV 99 / BWV 100
72▶CD: Cantatas: BWV 101 / BWV 102 / BWV 103
73▶CD: Cantatas: BWV 103 / BWV 105 / BWV 106 / BWV 107
74▶CD: Cantatas: BWV 108 / BWV 109 / BWV 110 / BWV 112
75▶CD: Cantatas: BWV 111 / BWV 113 / BWV 114
76▶CD: Cantatas: BWV115 / BWV 116 / BWV 117 / BWV 120
77▶CD: Cantatas: BWV 119 / BWV 121 / BWV 122 / BWV 123
78▶CD: Cantatas: BWV 124 / BWV 125 / BWV 126 / BWV 127
79▶CD: Cantatas: BWV 128 / BWV 129 / BWV 130 / BWV 131
80▶CD: Cantatas: BWV 132 / BWV 133 / BWV 134 / BWV 135
81▶CD: Cantatas: BWV 136 / BWV 137 / BWV 138 / BWV 140
82▶CD: Cantatas: BWV 139 / BWV 143 / BWV 145 / BWV 146
83▶CD: Cantatas: BWV 144 / BWV 147 / BWV 148 / BWV 150
84▶CD: Cantatas: BWV 149 / BWV 151 / BWV 152 / BWV 153
85▶CD: Cantatas: BWV 154 / BWV 155 / BWV 156 / BWV 157 / BWV 159
86▶CD: Cantatas: BWV 158 / BWV 161 / BWV 162 / BWV 163 / BWV 164
87▶CD: Cantatas: BWV 165 / BWV 166 / BWV 167 / BWV 169
88▶CD: Cantatas: BWV 168 / BWV 170 / BWV 171 / BWV 172
89▶CD: Cantatas: BWV 173 / BWV 174 / BWV 175 / BWV 177
90▶CD: Cantatas: BWV 176 / BWV 178 / BWV 179 / BWV 180
91▶CD: Cantatas: BWV 181 / BWV 182 / BWV 183 / BWV 84
92▶CD: Cantatas: BWV 185 / BWV 186 / BWV 187
93▶CD: Cantatas: BWV 188 / BWV 192 / BWV 194
94▶CD: Cantatas: BWV 195 / BWV 196 / BWV 197
95▶CD: Cantatas: BWV 198 / BWV 199 / BWV 200
96▶CD: h-Moll-Messe: Kyrie / Gloria
97▶CD: h-Moll-Messe: Credo / Sanctus / Osanna...
98▶CD: Messen, BWV 233 & 234
99▶CD: Messen, BWV 235 & 236
100▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
101▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
102▶CD: Motetten BWV 225 - 230
103▶CD: Oster-Oratorium, BWV 249 / Magnificat D-Dur, BWV 243
104▶CD: Secular Cantatas: Schwingt freudig euch empor BWV 36c / Non sa che sia dolore BWV 209 / Amore traditore BWV 203
105▶CD: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
106▶CD: Zwei Hochzeitskantaten, BWV 202 & 210
107▶CD: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
108▶CD: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
109▶CD: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
110▶CD: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
111▶CD: Secular Cantatas, BWV 213 & 241; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
112▶CD: Matthäus-Passion, BWV 244 disc 1
113▼CD: Matthäus-Passion, BWV 244 disc 2
#TitleRatingLength
1Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:41
2Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
1:17
3Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:35
4Matthäus-Passion, BWV 244: Teil I, XXVIIa. Duetto (Soprano, Alto) "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
alto vocals:
Annelies Burmeister (contralto) (from 1970-01 until 1970-02)
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
soprano vocals:
Adele Stolte (soprano) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
5:12
5Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:07
6Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde groß"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:24
7Matthäus-Passion, BWV 244: Teil II, XXX. Aria (Alto) "Ach! nun ist mein Jesus hin"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
alto vocals:
Annelies Burmeister (contralto) (from 1970-01 until 1970-02)
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:16
8Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:09
9Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1970-01 until 1970-02)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
0:52
10Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:15
11Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:51
12Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:08
13Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:30
14Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1970-01 until 1970-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
1:03
15Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:38
16Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
alto vocals:
Annelies Burmeister (contralto) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02) and Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
edel records GmbH (in 1975) and VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1970-01 until 1970-02)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:10
17Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1970-01 until 1970-02)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
1:09
18Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:52
19Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals:
Günther Leib (baritone) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:21
20Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:19
21Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1970-01 until 1970-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
1:17
114▶CD: Matthäus-Passion, BWV 244 disc 3
115▶CD: Johannes-Passion, BWV 245 disc 1
116▶CD: Johannes-Passion, BWV 245 disc 2
117▶CD: Weihnachtsoratorium, BWV 248: Teil I, II
118▶CD: Weihnachtsoratorium, BWV 248: Teil II, IV
119▶CD: Weihnachtsoratorium, BWV 248: Teil V, VI
120▶CD: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
121▶CD: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
122▶CD: Choräle disc 1
123▶CD: Choräle disc 2
124▶CD: Choräle disc 3
125▶CD: Choräle disc 4
126▶CD: Choräle disc 5
127▶CD: Choräle disc 6
128▶CD: Organ music 1
129▶CD: Organ music 2
130▶CD: organ music 3
131▶CD: Organ music 4
132▶CD: Organ music 5
133▶CD: Organ music 6
134▶CD: Organ music 7
135▶CD: Organ music 8
136▶CD: Organ music 9
137▶CD: Organ music 10
138▶CD: Organ music 11
139▶CD: Organ music 12
140▶CD: Organ music 13
141▶CD: Organ music 14
142▶CD: Organ music 15

Credits

Release

ASIN:US: B00L2SQVS4 [info]