The Spanish Guitar

~ Release by José Miguel Moreno (see all versions of this release, 1 available)

Tracklist

1▶CD: Canto del Cavallero
2▶CD: Canción del Emperador
3▶CD: Luys Milán: Fantasia: Renaissance Guitar & Vihuela
4▶CD: La Guitarra Española (1536 - 1836)
5▶CD: La Guitarra Española Vol. II (1818-1918)
6▶CD: Claros y frescos ríos: Songs and instrumental pieces from the Spanish Renaissance
7▶CD: Al Alva Venid
8▶CD: Fuenllana: Orphénica Lyra (1554)
9▶CD: Música en el Quijote y otras obras de Miguel de Cervantes
10▶CD: Instrucción de música sobre la guitarra española
11▶CD: Música en Tiempos de Velázquez
12▼CD: Las mujeres y cuerdas
#TitleArtistRatingLength
1La semplice
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 6. La semplice (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler1:16
2La volubile
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 12. La volubile (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler2:01
3La costanza
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 7. La constanza (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler2:33
4La mercede
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 2. La mercede (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler1:30
5Andante affettuoso
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Andante affettuoso (from 1994-10 until 1995-01)
composer:
Ferdinando Carulli (composer)
Ferdinando Carulli3:03
6Le dimore amor non ama
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Sei ariette, op. 95: No. 4. Le dimore amor non ama (from 1994-10 until 1995-01)
lyricist:
Pietro Metastasio
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Sei ariette, op. 95
Mauro Giuliani3:08
7Quando sarà quel dì
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Sei ariette, op. 95: No. 3. Quando sarà quel dì (from 1994-10 until 1995-01)
lyricist:
Pietro Metastasio
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Sei ariette, op. 95
Mauro Giuliani2:04
8Ad altro laccio
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Sei ariette, op. 95: No. 5. Ad altro laccio (from 1994-10 until 1995-01)
lyricist:
Pietro Metastasio
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Sei ariette, op. 95
Mauro Giuliani2:23
9Andantino sostenuto
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Sonatina for Guitar, op. 71 no. 3: I. Andantino sostenuto (from 1994-10 until 1995-01)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Sonatina for Guitar, op. 71 no. 3
Mauro Giuliani4:31
10Confuso, smarrito
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Sei cavatine, op. 39: No. 2. Confuso, smarrito (from 1994-10 until 1995-01)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Sei cavatine, op. 39
Mauro Giuliani1:14
11Amor, perché m'accendi
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Amor, perché m'accendi (from 1994-10 until 1995-01)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
Mauro Giuliani4:04
12Di tanti palpiti
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Di tanti palpiti, op. 79 (from 1994-10 until 1995-01)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Works of Mauro Giuliani by opus number (number: op. 79)
Mauro Giuliani6:14
13Mouvement de prière religieuse
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
24 Progressive Lessons for Beginners, op. 31: No. 23 in E major "Mouvement de prière religieuse" (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
24 Progressive Lessons for Beginners, op. 31
Fernando Sor3:38
14Lagrime
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Lagrime mie d'affanno (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
Fernando Sor1:37
15Perduta l'anima
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Perduta l'anima (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
Fernando Sor3:30
16Povero cor
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Povero cor t'inganni (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
Fernando Sor4:07
17Io mentitor!
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Io mentitor! (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
Fernando Sor5:05
18Nel cor più non mi sento
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
partial recording of:
Fantaisie, op. 16 (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
Works of Fernando Sor by opus number (number: op. 16)
is based on:
La molinara: Atto III, scena 1. “Nel cor più non mi sento” (Rachelina, Calloandro)
Fernando Sor1:12
19Lied ohne Worte
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Bardenklänge, op. 13: Lied ohne Worte (from 1994-10 until 1995-01)
composer:
Johann Kaspar Mertz (Austro-Hungarian guitarist and composer)
part of:
Bardenklänge, op. 13
Johann Kaspar Mertz4:56
20Si dices que mis ohos
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
12 Seguidillas: No. 7. Si dices que mis ojos (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor1:53
21Muchacha, y la vergüenza
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
12 Seguidillas: No. 6. Muchacha, y la vergüenza (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor1:37
22Mis descuidados ojos
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
12 Seguidillas: No. 12. Mis descuidados ojos (Boléro de société) (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor5:39
23Seguidillas del Requiem eternam
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
Seguidillas del Requiem eternam (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
Fernando Sor2:16
24Las mujeres y cuerdas
recording engineer:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (producer and engineer) (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (soprano) (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid (Community of Madrid), Spain (from 1994-10 until 1995-01)
recording of:
12 Seguidillas: No. 11. Las mujeres y cuerdas (from 1994-10 until 1995-01)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor1:09