John Williams: Conductor

~ Release by John Williams (see all versions of this release, 1 available)

Tracklist

1▶CD: Music of the Night: Pops on Broadway 1990
2▶CD: John Williams Conducts John Williams: The Star Wars Trilogy
3▶CD: The Spielberg / Williams Collaboration: John Williams Conducts his Classic Scores for the Films of Steven Spielberg
4▶CD: I Love a Parade
5▶CD: The Green Album
6▶CD: Joy to the World
7▶CD: Night and Day: Celebrate Sinatra
8▼CD: Unforgettable
#TitleArtistRatingLength
1Unforgettable
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
piano:
Bob Winter (jazz pianist) (from 1992-12-16 until 1992-12-18)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Unforgettable (from 1992-12-16 until 1992-12-18)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Irving Gordon3:33
2My Funny Valentine
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (from 1992-12-16 until 1992-12-18)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Richard Rodgers3:55
3Lover
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Lover (from 1992-12-16 until 1992-12-18)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Richard Rodgers3:24
4The Way We Were
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Eric Knight (Alternative Rock)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
The Way We Were (from 1992-12-16 until 1992-12-18)
lyricist:
Alan Bergman (American lyricist) (in 1973) and Marilyn Bergman (in 1973)
composer:
Marvin Hamlisch (in 1973)
publisher:
Colgems-EMI Music Inc. (, in 1973), Pathe Publications (Far East) Limited and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 46th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1973 winner)
part of:
The Way We Were
Marvin Hamlisch2:40
5The Song Is You
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
The Song Is You (from 1992-12-16 until 1992-12-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
Jerome Kern4:34
6Long Ago and Far Away
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Long Ago (and Far Away) (from 1992-12-16 until 1992-12-18)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
Jerome Kern3:23
7Satin Doll
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
piano:
Bob Winter (jazz pianist) (from 1992-12-16 until 1992-12-18)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Satin Doll (from 1992-12-16 until 1992-12-18)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Duke Ellington / Billy Strayhorn3:32
8Sophisticated Lady
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Sophisticated Lady (from 1992-12-16 until 1992-12-18)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington3:18
9Begin the Beguine
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Billy May
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Begin the Beguine (from 1992-12-16 until 1992-12-18)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Cole Porter3:40
10Stella by Starlight
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Jack Mason (classical arranger)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Stella by Starlight (from 1992-12-16 until 1992-12-18)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
Victor Young2:50
11Laura
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
David Raksin
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Laura (original 1944 film theme) (from 1992-12-16 until 1992-12-18)
composer:
David Raksin (in 1944)
David Raksin5:07
12Moonlight Serenade
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
recording of:
Moonlight Serenade (original instrumental version) (from 1992-12-16 until 1992-12-18)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller4:02
13’S Wonderful
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Sid Ramin
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
’S Wonderful (from 1992-12-16 until 1992-12-18)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
George Gershwin3:05
14Evergreen
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Evergreen (love theme from “A Star Is Born”) (from 1992-12-16 until 1992-12-18)
lyricist:
Paul Williams (US songwriter/soft rock vocalist) (in 1976)
composer:
Barbra Streisand (in 1976)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28), Emmanuel Music Corp (in 1976) and First Artists Music Co. (in 1976)
part of:
Academy Award for Best Original Song (number: 1976 winner)
Barbra Streisand3:44
15Through the Eyes of Love
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Through the Eyes of Love (Ice Castles, theme) (from 1992-12-16 until 1992-12-18)
lyricist:
Carole Bayer Sager
composer:
Marvin Hamlisch
publisher:
EMI Gold Horizon Music Corp. and EMI Golden Torch Music Corp.
part of:
The 52nd Academy Award for Best Original Song (number: 2)
Marvin Hamlisch4:00
16Smoke Gets in Your Eyes
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Peter Bodge
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Smoke Gets in Your Eyes (from 1992-12-16 until 1992-12-18)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Jerome Kern4:10
17Star Dust
recording engineer:
Shawn Murphy (producer/engineer) (from 1992-12-16 until 1992-12-18)
producer:
Shawn Murphy (producer/engineer) and John Williams (American score composer)
orchestra:
Boston Pops Orchestra (from 1992-12-16 until 1992-12-18)
conductor:
John Williams (American score composer) (from 1992-12-16 until 1992-12-18)
arranger:
Jack Mason (classical arranger)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1992-12-16 until 1992-12-18)
instrumental recording of:
Stardust (the jazz standard) (from 1992-12-16 until 1992-12-18)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Hoagy Carmichael3:17
9▶CD: Music for Stage and Screen
10▶CD: It Don’t Mean a Thing if It Ain’t Got That Swing
11▶CD: Williams on Williams: The Classic Spielberg Scores
12▶CD: Summon the Heroes
13▶CD: Cinema Serenade
14▶CD: The Five Sacred Trees
15▶CD: The Hollywood Sound
16▶CD: Gershwin Fantasy
17▶CD: Cinema Serenade 2: The Golden Age
18▶CD: Yo‐Yo Ma Plays the Music of John Williams
19▶CD: American Journey
20▶CD: The Spielberg / Williams Collaboration Part III

Credits

Release

ASIN:DE: B07713PKXN [info]

Release group

includes:American Journey
Cinema Serenade by Itzhak Perlman (violinist and conductor), Pittsburgh Symphony Orchestra, John Williams (American score composer)
Cinema Serenade 2: The Golden Age by Itzhak Perlman (violinist and conductor), Boston Pops Orchestra, John Williams (American score composer)
Gershwin Fantasy by George Gershwin (composer); Joshua Bell (violinist), London Symphony Orchestra, John Williams (American score composer)
I Love a Parade by The Boston Pops Orchestra, John Williams (American score composer)
It Don’t Mean a Thing If It Ain’t Got That Swing! by John Williams (American score composer) & The Boston Pops Orchestra
John Williams Conducts John Williams: The Star Wars Trilogy (Star Wars / The Empire Strikes Back / Return of the Jedi) by John Williams (American score composer); The Skywalker Symphony, John Williams (American score composer)
John Williams: The Five Sacred Trees / Hovhaness: Mysterious Mountain by John Williams (American score composer), Alan Hovhaness (American composer); London Symphony Orchestra, Judith LeClair (bassoonist), John Williams (American score composer)
Joy to the World by John Williams (American score composer) & Boston Pops Orchestra
Music for Stage and Screen by John Williams (American score composer), Aaron Copland (composer); The Boston Pops Orchestra, John Williams (American score composer)
Music of the Night: Pops on Broadway 1990 by The Boston Pops Orchestra, John Williams (American score composer)
Night and Day by John Williams (American score composer) & The Boston Pops Orchestra
Summon the Heroes by John Williams (American score composer), Boston Pops Orchestra
The Green Album by Boston Pops Orchestra, John Williams (American score composer)
The Hollywood Sound by London Symphony Orchestra, John Williams (American score composer)
The Spielberg / Williams Collaboration by John Williams (American score composer) & Boston Pops Orchestra
The Spielberg/Williams Collaboration Part III
Unforgettable by John Williams (American score composer) & The Boston Pops Orchestra
Williams on Williams: The Classic Spielberg Scores by John Williams (American score composer) & the Boston Pops Orchestra
Yo-Yo Ma Plays the Music of John Williams by John Williams (American score composer); Yo‐Yo Ma (cellist)