Meet the Fockers

~ Release by Randy Newman (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1We're Gonna Get Married
assistant recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) and Greg Loskorn (American sound engineer)
recording engineer, producer and mixer:
Frank Wolf (engineer at Skyline Recording)
assistant editor:
Mark Bensi and Brenda Heins
editor:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
performer:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
We’re Gonna Get Married
orchestrator:
Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:23
2Crazy 'Bout My Baby
assistant recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) and Greg Loskorn (American sound engineer)
recording engineer, producer and mixer:
Frank Wolf (engineer at Skyline Recording)
assistant editor:
Mark Bensi and Brenda Heins
editor:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
performer:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Crazy ’Bout My Baby
orchestrator:
Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:49
3Baby and Me
assistant recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) and Greg Loskorn (American sound engineer)
recording engineer, producer and mixer:
Frank Wolf (engineer at Skyline Recording)
assistant editor:
Mark Bensi and Brenda Heins
editor:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
performer:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Baby and Me
orchestrator:
Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:12
4Jack
assistant recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) and Greg Loskorn (American sound engineer)
recording engineer, producer and mixer:
Frank Wolf (engineer at Skyline Recording)
assistant editor:
Mark Bensi and Brenda Heins
editor:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
performer:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Jack
orchestrator:
Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:57
5Meet the Fockers
assistant recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) and Greg Loskorn (American sound engineer)
recording engineer, producer and mixer:
Frank Wolf (engineer at Skyline Recording)
assistant editor:
Mark Bensi and Brenda Heins
editor:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
performer:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Meet the Fockers
orchestrator:
Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman4:21
6Suspicious Mind
assistant recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) and Greg Loskorn (American sound engineer)
recording engineer, producer and mixer:
Frank Wolf (engineer at Skyline Recording)
assistant editor:
Mark Bensi and Brenda Heins
editor:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
performer:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Suspicious Mind
orchestrator:
Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman3:19
7The Shot
assistant recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) and Greg Loskorn (American sound engineer)
recording engineer, producer and mixer:
Frank Wolf (engineer at Skyline Recording)
assistant editor:
Mark Bensi and Brenda Heins
editor:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
performer:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Shot
orchestrator:
Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman2:12
8Here's My Plan / It's All Right Now
assistant recording engineer:
Bryan Clements, Brian Dixon (US guitarist for The Aggrolites, engineer, soundtrack music), Mark Eshelman (recording engineer) and Greg Loskorn (American sound engineer)
recording engineer, producer and mixer:
Frank Wolf (engineer at Skyline Recording)
assistant editor:
Mark Bensi and Brenda Heins
editor:
Bruno Coon
conductor:
Randy Newman (American singer‐songwriter and score composer)
performer:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Here’s My Plan / It’s All Right Now
orchestrator:
Randy Newman (American singer‐songwriter and score composer) and Jonathan Sacks (American composer)
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman4:21
9Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat2.52:51
10If I Were a Carpenter
engineer:
Doc Siegel and Val Valentin (task: director of engineering)
producer:
Charles Koppelman (American businessman and musician) and Don Rubin
arranger:
Donald Peake
recording of:
If I Were a Carpenter (in 1967)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
live recording of:
If I Were a Carpenter
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
Tim Hardin12:42
11Wilderness (dub)
recording of:
Wilderness (dub)
writer:
Bruno Coon
HeadBone3:35
12Dancing
recording of:
Dancing
writer:
Bruno Coon
HeadBone3:42