| # | Title | Rating | Length |
|---|
| 1 | One of These Nights (intro) | | 1:59 |
| 2 | One of These Nights | 4.1 | 4:51 |
| 3 | Disco Strangler | 3 | 2:45 |
| 4 | Heartache Tonight | 3.85 | 4:26 |
| 5 | Hotel California- engineer:
- Allan Blazek, Bruce Hensal, Ed Mashal and Bill Szymczyk
- producer and mixer:
- Bill Szymczyk
- 12 string guitar:
- Glenn Frey (in 1976)
- 12 string guitar and electric guitar:
- Don Felder (in 1976)
- bass guitar:
- Randy Meisner (in 1976)
- drums (drum set), percussion and lead vocals:
- Don Henley (in 1976)
- electric guitar:
- Joe Walsh (in 1976)
- background vocals:
- Don Felder (in 1976), Glenn Frey (in 1976), Don Henley (in 1976), Randy Meisner (in 1976) and Joe Walsh (in 1976)
- concertmaster:
- Sid Sharp
- phonographic copyright (℗) by:
- Asylum Records (in 1976) and Elektra/Asylum/Nonesuch Records (in 1976)
- recorded at:
- Criteria Studios in Miami, Florida, United States (from 1976-03 until 1976-10) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1976-03 until 1976-10)
- part of:
- SWR1 Hitparade 2004 der Männer (number: 4), SWR1 Hitparade 2005 der Badener (number: 4), SWR1 Hitparade 2008 (number: 6), SWR1 Hitparade 2009 (number: 6), SWR1 Hitparade 2005 der Württemberger (number: 7), SWR1 Hitparade 2007 (number: 7), SWR1 Hitparade 2004 der Frauen (number: 8), SWR1 Hitparade 2003 (number: 9), SWR1 Hitparade 2010 (number: 9), SWR1 Hitparade 2011 (number: 9), Rolling Stone: 500 Greatest Songs of All Time (number: 49), Helsingin Sanomat: 100 maailman parasta laulua (number: 94) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 311)
- recording of:
- Hotel California (in 1976)
- writer:
- Don Felder, Glenn Frey and Don Henley
- publisher:
- Cass County Music, Red Cloud Music, Universal Music Publishing Ltd. , Warner/Chappell Music, Hong Kong Limited , Fingers Music (in 1976), Long Run Music (in 1976) and WB Music Corp. (in 1976)
- is based on:
- Això és Fàcil
| 4.6 | 6:32 |
| 6 | Born to Boogie | | 2:18 |
| 7 | In the City | 3.25 | 3:45 |
| 8 | Get Over It | | 3:31 |
| 9 | King of Hollywood | 3 | 6:29 |
| 10 | Too Many Hands | 3.25 | 4:41 |
| 11 | Life in the Fast Lane- engineer:
- Allan Blazek, Bruce Hensal, Ed Mashal and Bill Szymczyk
- producer and mixer:
- Bill Szymczyk
- bass guitar:
- Randy Meisner
- clavinet:
- Glenn Frey
- drums (drum set) and lead vocals:
- Don Henley
- guitar [lead] and guitar [rhythm]:
- Don Felder and Joe Walsh
- background vocals:
- Glenn Frey and Randy Meisner
- concertmaster:
- Sid Sharp
- phonographic copyright (℗) by:
- Asylum Records (in 1976) and Elektra/Asylum/Nonesuch Records (in 1976)
- recorded at:
- Criteria Studios in Miami, Florida, United States (from 1976-03 until 1976-10) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1976-03 until 1976-10)
- recording of:
- Life in the Fast Lane
- writer:
- Glenn Frey , Don Henley and Joe Walsh
- publisher:
- Cass County Music, Chappell Music Ltd., Red Cloud Music, Songs of Universal, Inc. , Sony/ATV Smash Hits, Warner Bros. Music Ltd. and Wow & Flutter Music
| 3.9 | 4:47 |
| 12 | The Long Run | 3.85 | 3:42 |
| 13 | Long Run Leftovers | | 3:02 |
| 14 | The Last Resort- engineer:
- Allan Blazek, Bruce Hensal, Ed Mashal and Bill Szymczyk
- producer and mixer:
- Bill Szymczyk
- acoustic guitar and piano:
- Glenn Frey
- bass guitar:
- Randy Meisner
- drums (drum set), synthesizer and lead vocals:
- Don Henley
- electric guitar and pedal steel guitar:
- Don Felder
- electric guitar and synthesizer:
- Joe Walsh
- background vocals:
- Don Felder, Glenn Frey , Randy Meisner and Joe Walsh
- concertmaster:
- Sid Sharp
- phonographic copyright (℗) by:
- Asylum Records (in 1976) and Elektra/Asylum/Nonesuch Records (in 1976)
- recorded at:
- Criteria Studios in Miami, Florida, United States (from 1976-03 until 1976-10) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1976-03 until 1976-10)
- recording of:
- The Last Resort
- writer:
- Glenn Frey and Don Henley
| 3.15 | 7:25 |
| 15 | Random Victims, Part 3 | | 9:42 |
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