Chartboxx: Movie Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
12001: Odysee Im Weltraum (Also sprach Zarathustra)
engineer:
Mike Clements (engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David R. Murray
organ:
David Bell (organist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-11-19 until 1989-03-15)
conductor:
Klaus Tennstedt (conductor) (from 1986-11-19 until 1989-03-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1986-11-19 until 1989-03-15)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1986-11-19 until 1989-03-15)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
London Philharmonic Orchestra1:45
2E.T. (Theme From Steven Spielberg’s Film E.T.)
Ron Goodwin and His Concert Orchestra3:57
3Spiel mir das Lied vom Tod (Once Upon a Time in the West)
Ennio Morricone5:07
4Miss Marple (Miss Marple’s Theme)
recording of:
Murder She Said
composer:
Ron Goodwin (English composer)
Ron Goodwin and His Concert Orchestra2:05
5Manhattan (Rhapsody in Blue)
grand piano:
Wayne Marshall (British pianist, organist and conductor)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
partial recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
composer:
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
premiered at:
Aeolian Hall in New York, New York, United States (on 1924-02-12)
version of:
Rhapsody in Blue (original 1924 two-piano manuscript version)
Wayne Marshall / Sir Simon Rattle4:36
6Doktor Schiwago (Lara’s Theme)
Ron Goodwin and His Concert Orchestra2:38
7Rob Roy (Overture: Rob Roy/The Rieving Party)
Carter Burwell4:42
8Philadelphia (La Mamma Morta)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Maria Callas / Tullio Serafin & Philharmonia Orchestra4:51
9Schindlers Liste (Schindler’s List - Theme)
violin:
Tasmin Little (violinist) (in 1994)
orchestra:
New World Symphony (US orchestral academy based in Miami Beach, FL) and New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
Tasmin Little / New World Philharmonic5:03
10Platoon (Adagio for Strings Op.11)
The Philadelphia Orchestra6:22
11Tod in Venedig (Adagietto)
James Conlon / Gürzenich-Orchester Köln4:23
12Barry Lyndon (Sarabande)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
performer:
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Academy of St Martin in the Fields3:23
13Das Piano (The Heart Asks Pleasure First)
Michael Nyman1:35
14Hannibal (Aria Goldberg Variations BWV 988)
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Maria Tipo3:04
15Das Zimmer meines Sohnes (La Stanza de Figlio)
Nicola Piovani4:05
16Es war einmal in Amerika (Deborah’s Theme)
Ennio Morricone4:23
17Romeo & Julia (Balcony Scenne)
engineer:
Andy Bradfield
co-producer:
Craig Armstrong (Scottish score composer) and Marius de Vries
producer:
Craig Armstrong (Scottish score composer) and Nellee Hooper
mixer:
Craig Armstrong (Scottish score composer)
orchestra:
The London Session Orchestra
conductor:
Craig Armstrong (Scottish score composer)
arranger and orchestrator:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
William Shakespeare’s Romeo + Juliet: Balcony Scene
composer:
Craig Armstrong (Scottish score composer), Marius de Vries and Nellee Hooper
publisher:
Melankolic and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Craig Armstrong5:18
18Ocean’s Eleven (Clair de Lune)
piano:
Dame Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Moura Lympany4:57
19American Beauty (Any Other Name)
recording engineer:
Dennis Sands (American sound engineer)
assistant engineer:
Tom Hardisty (film score engineer) and David Marquette
producer:
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) and Thomas Newman (American score composer)
mixer:
Tom Hardisty (film score engineer) and Dennis Sands (American sound engineer)
assistant editor:
Jordan Corngold
editor:
Bill Bernstein
performer:
Nikolaj Bloch and Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Any Other Name
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
publisher:
Cherry Lane Music and Cherry Lane Music Publishing Company Inc.
part of:
American Beauty (1999)
Nikolaj Bloch, Sally Herbert3.44:04
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