The Ultimate Grammy Box: From the Recording Academy’s Collection of Award Winning Music

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1My Heart Will Go On (Love Theme from “Titanic”)
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4.354:40
2Hello, Dolly!
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
double bass:
Arvell Shaw
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Louis Armstrong42:26
3Tell Me Something Good
recording engineer and mixer:
Don Sciarrotta (US Engineer, and producer)
assistant engineer:
Tony Sciarrotta
producer:
Bob Monaco
recording of:
Tell Me Something Good
lyricist and composer:
Stevie Wonder
publisher:
EMI Music Publishing (do not use as a release label!)
Rufus feat. Chaka Khan44:38
4Vision of Love
percussion programming:
Ren Klyce
programming:
Ben Margulies
engineer:
Patrick Dillett
additional producer:
Narada Michael Walden
producer:
Rhett Lawrence
mixer:
David Frazer (engineer)
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Ben Margulies
guitar:
Jimmy Rip
keyboard:
Rhett Lawrence
background vocals:
Mariah Carey
arranger:
Mariah Carey, Ben Margulies and Christopher W. Toland
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
recorded at:
Skyline Recording Studio in New York, New York, United States
mixed at:
Oakshire Recorders in Los Angeles, California, United States and Tarpan Studios in San Rafael, California, United States
music videos:
Vision of Love by Mariah Carey
recording of:
Vision of Love
writer:
Mariah Carey and Ben Margulies
publisher:
Been Jammin' Music, Sony Songs Inc. and Vision of Love Songs
Mariah Carey4.353:29
5Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
lead vocals:
Bobby Kimball and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
music videos:
Africa by Toto (US rock group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:59
6Crazy
producer:
Owen Bradley
vocals:
Patsy Cline
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 85) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 195)
recording of:
Crazy (Willie Nelson song) (in 1961)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tree Publishing
Patsy Cline4.152:44
7Gavotte – Suite no. 6, S. 1012
Yo‐Yo Ma3:29
8Don’t Worry, Be Happy
engineer:
Chris Tergesen
producer:
Linda Goldstein
body percussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographic copyright (℗) by:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin4.44:51
9Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Four Tops42:59
10Rockit
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi (in 1983)
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
performer:
DXT (US 80s hip hop, aka Grandmixer D.ST) (in 1983)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
music videos:
Rockit by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit (in 1983)
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock45:24
11(Just Like) Starting Over
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
bass guitar:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Andy Newmark
electric guitar:
John Lennon (The Beatles), Hugh McCracken and Earl Slick
keyboard:
George Small
percussion:
Arthur Jenkins
background vocals:
Cheryl Mason Jacks, Michelle Simpson, Eric Troyer and Cassandra Wooten
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1980-08-09)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1980-09-25 until 1980-09-26)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 76)
recording of:
(Just Like) Starting Over
lyricist and composer:
John Lennon (The Beatles)
publisher:
Lenono Music and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
John Lennon3.753:56
12Oh, Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.22:57
13Blues for Pablo
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-23)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (trombonist) (on 1957-05-23), Jimmy Cleveland (US jazz trombonist) (on 1957-05-23) and Frank Rehak (US jazz trombonist) (on 1957-05-23)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (trumpetist) (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-23)
orchestra:
The Gil Evans Orchestra
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
Blues for Pablo (on 1957-05-23)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
Miles Davis5:21
14Mi Tierra
additional engineer:
Charles Dye, Patrice Wilkison Levinsohn (engineering), Frank Miret (engineer) and Ron Taylor (audio editing)
engineer:
Eric Schilling
additionally engineered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Criteria Studios in Miami, Florida, United States, Estudio Sincronia in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Metropolis (London) in London (Greater London), England, United Kingdom and Sound Booth Studios in Miami, Florida, United States
engineered at:
Crescent Moon Studios in Miami, Florida, United States
recording of:
Mi tierra
writer:
Estéfano
publisher:
Foreign Imported Productions & Publishing, Inc.
Gloria Estefan3.54:39
15Cold Irons Bound
recording of:
Cold Irons Bound
lyricist and composer:
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing France and Special Rider Music (from 1997 to present)
Bob Dylan7:16
16Sunny Came Home
recording engineer:
Joe Blaney, John Leventhal and Mark Plati
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
acoustic guitar:
S. C.
bass guitar [bass]:
Michael Rhodes
drums (drum set) [drums]:
Shawn Pelton
guitar [guitars], keyboard [keyboards], mandolin, percussion and violin [one-finger violin]:
John Leventhal
background vocals [harmony]:
Kate Markowitz
vocals:
S. C.
mixed at:
Camp Clearmountain (Mix This!) in Los Angeles, California, United States
recording of:
Sunny Came Home
writer:
Shawn Colvin and John Leventhal
Shawn Colvin44:25
17Folson Prison Blues
additional producer:
Bob Irwin
producer:
Bob Johnston (US record producer and early rockebilly singer)
bass:
Marshall Grant (on 1968-01-13)
drums (drum set):
W.S. Holland (on 1968-01-13)
electric guitar:
Carl Perkins (American pioneer of rockabilly music) (on 1968-01-13) and Luther Perkins (on 1968-01-13)
guitar:
Johnny Cash (country music legend) (on 1968-01-13)
vocals:
Johnny Cash (country music legend) (on 1968-01-13)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recorded at:
Folsom State Prison in Folsom, California, United States (on 1968-01-13)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 54) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 164)
live recording of:
Folsom Prison Blues (on 1968-01-13)
lyricist and composer:
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation and Hi Lo Music
is based on:
Crescent City Blues
Johnny Cash4.852:43
18The Thrill Is Gone
recording of:
The Thrill Is Gone (1951 blues song)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
B.B. King5:24
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