| # | Title | Artist | Rating | Length |
|---|
| 1 | Dido & Aeneas: Overture | Henry Purcell | | 1:51 |
| 2 | Dido & Aeneas: Act I, Scene: The Palace. “Shake the Cloud From Off Your Brow” (Belinda)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Salomé Haller
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
| Henry Purcell | | 1:04 |
| 3 | Dido & Aeneas: Act I, Scene: The Palace. “Ah! Belinda” (Dido)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Laura Pudwell
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
| Henry Purcell | | 4:15 |
| 4 | Dido & Aeneas: Act I, Scene: The Palace. “Whence Could So Much Virtue Spring” (Dido)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Laura Pudwell
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
| Henry Purcell | | 3:07 |
| 5 | Dido & Aeneas: Act I, Scene: The Palace. “See, Your Royal Guest Appears” (Belinda)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Salomé Haller
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
| Henry Purcell | | 1:27 |
| 6 | Dido & Aeneas: Act I, Scene: The Palace. “If Not for Mine” (Aeneas)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Peter Harvey
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
| Henry Purcell | | 1:12 |
| 7 | Dido & Aeneas: Act I, Scene: The Palace. “To the Hills and the Vales” (Chorus)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act I
| Henry Purcell | | 2:07 |
| 8 | Dido & Aeneas: Act II, Scene: The Cave. Prelude for the Witches “Wayward Sisters” (Sorceress)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Laura Pudwell
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
| Henry Purcell | | 3:16 |
| 9 | Dido & Aeneas: Act II, Scene: The Cave. “But Ere We This Perform” (Witches)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- solo soprano vocals:
- Marie-Louise Duthoit and Salomé Haller
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
| Henry Purcell | | 1:09 |
| 10 | Dido & Aeneas: Act II, Scene: The Cave. “In Our Deep‐Vaulted Cell” (Chorus)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
| Henry Purcell | | 2:12 |
| 11 | Dido & Aeneas: Act II, Scene: The Grove. Ritornelle “Thanks to These Lonesome Vales” (Belinda)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Salomé Haller
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
| Henry Purcell | | 3:23 |
| 12 | Dido & Aeneas: Act II, Scene: The Grove. “Oft She Visits” (Second Woman)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Marie-Louise Duthoit
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
| Henry Purcell | | 2:35 |
| 13 | Dido & Aeneas: Act II, Scene: The Grove. “Behold, Upon My Bending Spear” (Aeneas)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Peter Harvey
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
| Henry Purcell | | 1:21 |
| 14 | Dido & Aeneas: Act II, Scene: The Grove. “Stay, Prince” (Spirit)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Matthew White
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act II
| Henry Purcell | | 2:29 |
| 15 | Dido & Aeneas: Act III, Scene: The Ships. Prelude “Come Away, Fellow Sailors” (First Sailor)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Nicolas Maire
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- publisher:
- Public Domain
- part of:
- Dido and Aeneas, Z. 626: Act III
| Henry Purcell | | 2:27 |
| 16 | Dido & Aeneas: Act III, Scene: The Ships. “See the Flags” (Sorceress)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Laura Pudwell
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act III
| Henry Purcell | | 2:07 |
| 17 | Dido & Aeneas: Act III, Scene: The Ships. The Witches’ Dance- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
- composer:
- Henry Purcell
- publisher:
- Public Domain
- part of:
- Dido and Aeneas, Z. 626: Act III
| Henry Purcell | | 1:15 |
| 18 | Dido & Aeneas: Act III, Scene: The Palace. “Your Counsel All Is Urg’d in Vain” (Dido)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Laura Pudwell
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act III
| Henry Purcell | | 3:29 |
| 19 | Dido & Aeneas: Act III, Scene: The Palace. “Great Minds” (Chorus)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act III
| Henry Purcell | | 0:41 |
| 20 | Dido & Aeneas: Act III, Scene: The Palace. “Thy Hand, Belinda” (Dido)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- lead vocals:
- Laura Pudwell
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act III
| Henry Purcell | | 3:29 |
| 21 | Dido & Aeneas: Act III, Scene: The Palace. “With Drooping Wings” (Chorus)- engineer:
- Manuel Mohino
- producer:
- Dominique Daigremont
- additional bass vocals:
- Frédéric Albou, Thomas van Essen and Eric Guillermin
- additional contralto vocals:
- Emmanuel Bardon , Frédéric Bétous and Matthew White
- additional soprano vocals:
- Aude Fenoy , Sophie Landy, Delphine Malik and Marie-Pierre Wattiez
- additional tenor vocals:
- Gauthier Fenoy , Nicolas Maire and Pascal Richardin
- orchestra:
- Le Concert Spirituel
- conductor:
- Hervé Niquet
- recorded at:
- Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
- recording of:
- Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act III
| Henry Purcell | | 4:34 |
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