Romantic Adagios II

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Tristan Und Isolde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:38
2The Sleeping Beauty
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio")
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Пётр Ильич Чайковский6:38
3Romance No.2
engineer:
Tony Buczynski and Cees Huizinga
producer:
Jaap van Ginneken
violin:
Arthur Grumiaux (Belgian violinist) (from 1960-05-11 until 1960-05-14)
orchestra:
Royal Concertgebouw Orchestra (from 1960-05-11 until 1960-05-14)
conductor:
Bernard Haitink (conductor) (from 1960-05-11 until 1960-05-14)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1960-05-11 until 1960-05-14)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (from 1960-05-11 until 1960-05-14)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven7:53
4Double Violin Concerto
producer:
Peter Wadland (producer)
cello:
Mark Claudle and Richard Webb (cellist)
chamber organ and harpsichord:
Christopher Hogwood (conductor, harpsichordist)
double bass:
Keith Marjoram
viola:
Katherine Hart (viola player) and Trevor Jones (British violist, ex. Salomon Quartet)
violin:
Alison Bury (violinist), Graham Cracknell, Roy Goodman (conductor and violinist), Christopher Hirons (violinist), John Holloway (violinist/conductor) and Monica Huggett (violinist)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:45
5Cello Concerto
solo cello:
Julian Lloyd Webber (cellist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar5:20
6Liebestraum No.3
piano:
Misha Dichter (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:00
7Prelude a L'Apres-Midi D'Un Faune
sound engineer and engineer:
Colin Moorfoot (engineer)
producer:
Andrew Cornall (engineer / producer)
flute:
Jeffrey Khaner (in 1986-04)
orchestra:
The Cleveland Orchestra (in 1986-04)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1986-04)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1986-04)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:08
8Piano Concerto
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Riccardo Chailly (conductor)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:44
9Vocalise
producer:
Paul Myers (classical record producer)
cello:
Lynn Harrell (cellist) (from 1984-09-01 until 1984-09-05)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1984-09-01 until 1984-09-05)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1984-09-01 until 1984-09-05)
recording of:
Vocalise, op. 34 no. 14 (for cello and piano, Rose) (from 1984-09-01 until 1984-09-05)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arranger:
Leonard Rose (cellist)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Сергей Васильевич Рахманинов6:59
10Fantasia on a Theme by Thomas Tallis
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Roger Norrington (conductor)
recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams14:34