Portrait

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleRatingLength
1Stardust
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:40
2I Got Rhythm
recorded in:
Chicago, Illinois, United States (on 1931-11-06)
alto saxophone:
Lester Boone (on 1931-11-06)
clarinet and soprano saxophone:
George James (US jazz saxophonist) (on 1931-11-06)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-06)
drums (drum set):
Tubby Hall (on 1931-11-06)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-06)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-06)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-06)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-06)
trumpet:
Louis Armstrong (on 1931-11-06) and Zilner Randolph (on 1931-11-06)
vocals:
Louis Armstrong (on 1931-11-06)
recording of:
I Got Rhythm (on 1931-11-06)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:07
3Jeepers Creepers
recorded in:
New York, New York, United States (on 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-01-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-01-18)
double bass:
George "Pops" Foster (on 1939-01-18)
drums (drum set):
Sid Catlett (on 1939-01-18)
guitar:
Lee Blair (on 1939-01-18)
piano:
Luis Russell (on 1939-01-18)
tenor saxophone:
Bingie Madison (on 1939-01-18) and Albert Nicholas (on 1939-01-18)
trombone:
Wilbur de Paris (on 1939-01-18), J.C. Higginbotham (on 1939-01-18) and Bull City Red (aka George Washington) (on 1939-01-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-01-18), Louis Armstrong (on 1939-01-18), Shelton "Scad" Hemphill (on 1939-01-18) and Otis Johnson (trumpet) (on 1939-01-18)
vocals:
Louis Armstrong (on 1939-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-01-18)
performer:
Louis Armstrong & His Orchestra
later releases:
Jeepers Creepers by Louis Armstrong
recording of:
Jeepers Creepers (on 1939-01-18)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
42:40
4Basin Street Blues
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
cover recording of:
Basin Street Blues (on 1933-01-27)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:27
5Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (US jazz saxophonist) (on 1932-01-25)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-25)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-25)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-25)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:02
6Some Sweet Day
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
recording of:
Some Sweet Day (on 1933-01-27)
lyricist:
Ed Rose (lyricist)
composer:
Tony Jackson (New Orleans ragtime pianist) and Abe Olman
recording of:
Some Sweet Day (in 1933)
lyricist:
Ed Rose (lyricist)
composer:
Tony Jackson (New Orleans ragtime pianist) and Abe Olman
3:01
7I'm in the Mood for Love
recorded in:
New York, New York, United States (on 1935-10-03)
bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
I’m in the Mood for Love (on 1935-10-03)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
43:07
8Swing That Music
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Swing That Music (on 1936-05-18)
lyricist and composer:
Louis Armstrong and Horace Gerlach
2:49
9Eventide
recording of:
Ev'ntide
lyricist and composer:
Hoagy Carmichael
2:52
10Dinah
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
recording of:
Dinah (on 1930-05-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
3:19
11Ain't Misbehavin'
recorded in:
New York, New York, United States (on 1929-07-19)
alto saxophone:
Bert Curry (on 1929-07-19) and Crawford Wethington (on 1929-07-19)
banjo:
Mancy "Peck" Carr (on 1929-07-19)
drums (drum set):
Zutty Singleton (on 1929-07-19)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-19)
tenor saxophone:
Jimmy Strong (on 1929-07-19)
trombone:
Fred Robinson (American trombonist) (on 1929-07-19)
trumpet:
Louis Armstrong (on 1929-07-19) and Homer Hobson (on 1929-07-19)
tuba:
Pete Briggs (on 1929-07-19)
violin:
Carroll Dickerson (on 1929-07-19)
vocals:
Louis Armstrong (on 1929-07-19)
conductor:
Carroll Dickerson (on 1929-07-19)
recording of:
Ain’t Misbehavin’ (on 1929-07-19)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
4.653:24
12I Ain't Got Nobody
recorded in:
New York, New York, United States (on 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-12-10) and Albert Nicholas (on 1929-12-10)
double bass:
George "Pops" Foster (on 1929-12-10)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1929-12-10)
guitar:
Will Johnson (jazz musician) (on 1929-12-10)
piano:
Luis Russell (on 1929-12-10)
tenor saxophone:
Teddy Hill (on 1929-12-10)
trombone:
J.C. Higginbotham (on 1929-12-10)
trumpet:
Henry “Red” Allen (jazz musician) (on 1929-12-10), Louis Armstrong (on 1929-12-10) and Otis Johnson (trumpet) (on 1929-12-10)
vocals:
Louis Armstrong (on 1929-12-10)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (on 1929-12-10)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:46
13I'm Confessin'
recorded in:
Los Angeles, California, United States (on 1930-08-19)
alto saxophone:
Leon Herriford (on 1930-08-19) and Willie Stark (on 1930-08-19)
drums (drum set):
Lionel Hampton (on 1930-08-19)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-08-19)
steel guitar:
Ceele Burke (on 1930-08-19)
tenor saxophone:
William Franz (on 1930-08-19)
trombone:
Lawrence Brown (jazz trombonist) (on 1930-08-19)
trumpet:
Louis Armstrong (on 1930-08-19) and Leon Elkins (on 1930-08-19)
tuba:
Reggie Jones (on 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (on 1930-08-19)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:23
14My Sweet
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-04-05) and Buck Washington (on 1930-04-05)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-04-05)
trombone:
Henry Hicks (jazz trombonist) (on 1930-04-05)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-04-05)
vibraphone:
Unknown, probably Joe Turner ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
My Sweet (on 1930-04-05)
lyricist:
Stuart Gorrell
composer:
Hoagy Carmichael
3:23
15Dear Old Southland
orchestra:
Louis Armstrong and His Orchestra (on 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (on 1930-04-05)
lyricist:
Henry Creamer (Lyricist) (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
3:19
16That Rhythm Man
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
clarinet:
Jimmy Strong (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
That Rhythm Man (on 1929-07-22)
writer:
Harry Brooks (jazz pianist & songwriter), Andy Razaf and Thomas Waller (Fats Waller)
3:10
17Knockin' a Jug
recording of:
Knockin’ a Jug
composer:
Louis Armstrong and Eddie Condon
3:26
18St Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:02