| # | Title | Artist | Rating | Length |
|---|
| 1 | Feels Like the First Time | Foreigner | 4.2 | 3:52 |
| 2 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 4.2 | 3:40 |
| 3 | Hard to Say I’m Sorry | Chicago | 5 | 3:52 |
| 4 | Waiting for a Girl Like You- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd. , フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 3.35 | 4:50 |
| 5 | I Need You | America | 3.55 | 3:07 |
| 6 | How Sweet It Is (To Be Loved by You) | James Taylor & The Rock Hall Jam Band | | 3:36 |
| 7 | How Much I Feel | Ambrosia | 5 | 4:48 |
| 8 | Ready for Love | Bad Company | 4.3 | 5:00 |
| 9 | Blue Bayou | Linda Ronstadt | 4.25 | 3:57 |
| 10 | Baby I’m-A Want You | Bread | 4 | 2:23 |
| 11 | Steal Away- engineer:
- Gary Brandt
- congas:
- Miguel Rivera
- guitar:
- Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer and Brian Ray
- harmonica:
- Robbie Dupree
- keyboard:
- Rick Chudacoff and Bill Elliott
- marimba:
- Alan Estes
- percussion:
- Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera
- saxophone:
- Jerry Peterson
- synthesizer:
- Michael Boddicker and Bill Elliott
- background vocals:
- Kal David, Bill LaBounty, Arno Lucas and Michael McDonald
- arranger:
- Bill Elliott
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1980) and Elektra/Asylum Records (in 1980)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
- recording of:
- Steal Away
- lyricist:
- Rick Chudacoff
- composer:
- Robbie Dupree
- publisher:
- Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Robbie Dupree | | 3:30 |
| 12 | I’d Really Love to See You Tonight | England Dan & John Ford Coley | 5 | 2:38 |
| 13 | More Than I Can Say | Leo Sayer | 3 | 3:38 |
| 14 | Baker Street- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- electric guitar:
- Hugh Burns and Nigel Jenkins
- Moog and keyboard:
- Tommy Eyre
- percussion:
- Glen LeFleur
- saxophone:
- Raphael Ravenscroft
- lead vocals:
- Gerry Rafferty
- strings arranger:
- Graham Preskett
- phonographic copyright (℗) by:
- EMI Records USA (in 1977), EMI (in 1978), EMI Records Ltd. (in 1978), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 26)
- recording of:
- Baker Street
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 3.65 | 6:00 |
| 15 | Just Remember I Love You | Firefall | | 3:14 |
| 16 | That’s the Way I’ve Always Heard It Should Be- producer:
- Eddie Kramer
- mixer:
- Eddie Kramer and Dave Palmer
- acoustic guitar and piano:
- Carly Simon
- bass:
- Gerry Jemmott, David Givens, Tony Levin , Doug Rauch and Jim Wilkins
- cello:
- Harvey Shapiro
- drums (drum set):
- John Siomos
- guitar:
- David Bromberg , Jimmy Johnson and Jimmy Ryan
- keyboard:
- Paul Griffin , Mark “Moogy” Klingman and Billy Mernit
- pedal steel guitar:
- Jeff Baxter
- strings:
- Ed Freeman
- vocals:
- Carly Simon
- strings [string arrangement] arranger and strings arranger:
- Ed Freeman
- phonographic copyright (℗) by:
- Rhino Entertainment Company (in 2015)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- That’s the Way I’ve Always Heard It Should Be
- lyricist:
- Jacob Brackman
- composer:
- Carly Simon
- publisher:
- C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music and Universal Music Corp.
| Carly Simon | 3.65 | 4:17 |
| 17 | You’re the Only Woman | Ambrosia | 5 | 4:19 |
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