Annotation

Original Sound recording made in 1957 by EMI Records
Digitally remastered in 1987 by EMI Records
Doubtless the same performance as this, but with different track division.

EMI CDS 7 49354 2 represents the three disc boxed set.
EMI CDC 7 49355 2, CDC 7 49356 2 and CDC 7 49357 2 represent the individual discs.

Annotation last modified on 2014-03-11 19:10 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug I. Einleitung
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:36
2Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
3Der Rosenkavalier, Op. 59: Aufzug I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:39
4Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:10
5Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:49
6Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22) and Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:17
7Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss0:56
8Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
9Der Rosenkavalier, Op. 59: Aufzug I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:45
10Der Rosenkavalier, Op. 59: Aufzug I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:22
11Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Anny Felbermayer (soprano) (from 1956-12-10 until 1956-12-22) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
12Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
tenor vocals:
Nicolai Gedda (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:10
13Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe …" (Baron, Notar, Sänger)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Nicolai Gedda (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:02
14Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:39
15Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-12-10 until 1956-12-22)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:18
16Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:33
17Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:26
18Der Rosenkavalier, Op. 59: Aufzug I. "Mein schöner Schatz" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:20
19Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22) and Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss7:18
2CD
3CD

Credits

Release

mastering:Christopher Parker (classical recording and balance engineer, active from 1950s)
chorus master:Wilhelm Pitz (chorus master)
choir vocals:Bancroft's School Choir
Loughton High School for Girls
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)