Magnificat (500 Ans De Musique Sacre) = Magnificat (Grosse Chorwerke Aus 5 Jahrhunderten) = Magnificat (500 Years Of Choral Masterworks)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Symphony no. 8 in E-flat major: Part I. Veni, creator spiritus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:26
2Symphony no. 8 in E-flat major: Part I. Imple superna gratia
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:26
3Symphony no. 8 in E-flat major: Part I. Infirma nostri corporis
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler6:20
4Symphony no. 8 in E-flat major: Part I. Accende lumen sensibus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:44
5Symphony no. 8 in E-flat major: Part I. Veni, creator spiritus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:49
6Symphony no. 8 in E-flat major: Part I. Gloria Patri Domino
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:25
7Symphony no. 8 in E-flat major: Part II. Poco Adagio--Waldung, sie schwankt heran
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler14:16
8Symphony no. 8 in E-flat major: Part II. Ewiger Wonnebrand
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo baritone vocals [Pater Ecstaticus]:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:35
9Symphony no. 8 in E-flat major: Part II. Wie Felsenabgrund mir zu Füßen
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo bass vocals [Pater Profundus]:
Martti Talvela (operatic bass) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:42
10Symphony no. 8 in E-flat major: Part II. Gerettet ist das edle Glied
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:03
11Symphony no. 8 in E-flat major: Part II. Uns bleibt ein Erdenrest--Hier ist die Aussicht frei
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:59
12Symphony no. 8 in E-flat major: Part II. Höchste Herrscherin der Welt--Dir, der Unberührbaren
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:08
13Symphony no. 8 in E-flat major: Part II. Bei der liebe, die den Füßen
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo contralto vocals [Maria Aegyptiaca]:
Helen Watts (contralto) (in 1971-09)
solo contralto vocals [Mulier Samaritana]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo soprano vocals [Magna Peccatrix]:
Heather Harper (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:54
14Symphony no. 8 in E-flat major: Part II. Neige, neige, du Ohnegleiche
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:18
15Symphony no. 8 in E-flat major: Part II. Blicket auf zum Retterblick
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-08 until 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo soprano vocals [Mater Gloriosa]:
Arleen Augér (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:47
16Symphony no. 8 in E-flat major: Part II. Alles Vergängliche
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-08 until 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1971-08 until 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (from 1971-08 until 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (from 1971-08 until 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:42
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