Classic Dinner Party

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Ho Hey
recording engineer and producer:
Ryan Hadlock (engineer, producer and clapper)
additional engineer:
Jerry Streeter
assistant engineer:
Grant Hathaway
mixer:
Kevin Augunas
phonographic copyright (℗) by:
Dualtone Music Group (not for label use; please use “Dualtone” instead)
recorded at:
Bear Creek Studios in Woodinville, Washington, United States
mixed at:
Fairfax Recordings Studio in Van Nuys, California, United States
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 12), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 17) and Indie 88: Top 500 Indie Rock Songs (number: 70)
recording of:
Ho Hey
writer:
Jeremiah Fraites and Wesley Schultz
The Lumineers4.32:43
2Don’t Know Why
cover recording of:
Don’t Know Why
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3:02
3I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
4Somewhere Only We Know
programming, producer and mixer:
Paul Beard (violinist)
engineer:
Joe Kearns (British record producer, writer and engineer)
co-mixer:
Joe Kearns (British record producer, writer and engineer)
acoustic guitar:
Paul Sayer
percussion and piano:
Paul Beard (violinist)
lead vocals:
Lily Allen
strings arranger:
James Banbury, Andy Cook (engineer), Matt Doughty and Will Hicks
arranger:
Paul Beard (violinist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2014)
cover recording of:
Somewhere Only We Know
writer:
Tom Chaplin, Richard Hughes (Keane member) and Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Lily Allen43:28
5(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:46
6In the Waiting Line
producer and mixer:
Zero 7
compiler:
Aurore Leblanc
bass:
Pete Trotman
drums (drum set):
Jeremy Stacey
guitar:
Dedi Madden
vocals:
Sophie Barker (UK electronic vocalist)
phonographic copyright (℗) by:
Ultimate Dilemma Records (in 2001)
mixed at:
Shabang Studios
produced at:
Shabang Studios
music videos:
In the Waiting Line (Music video) by Zero 7
recording of:
In the Waiting Line
writer:
Sophie Barker (UK electronic vocalist), Henry Binns and Sam Hardaker
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Zero 74.84:31
7Resolution
Matt Corby4:16
8Steady
assistant recording engineer:
Christopher Messina
recording engineer:
Zach Hanson
assistant producer:
Bradley Cook (member of Megafaun, producer, songwriter)
producer:
Justin Vernon
mixer:
BJ Burton (engineer), Zach Hanson and Justin Vernon
vocals:
Camilla Staveley-Taylor, Emily Staveley-Taylor and Jessica Staveley-Taylor
performer:
The Staves (UK folk rock trio)
recorded at and mixed at:
April Base in Fall Creek, Wisconsin, United States
recording of:
Steady
writer:
The Staves (UK folk rock trio)
The Staves3:28
9You Might Need Somebody (acoustic)
cover recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Shola Ama3:25
10Baby
recording of:
Baby
writer:
Devendra Banhart (singer-songwriter)
Devendra Banhart3:05
11Walkin Man
recording of:
Walkin’ Man
lyricist and composer:
Steven Wold
Seasick Steve3.42:42
12My Funny Valentine
producer:
Richard Bock (record producer)
bass:
Carson Smith
drums (drum set):
Bob Neel
piano:
Russ Freeman (pianist)
vocals:
Chet Baker (American jazz trumpeter and vocalist)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:20
13Baby I’m a Fool
bass:
Ken Pendergast (bass player, vocalist)
cello:
Larry Corbett, Christina Soule (cello) and Cécilia Tsan (cellist)
double bass:
Nico Abandolo (Musician - Bass Player) and Drew Dembowski
drums (drum set):
Charlie Patterno (Musician - Drummer)
harp:
Amy Shulma (Musican - Harp Player)
viola:
Alma Fernandez, Samuel Formicola (violist), Roland Kato and Dave Walther (Musician - Viola Player)
violin:
Darius Campo, Roberto Cani (violinist), Kevin Connolly (violinist), Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov and Audrey Solomon
vocals:
Melody Gardot
recording of:
Baby I'm a Fool
lyricist and composer:
Melody Gardot
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melody Gardot3.653:30
14The First Time Ever I Saw Your Face
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
cello:
Charles McCracken (cellist) (on 1969-02-25) and George Ricci (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (on 1969-02-25)
viola:
Alfred Brown (viola) (on 1969-02-25), Selwart Clarke (on 1969-02-25) and Theodore Israel (on 1969-02-25)
violin:
Emanuel Green (on 1969-02-25) and Gene Orloff (on 1969-02-25)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-25)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
cover recording of:
The First Time Ever I Saw Your Face (on 1969-02-25)
lyricist and composer:
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. and Westbury Music Ltd.
Roberta Flack4:20
15The Midnight Sun Will Never Set
recording of:
The Midnight Sun Will Never Set (Sarah Vaughan)
lyricist:
Dorcas Cochran
composer:
Quincy Jones and Henri Salvador
Duke Ellington3:06
16Grounded (acoustic)
Rae Morris4:01
17Voices
Dario G3:23
18Ain’t No Mountain High Enough
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 6)
cover recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross3:34
19Prayer in C
producer:
Pierre Guimard
vocals:
Lilly Wood and The Prick
remixer:
Robin Schulz
arranger:
Pierre Guimard
phonographic copyright (℗) by:
Choke Industry (from 2014 to present)
remix of:
Prayer in C by Lilly Wood & The Prick
recording of:
Prayer in C
writer:
Benjamin Cotto and Nili Hadida
publisher:
Choke Industry and Warner Chappell Music France
part of:
Matuschkes Lieblinge 2014 and Prix Rolf Marbot de la chanson de l’année (number: 2014)
Lilly Wood & The Prick & Robin Schulz3.553:09
20Omen
engineer:
Gus Pirelli (Remixer/Producer)
producer and mixer:
Disclosure (UK electronic duo Guy & Howard Lawrence)
background vocals and lead vocals:
Sam Smith (English singer‐songwriter)
recording of:
Omen
writer:
Guy Lawrence (Disclosure), Howard Lawrence (Disclosure), James Napier and Sam Smith (English singer‐songwriter)
publisher:
Naughty Words Limited, Salli Isaak Music Publishing (publisher; do NOT use as release label) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Disclosure3.53:17