Complete Recordings on Archiv Produktion

~ Release by Trevor Pinnock & The English Concert (see all versions of this release, 1 available)

Annotation

A 99-CD + 1 DVD collection of the recordings made by Trevor Pinnock and The English Concert for Archiv Produktion. Includes a 184-page book with essays and complete tracklists.

Annotation last modified on 2023-05-07 10:16 UTC.

Tracklist

1▶CD: C. P. E. Bach: The Symphonies for Strings Wq. 182/1-6
2▶CD: C. P. E. Bach: Flute Concertos Wq. 166 & 167
3▶CD: Johann Christian Bach: Quintet op. 22/1 / Sextet in C major / Quintets op. 11/1 & 11/6
4▶CD: J. S. Bach: Orchestral Suites (Overtures) nos. 1-4 BWV 1066-1069
5▶CD: J. S. Bach: Orchestral Suites (Overtures) nos. 1 & 4 BWV 1066 & 1069 / “Unser Mund sei voll Lachens” from Cantata BWV 110 / Sinfonia from Cantata BWV 174 / Sinfonia from Easter Oratorio BWV 249
6▶CD: J. S. Bach: Orchestral Suites (Overtures) nos. 3 & 2 BWV 1068 & 1067 / Sinfonias from Cantatas BWV 42 & 52
7▶CD: J. S. Bach: Brandenburg Concertos nos. 1-3 BWV 1046-1048
8▶CD: J. S. Bach: Brandenburg Concertos nos. 4-6 BWV 1049-1051
9▶CD: J. S. Bach: Violin Concertos BWV 1041 & 1042 / Concerto for 2 Violins in D minor BWV 1043
10▶CD: J. S. Bach: “Triple Concerto” BWV 1044 / Oboe Concerto BWV 1060R / Oboe d'amore Concerto BWV 1055R
11▶CD: J. S. Bach: Harpsichord Concertos BWV 1052-1054
12▶CD: J. S. Bach: Harpsichord Concertos BWV 1055, 1056 & 1058 / Concerto for Harpsichord and 2 Recorders BWV 1057
13▶CD: J. S. Bach: Concertos for 2 Harpsichords BWV 1060-1062
14▶CD: J. S. Bach: Concerto for 4 Harpsichords BWV 1065 / Concertos for 3 Harpsichords BWV 1064 & 1063
15▶CD: J. S. Bach: “Triple Concerto” BWV 1044 / Brandenburg Concerto no. 5 BWV 1050
16▶CD: Boyce: Symphonies nos. 1-8
17▶CD: Corelli: Concerti grossi op. 6/1-6
18▶CD: Corelli: Concerti grossi op. 6/7-12
19▶CD: Corelli: 10 Trio Sonatas from opp. 1 & 2
20▶CD: Fasch: Concertos FWV L:D1, L:C2, L:B1 & L:D14 / Overture (Suite) FWV K:G2
21▶CD: Handel: Water Music Suites HWV 348 & 349/350
22▶CD: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
23▶CD: Handel: Music for the Royal Fireworks, HWV 351 / Concertos HWV 331/316 & 335a / Passacaille, Gigue and Menuet in G major / Occasional Suite in D major
24▶CD: Handel: Overtures: Alceste / Agrippina / Il pastor fido / Saul / Tesco / Samson
25▶CD: Handel: 6 Concerti grossi op. 3 (HWV 312-317)
26▶CD: Handel: 12 Concerti grossi op. 6 nos. 1-4 (HWV 319-322)
27▶CD: Handel: 12 Concerti grossi op. 6 nos. 5-8 (HWV 323-326)
28▶CD: Handel: 12 Concerti grossi op. 6 nos. 9-12 (HWV 327-330)
29▶CD: Handel: Concerto grosso “Alexander's Feast”, HWV 318 / Sonata a 5, HWV 288 / Oboe Concertos nos. 1-3 HWV 301, 302a & 287
30▶CD: Handel: 6 Concerti per l'organo ed altri strumenti, op. 4 nos. 1-4 (HWV 289-292)
31▶CD: Handel: 6 Concerti per l'organo ed altri strumenti, op. 4 nos. 5 & 6 (HWV 293 & 294) / Organ Concerto HWV 296
32▶CD: Handel: 6 Concerti per l'organo, op. 7 nos. 1-4 (HWV 306-309)
33▶CD: Handel: 6 Concerti per l'organo, op. 7 nos. 5 & 6 (HWV 310 & 311) / Organ Concertos HWV 295 & 304
34▶CD: Handel: Sonatas for 2 Violins HWV 399, 393, 397 & 388 / Violin Sonata, HWV 361 / Sonata for Flute and Violin, HWV 386b
35▶CD: Handel: Messiah, HWV 56 Parts I & II (beg.)
36▶CD: Handel: Messiah, HWV 56 Parts II (cont.) & III
37▶CD: Handel: Coronation Anthems
38▶CD: Handel: Silete venti, HWV 242 / Cecilia, volgi un sguardo, HWV 89
39▶CD: Handel: Dettingen Te Deum, HWV 283 / Dettingen Anthem, HWV 265
40▶CD: Handel: Ode for St. Cecilia's Day, HWV 76
41▶CD: Handel: Belshazzar, HWV 61 Act I, Scenes 1-3
42▶CD: Handel: Belshazzar, HWV 61 Act I, Scene 4 / Act II, Scenes 1 & 2 (beg.)
43▶CD: Handel: Belshazzar, HWV 61 Act II, Scenes 2 (cont.) & 3 / Act III
44▶CD: Handel arr. Mozart: Acis und Galatea, K. 566 Act I
45▶CD: Handel arr. Mozart: Acis und Galatea, K. 566 Act II
46▶CD: Haydn: Symphonies nos. 6-8
47▶CD: Haydn: Symphonies nos. 35, 38, 39 & 59
48▶CD: Haydn: Symphonies nos. 26, 49 & 58
49▶CD: Haydn: Symphonies nos. 41, 48 & 65
50▶CD: Haydn: Symphonies nos. 43, 51 & 52
51▶CD: Haydn: Symphonies nos. 42, 44 & 46
52▶CD: Haydn: Symphonies nos. 45, 47 & 50
53▶CD: Haydn: Violin Concertos Hob. VIIa:1, 3 & 4 / Salomon: Romance in D major
54▶CD: Haydn: Oboe Concerto, Hob. VIIg:C1 / Trumpet Concerto, Hob. VIIe:1 / Harpsichord Concerto, Hob. XVIII:11
55▶CD: Haydn: “Nelson” Mass, Hob. XXII:11 / Te Deum, Hob. XXIIIc:2
56▶CD: Haydn: “Theresienmesse”, Hob. XXII:12 / Mass “Sancti Nicolai”, Hob. XXII:6
57▶CD: Haydn: Stabat Mater, Hob. XXbis
58▶CD: Mozart: Symphonies nos. 1 & 4-6 / Symphonies K. Anh. 223 (19a) & K. Anh. 221 (45a)
59▶CD: Mozart: Symphonies nos. 7-9 / Symphonies K. 76 (42a), K. Anh. 214 (45b) & K. 81 (73l)
60▶CD: Symphony no. 11 / Symphonies K> 97 (73m), K. 95 (73n), K. Anh. 216 (C11.03), K. 75 & K. 96 (111b)
61▶CD: Mozart: Symphonies nos. 10 & 12-15
62▶CD: Mozart: Symphonies nos. 16-19
63▶CD: Mozart: Symphonies nos. 20, 21, 26 & 27
64▶CD: Mozart: Symphonies nos. 22-25 & 30
65▶CD: Mozart: Symphonies nos. 29 & 28
66▶CD: Mozart: Symphonies nos. 31-34
67▶CD: Mozart: Symphonies nos. 35 & 36
68▶CD: Mozart: Symphonies nos. 38 & 39
69▶CD: Mozart: Symphonies nos. 40 & 41
70▶CD: Mozart: “Coronation” Mass, K. 317 / Exsultate, jubilate, K. 165 (158a) / Vesperae solennes de confessore, K. 339
71▶CD: Poulenc: Concert champêtre
72▶CD: Purcell: Come, ye sons of art, away, Z. 323 / Welcome to all the pleasures, Z. 339 / Of old, when heroes thought it base, Z. 333
73▶CD: Purcell: Choral Works I
74▶CD: Purcell: Choral Works II
75▶CD: Purcell: Dido and Aeneas, Z. 626
76▶CD: Purcell: King Arthur, Z. 628 Acts I-III
77▶CD: Purcell: King Arthus, Z. 628 Acts IV & V
78▶CD: Purcell: Dioclesian, Z. 627 Acts I-V (beg.)
79▼CD: Purcell: Dioclesian, Z. 627 Act V. (cont.) / Timon of Athens, Z. 632
#TitleArtistRatingLength
1Dioclesian, Z. 627: The Masque. Prelude - “Behold, O mightiest of Gods” (chorus)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Chorus "Behold, O mighty'st of Gods" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell3:31
2Dioclesian, Z. 627: The Masque. Paspe
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Paspe. The first entry of heroes on the stage (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:51
3Dioclesian, Z. 627: The Masque. “Oh the sweet delights of love!” (Two Wood-Gods)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01) and Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "O the Sweet Delights of Love" (Wood-Gods) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:50
4Dioclesian, Z. 627: The Masque. “Let monarchs fight” (Faun, chorus) / “Hear mighty love”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let monarchs fight" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell5:11
5Dioclesian, Z. 627: The Masque. “Since from my dear Astraea's sight”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Song "Since from my dear Astrea's sight" (Soprano ("sung in the last act", probably alternate number for "Still I'm wishing")) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell3:14
6Dioclesian, Z. 627: The Masque. “Make room, make room” (Two Bacchanalians)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Simon Birchall (operatic bass) (in 1994-01) and Lawrence Wallington (British classical bass vocalist) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: (Prelude and) Duet "Make room for the great god of wine" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:45
7Dioclesian, Z. 627: The Masque. “I'm here, I'm here, with my jolly crew” (Bacchus) / “We'll rejoice as well as you” (Bacchus, Bacchanalians) / “The mighty jove” (chorus)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1994-01) and Stephen Gadd (baritone) (in 1994-01)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Dioclesian, Z. 627: Act V. The Masque: “Let the Graces and Pleasures repair” (Cupid) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell2:19
8Dioclesian, Z. 627: The Masque. Dance of Bacchanals
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance of Bacchanals (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:27
9Dioclesian, Z. 627: The Masque. “Still I'm wishing, still desiring” (One of Cupid's Followers)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Ritornello "Still I'm wishing" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell4:38
10Dioclesian, Z. 627: The Masque. Canaries
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Canaries (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:28
11Dioclesian, Z. 627: The Masque. “Tell me why” (Shepherd, Shepherdess)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
soprano vocals:
Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Tell me why my charming fair" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell5:41
12Dioclesian, Z. 627: The Masque. Dance
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:50
13Dioclesian, Z. 627: The Masque. “All our days and our nights” (One of the Pleasures) / “Begone, begone, importunate reason” (chorus)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5.: Masque: Aria and Chorus "All our days" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:58
14Dioclesian, Z. 627: The Masque. “Let us dance, let us sing” (One of the Pleasures)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let us dance" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:39
15Dioclesian, Z. 627: The Masque. Dance / Trio
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (2) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:41
16Dioclesian, Z. 627: The Masque. “Triumph, triumph victorious Love” / “Then all rehearse” (chorus)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-01) and Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Trio and Chorus "Triumph, triumph, victorious Love" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell4:25
17Timon of Athens, Z. 632: Overture
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 1. Overture (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell5:42
18Timon of Athens, Z. 632: The Masque. A Symphony of Pipes - “Hark! how the songsters” (2 Nymphs)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1994-11) and Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 2. Duet "Hark! How the songsters of the grove" (in 1994-11)
lyricist:
Thomas Shadwell
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:49
19Timon of Athens, Z. 632: The Masque. “Love in their little veins inspires” (Nymph)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Nymph]:
Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires" (Cupid) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:21
20Timon of Athens, Z. 632: The Masque. “But ah! how much are our delights” (2 Nymphs, Shepherd)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Shepherd]:
Christopher Foster (English bass-baritone) (in 1994-11)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1994-11) and Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights" (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:25
21Timon of Athens, Z. 632: The Masque. “Hence with your trifling deity!” (Bacchus) / “But over us no griefs prevail” (chorus)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1994-11)
choir vocals:
Choir of the English Concert (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity" (Bass) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:34
22Timon of Athens, Z. 632: The Masque. “Come all, come all to me” (Cupid) / “Who can resist such mighty charms?” (chorus)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-11)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 7. Solo "Come, come all to me" (Cupid) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell3:03
23Timon of Athens, Z. 632: The Masque. “Return, revolting rebels!” (Bacchus)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" (Bacchus (Bass)) (in 1994-11)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:21
24Timon of Athens, Z. 632: The Masque. “The cares of lovers” (Cupid)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:57
25Timon of Athens, Z. 632: The Masque. “Love quickly is pall'd” (Bacchanalian)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
tenor vocals [Bacchanalian]:
Paul Agnew (tenor and conductor) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd" (Alto) (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:21
26Timon of Athens, Z. 632: The Masque. “Come, let us agree” (Cupid, Bacchus, grand chorus)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1994-11)
choir vocals:
Choir of the English Concert (in 1994-11)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 13. Chorus "Come, let us agree" (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:22
27Timon of Athens, Z. 632: The Masque. Curtain Tune
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 14. Curtain Tune on a Ground (in 1994-11)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:27
80▶CD: Vivaldi: Gloria in D major, RV 589 / A. Scarlatti: Dixit Dominus
81▶CD: Soler: 6 Concertos for 2 Keyboard Instruments
82▶CD: Telemann: Overtures (Suites) TWV 55:C6, TWV 55:D19 & TWV 55:B10
83▶CD: Telemann: Concerto TWV 54:D3 / Overtures (Suites) TWV 55:g4 & TWV 55:D1
84▶CD: Vivaldi: Le quattro stagioni, op. 8
85▶CD: Vivaldi: L'estro armonico, op. 3 Concertos nos. 1-6
86▶CD: Vivaldi: L'estro armonico, op. 3 Concertos nos. 7-12
87▶CD: Vivaldi: La stravaganza, op. 4 Concertos nos. 1-6
88▶CD: Vivaldi: La stravaganza, op. 4 Concertos nos. 7-12
89▶CD: Vivaldi: Concerto for Strings, RV 159 / Violin Concerto, RV 271 / Bassoon Concerto, RV 484 / Flute Concerto, RV 436 / Concerto for Viola d'amore and Lute, RV 540 / Oboe Concerto, RV 545
90▶CD: Vivaldi: Concertos RV 151 & 558 / Concerto for Oboe and Violin, RV 548 / Concerto for 2 Violins, RV 516 / Oboe Concerto, RV 461 / Concerto for 2 Mandolins, RV 532
91▶CD: Vivaldi: Concertos for Strings RV 156 & 166 / Oboe Concerto, RV 449 / Bassoon Concerto, RV 485 / Recorder Concerto, RV 444 / Concerto for Violin, 2 Recorders, 2 Oboes and Bassoon, RV 577 / Concerto for 2 Violins and 2 Cellos, RV 575
92▶CD: Vivaldi: 6 Flute Concertos, op. 10
93▶CD: Vivaldi: Nisi Dominus, RV 608 / Concerto for Strings, RV 128 / Stabat Mater, RV 621 / Sinfonia for Strings, RV 169 / Salve Regina, RV 616
94▶CD: Pachelbel: Canon and Gigue / Vivaldi: Sinfonia, RV 149 / Albinoni: Concerto a cinque, op. 9/2 / Purcell: Chacony, Z. 730 / Handel: The Arrival of the Queen of Sheba / Avison: Concerto grosso no. 9 / Haydn: Harpsichord Concerto, Hob. XVIII:11
95▶CD: Stanley, Arne, Boyce, geminiani, Hellendaal: A Grand Concert of Musick
96▶CD: A. Scarlatti: O di Betlemme altera / Corelli: “Christmas Concerto”, op. 6/8 / Vivaldi: Gloria, RV 589
97▶CD: Mozart: Oboe Concerto, K. 314 (285d) / C. P. E. Bach: Oboe Concerto, Wq. 165 / Lebrun: Oboe Concerto no. 1
98▶CD: Charpentier, Molter, Vivaldi, Sammartini, Telemann, Handel, Corelli: Christmas Concertos
99▶CD: Mozart, Gluck, Haydn: Opera Arias
100▶DVD: Anerio, Carissimi, Corelli, Des Près, Frescobaldi, Palestrina, A. Scarlatti, Victoria, Vivaldi: Christmas in Rome

Credits

Release

photography:Clive Barda (photographer)
Susesch Bayat (photographer)
Gerard Collett (photographer)
miscellaneous support:Nicole Albring (art director and designer) (task: creative production manager)
Markus Kettner (task: product manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Nikolaus Boddin
booklet editor:Annette Nubbemeyer
Jochen Rudelt
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/trevor-pinnock-complete-recordings-on-archiv-produktion-12911 [info]