Complete Recordings on Deutsche Grammophon

~ Release by Karl Böhm (see all versions of this release, 5 available)

Annotation

A 67 CD + 1 Blu-Ray of Karl Böhm's complete symphonic and concerto recordings for Deutsche Grammophon. The Blu-Ray contains the complete Mozart symphony cycle with the Berliner Philharmoniker with 24-bit remastering.

Annotation last modified on 2022-08-10 12:15 UTC.

Tracklist

1▶CD: Beethoven: Symphonies nos. 1 & 6 (Wiener Philharmoniker) (1971)
2▶CD: Beethoven: Symphonies nos. 2 & 4 (Wiener Philharmoniker) (1971)
3▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 8 (Wiener Philharmoniker) (1971)
4▶CD: Beethoven: Symphonies nos. 5 & 7 (Wiener Philharmoniker) (1970 & 1971)
5▶CD: Beethoven: Symphony no. 9 “Choral” (Wiener Philharmoniker) (1970)
6▶CD: Beethoven: Symphony no. 3 “Eroica” / Overture “Coriolan”
7▶CD: Beethoven: Symphonies 5 & 7 (Berliner Philharmoniker) (1953 & 1958)
8▶CD: Beethoven: Symphony no. 9 “Choral” (Wiener Philharmoniker) (1980)
9▶CD: Beethoven: Overtures “Egmont”, “Coriolan” & “Die Geschöpfe des Prometheus” / Overtures “Fidelio” & “Leonore III”
10▶CD: Beethoven: Piano Concertos nos. 3 & 4
11▶CD: Beethoven: Piano Concerto no. 5
12▶CD: Brahms: Symphony no. 1 / Variations on a Theme by Joseph Haydn
13▶CD: Brahms: Symphony no. 2 / Tragic Overture
14▶CD: Brahms: Symphonies nos. 3 & 4
15▶CD: Brahms: Symphony no. 1
16▶CD: Brahms: Symphony no. 2 / Reger: Variations and Fugue on a Theme by Mozart
17▶CD: Brahms: Piano Concerto no. 1
18▶CD: Bruckner: Symphony no. 7
19▶CD: Bruckner: Symphony no. 8
20▶CD: Haydn: Symphonies nos. 88-90
21▶CD: Haydn: Symphonies nos 91 & 92 “Oxford” / Sinfonia concertante for Violin, Cello, Oboe, Bassoon and Orchestra, Hob. I:105
22▶CD: Mozart: Symphonies nos. 1, 4-7 / Symphony in F major, K. 76 [no. 43] / Symphony in G major “Old Lambach”, K. Anh. 221
23▶CD: Mozart: Symphonies nos. 8-10 / Symphony in G major “New Lambach” (attr. to L. Mozart) / Symphony in B-flat major, K. Anh. 214 [no. 55] / Symphony in D major, K. 81 [no. 44]
24▶CD: Mozart: Symphonies nos. 11 & 12 / Symphony in D major, K. 95 [no. 45] / Symphony in D major, K. 97 [no. 47] / Symphony in F major, K. 75 [no. 42] / Symphony in C major, K. 96 [no. 46]
25▶CD: Mozart: Symphonies nos. 13-16, 18
26▶CD: Mozart: Symphonies nos. 17, 19-21
27▶CD: Mozart: Symphonies nos. 22-25, 27
28▶CD: Mozart: Symphonies nos. 26, 28-30
29▶CD: Mozart: Symphonies nos. 31 “Paris”, 32-34
30▶CD: Mozart: Symphonies nos. 35 “Haffner”, 36 “Linz” & 38 “Prague”
31▶CD: Mozart: Symphonies nos. 39, 40 & 41 “Jupiter”
32▶CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Maurerische Trauermusik
33▶CD: Mozart: Symphonies nos. 38 “Prague” & 39
34▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
35▶CD: Mozart: Eine kleine Nachtmusik / Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K. 297b
36▶CD: Mozart: Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364 / Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K. 297b
37▶CD: Mozart: Serenade in D major “Haffner”
38▶CD: Mozart: Serenade in D major “Posthorn” / Serenata notturna / Schubert: Rosamunde, Fürstin von Zypern, D. 797 (Excerpts)
39▶CD: Mozart: Serenade in B-flat major “Gran Partita”
40▶CD: Mozart: Eine kleine Nachtmusik / Serenata notturna
41▶CD: Mozart: Clarinet Concerto / Bassoon Concerto
42▶CD: Mozart: Flute Concerto no. 1 / Oboe Concerto / Concerto for Flute and Harp
43▶CD: Mozart: Horn Concertos nos. 1-4
44▶CD: Mozart: Piano Concertos nos. 23 & 19
45▶CD: Mozart: Piano Concerto no. 27 / Concerto for 2 Pianos, K. 365
46▶CD: Prokofiev: Peter und der Wolf / Saint-Saëns: Der Karneval der Tiere
47▼CD: Prokofiev: Peter and the Wolf / Saint-Saëns: The Carnival of the Animals
#TitleArtistRatingLength
1Peter and the Wolf, op. 67: 1. Introduction: “I'm going to tell you the story of Peter and the wolf”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter and the Wolf, op. 67: I'm going to tell you the story of Peter and the Wolf (from 1974-10 until 1975-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev2:24
2Peter and the Wolf, op. 67: 2. Andantino: “Once upon a time there was a boy called Peter”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter And The Wolf: Andantino (Early One Morning, Peter Opened The Gate) (from 1974-10 until 1975-05)
lyricist:
Claus Greuner
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67 (catch-all for arrangements)
Sergei Prokofiev5:06
3Peter and the Wolf, op. 67: 3. The Bird: “But then our the corner of his eye”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter and the Wolf, op. 67: 3. The Bird (from 1974-10 until 1975-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev4:19
4Peter and the Wolf, op. 67: 4. The Duck: “No sooner had Peter and his grandfather disappeared”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter and the Wolf, op. 67: No sooner had Peter and his grandfather disappeared into the cottage (from 1974-10 until 1975-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev3:14
5Peter and the Wolf, op. 67: 5. The Cat: “So this is how it was”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter And The Wolf: The Cat (Suddenly Something Caught Peter's Attention) (from 1974-10 until 1975-05)
lyricist:
Claus Greuner
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67 (catch-all for arrangements)
Sergei Prokofiev6:23
6Peter and the Wolf, op. 67: 6. The Grandfather: “Just at that moment, out from the forest”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter And The Wolf: The Grandfather (Just then the Hunters Came Out of the Woods) (from 1974-10 until 1975-05)
lyricist:
Claus Greuner
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67 (catch-all for arrangements)
Sergei Prokofiev2:29
7Peter and the Wolf, op. 67: 7. The Wolf: “Oh, imagine the triumphant procession!”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter And The Wolf: The Wolf (And There, Imagine The Triumphant Procession!) (from 1974-10 until 1975-05)
lyricist:
Claus Greuner
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67 (catch-all for arrangements)
Sergei Prokofiev4:43
8The Carnival of the Animals: 1. Introduction and the Lion's Royal March: “Camille Saint-Saëns was wracked with pains”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:41
9The Carnival of the Animals: 2. Hens and Roosters: “The rooster is a roistering hoodlum”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : II. Poules et coqs (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:56
10The Carnival of the Animals: 3. Wild Jackass (Swift Animals): “Have ever you harked to the leaves of myrtle”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : III. Hèmiones (Animaux véloces) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:04
11The Carnival of the Animals: 4. Tortoises: “Come crown my brow with leaves of myrtle”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : IV. Tortues (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:03
12The Carnival of the Animals: 5. The Elephant: “Elephants are useful friends”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : V. L'Éléphant (The Carnival of the Animals: V. The Elephant) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:35
13The Carnival of the Animals: 6. Kangaroos: “Kangaroo can jump incredible”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : VI. Kangourous (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:59
14The Carnival of the Animals: 7. Aquarium: “Some fish are minnows”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:28
15The Carnival of the Animals: 8. Personages with Long Ears: “In the world of mules”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:40
16The Carnival of the Animals: 9. The Cuckoo in the Deep Woods: “Cuckoos lead bohemian lives”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1974-10, in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:27
17The Carnival of the Animals: 10. Aviary: “Puccini was Latin, and Wagner Teutonic”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : X. Volière (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:50
18The Carnival of the Animals: 11. Pianists: “Some claim that pianists are human”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1974-10, in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : XI. Pianistes (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:22
19The Carnival of the Animals: 12. Fossils: “At midnight in the museum hall”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : XII. Fossiles (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:56
20The Carnival of the Animals: 13. The Swan: “The swan can swim while sitting down”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
solo cello:
Wolfgang Herzer (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:01
21The Carnival of the Animals: 14. Finale: “Now we reach the grand finale”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:23
48▶CD: Schubert: Symphonies nos. 1 & 2
49▶CD: Schubert: Symphonies nos. 3 & 4 “Tragic”
50▶CD: Schubert: Symphonies nos. 5 & 6
51▶CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “Great”
52▶CD: Schubert: Symphony no. 8 “Unfinished” / Dvořák: Symphony no. 9 “From the New World”
53▶CD: Schubert: Symphony no. 9 “Great”
54▶CD: Schumann: Symphony no. 4 / Schubert: Symphony no. 5
55▶CD: Johann Strauss Jr.: Waltzes and Polkas / Perpetuum mobile / Johann Strauss Jr. & Josef Strauss: Pizzicato-Polka
56▶CD: R. Strauss: Eine Alpensinfonie / Don Juan / Till Eulenspiegels lustige Streiche
57▶CD: R. Strauss: Also sprach Zarathustra / Festliches Präludium / Don Juan / Till Eulenspiegels lustige Streiche
58▶CD: R. Strauss: Ein Heldenleben / Tod und Verklärung
59▶CD: R. Strauss: Ein Heldenleben / Der Rosenkavalier: Waltzes / Salome: Tanz der sieben Schleier
60▶CD: Tchaikovsky: Symphony no. 4
61▶CD: Tchaikovsky: Symphony no. 5
62▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
63▶CD: Wagner: Rienzi: Overture / Tannhäuser: Overture / Die Meistersinger von Nürnberg: Prelude to Act I / Parsifal: Prelude to Act I
64▶CD: Wagner: Der fliegende Holländer: Overture / Lohengrin: Preludes to Acts I & III / Tristan und Isolde: Prelude to Act I / Isoldes Liebestod
65▶CD: Karl Böhm rehearses Schubert: Symphony no. 9 “Great”
66▶CD: Karl Böhm about Mozart and the Symphonies / Karl Böhm about his relationship with the Wiener Philharmoniker
67▶CD: Karl Böhm: Erzähltes Leben (A Life Retold)
68▶Blu-ray: Mozart: The Symphonies

Credits

Release

photography:Gabriela Brandenstein
Siegfried Lauterwasser
miscellaneous support:Nicole Albring (art director and designer) (task: creative production manager)
Harald Reiter (task: product manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/20903395 [info]
Allmusic:https://www.allmusic.com/album/release/mr0005501433 [info]