Così fan tutte

~ Release by Mozart; Leontyne Price, Tatiana Troyanos, Judith Raskin, Sherrill Milnes, George Shirley, Ezio Flagello, New Philharmonia Orchestra, Erich Leinsdorf (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Così fan tutte: Atto II. “Barbara! Perché fuggi?”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:52
2Così fan tutte: Atto II. “Ah! lo veggio quell’anima bella” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 24. Aria “Ah lo veggio, quell’anima bella” (Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:57
3Così fan tutte: Atto II. “Ei parte… senti… ah no!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:51
4Così fan tutte: Atto II. “Per pietà, ben mio, perdona” (Rondo)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart7:11
5Così fan tutte: Atto II. “Amico, abbiamo vinto!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:39
6Così fan tutte: Atto II. “Donne mie, la fate a tanti” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:03
7Così fan tutte: Atto II. “In qual fiero contrasto”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:18
8Così fan tutte: Atto II. “Tradito, schernito” (Cavatina)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:08
9Così fan tutte: Atto II. “Bravo! Questa e costanza”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Bravo, questa è costanza” (Don Alfonso, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:24
10Così fan tutte: Atto II. “Ora vedo che siete”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:43
11Così fan tutte: Atto II. “E amore un ladroncello” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 28 Aria “È amore un ladroncello” (Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:20
12Così fan tutte: Atto II. “Come tutto congiura a sedurre il mio cor!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:04
13Così fan tutte: Atto II. “Fra gli amplessi, in pochi istanti” (Duet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart6:57
14Così fan tutte: Atto II. “Oh, poveretto me!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Ah poveretto me! Cosa ho veduto!” (Guglielmo, Don Alfonso, Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:51
15Così fan tutte: Atto II. “Tutti accusan le donne” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:55
16Così fan tutte: Atto II. “Vittoria, padroncini!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Vittoria, padroncini!” (Despina, Ferrando, Don Alfonso, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:35
17Così fan tutte: Atto II. “Fate presto, o cari amici” (Finale)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:51
18Così fan tutte: Atto II. “Benedetti i doppi coniugi”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. “Benedetti i doppi coniugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart6:52
19Così fan tutte: Atto II. “Miei signori, tutto e fatto”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. “Miei signori, tutto è fatto” … “Bella vita militar!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:30
20Così fan tutte: Atto II. “Sani e salvi”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. “Sani e salvi agli amplessi” … “Richiamati da regio contrordine” … “No Signor, non è un notaio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart9:50