Bach Edition, III: Cantatas I

~ Release by Johann Sebastian Bach (see all versions of this release, 7 available)

Annotation

FIXME:

* These are CDs III-1-30 (47-76 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

Annotation last modified on 2013-04-27 03:21 UTC.

Tracklist

1▶CD: Cantatas Ein feste Burg ist unser Gott BWV 80 / Ich habe genug BWV 82 / Nun komm, der Heiden Heiland BWV 61
2▶CD: Cantatas Herr Gott, dich loben wir BWV 16 / Vergnügte Ruh, beliebte Seelenlust BWV 170 / Ich freue mich in dir BWV 133
3▶CD: Cantatas In allen meinen Taten BWV 97 / Bereitet die Wege, bereitet die Bahn BWV 132 / Alles nur nach Gottes Willen BWV 72
4▶CD: Cantatas Herr Jesu Christ, du höchtes Gut BWV 113 / Am Abend aber desselbigen Sabbats BWV 42
5▶CD: Cantatas Allein zu dir, Herr Jesu Christ BWV 33 / Ich will den Kreuzstab gerne tragen BWV 56 / Wer da gläbet und getauft wird
6▶CD: Cantatas Ich hab in Gottes Herz und Sinn BWV 92 / Widerstehe doch der Sünde BWV 54 / Sie werden euch in den Bann tun BWV 44
7▶CD: Cantatas Was mein Gott will, das g'scheh allzeit BWV 111 / Sehet, wir gehn hinauf gen Jerusalem BWV 159 / O heilges Geist- und Wasserbad BWV 165 / Jesus nahm zu sich die Zwölfe BWV 22
8▶CD: Cantatas Ach, lieben Christen, seid getrost BWV 114 / Selig is der Mann BWV 57 / Mein Gott, wie lang, ach lange BWV 155
9▶CD: Cantatas Was Gott tut, das ist wohlgetan BWV 98 / Ich habe meine Zuversicht BWV 188 / Du wahrer Gott und Davids Sohn BWV 23
10▶CD: Cantatas Ach Herr, mich armen Sünder BWV 135 / Wahrlich, wahrlich, ich sage euch BWV 86 / Ich bin ein guter Hirt BWV 85 / Ihr Menschen, rühmet Gottes Liebe BWV 167
11▶CD: BWV 172, 182, 90
12▶CD: BWV 106, 199, 161
13▶CD: BWV 99, 35, 17
14▶CD: BWV 123, 87, 173
15▼CD: BWV 117, 153, 168
#TitleRatingLength
1Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
4:28
2Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Basso)"Es danken dir die Himmelsheer"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Bass) "Es danken dir die Himmelsheer" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:09
3Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenore) "Was unser Gott geschaffen hat"
oboe:
Vincent van Ballegooien and Eduard Wesley
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenor) "Was unser Gott geschaffen hat" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:04
4Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 90)
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:59
5Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alto) "Der Herr ist noch und nimmer nicht"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alt) "Der Herr ist noch und nimmer nicht" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:16
6Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Basso) "Wenn Trost und Hülf ermangeln muss"
violin:
John Wilson Meyer
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
4:00
7Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alto) "Ich will dich all mein Leben lang"
transverse flute:
Kate Clark (flautist)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alt) "Ich will dich all mein Leben lang" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:02
8Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenore) "Ihr, die ihr Christi Namen nennt"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenor) "Ihr, die ihr Christi Namen nennt" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:48
9Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:01
10Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": I. Choral "Schau, lieber Gott, wie meine Feind"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:55
11Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": II. Recitativo (Alto) "Mein liebster Gott, ach laß dichs doch erbarmen"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:36
12Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": III. Aria (Basso) "Fürchte dich nicht, ich bin mit dir"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:51
13Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": IV. Recitativo (Tenore) "Du scprichts zwar, lieber Gott, zu meiner Seelen"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:26
14Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:04
15Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": VI. Aria (Tenore) "Stürmt nur, stürmt, ihr Trübsalswetter"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:37
16Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": VII. Recitativo (Basso) "Getrost! mein Herz"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:39
17Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": VIII. Aria (Alto) "Soll ich meinen Lebenslauf"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:43
18Kantate, BWV 153 "Schau, lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:24
19Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Basso) "Tue Rechnung! Donnerwort"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
3:25
20Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenore) "Es ist nur fremdes Gut"
oboe:
Vincent van Ballegooien and Eduard Wesley
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:45
21Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenore) "Kapital und Interessen"
oboe:
Vincent van Ballegooien and Eduard Wesley
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
3:09
22Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Basso) "Jedoch, erschrocknes Herz, leb und verzage nicht!"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:53
23Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Duetto: Soprano, Alto) "Herz, zerreiß des Mammons Kette"
cello:
Frank Wakelkamp (Dutch cellist)
alto vocals:
Sytse Buwalda
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
2:42
24Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:05
16▶CD: BWV 130, 138, 81
17▶CD: BWV 149, 69, 169
18▶CD: BWV 45, 150, 122
19▶CD: BWV 116, 13, 144
20▶CD: BWV 102, 7, 196
21▶CD: BWV 46, 107, 179
22▶CD: BWV 6, 163, 96
23▶CD: BWV 178, 156, 27
24▶CD: BWV 115, 55, 94
25▶CD: BWV 26, 164, 139
26▶CD: BWV 103, 185, 2
27▶CD: BWV 60, 78, 151
28▶CD: BWV 128, 154, 62
29▶CD: BWV 192, 93, 145, 171
30▶CD: BWV 8, 186, 3