Tracklist

1CD: Vol 1. Kantaten - Cantatas
2CD: Vol 2. Kantaten - Cantatas
3CD: Vol 3. Kantaten - Cantatas
4CD: Vol 4. Kantaten - Cantatas
5CD: Vol 5. Kantaten - Cantatas
6CD: Vol 6. Kantaten - Cantatas
7CD: Vol 7. Kantaten - Cantatas
8CD: Vol 8. Kantaten - Cantatas
9CD: Vol 9. Kantaten - Cantatas
10CD: Vol 10. Kantaten - Cantatas
11CD: Vol 11. Kantaten - Cantatas
12CD: Vol 12. Kantaten - Cantatas
13CD: Vol 13. Kantaten - Cantatas
14CD: Vol 14. Kantaten - Cantatas
15CD: Vol 15. Kantaten - Cantatas
16CD: Vol 16. Kantaten - Cantatas
17CD: Vol 17. Kantaten - Cantatas
18CD: Vol 18. Kantaten - Cantatas
19CD: Vol 19. Kantaten - Cantatas
20CD: Vol 20. Kantaten - Cantatas
21CD: Vol 21. Kantaten - Cantatas
22CD: Vol 22. Kantaten - Cantatas
23CD: Vol 23. Kantaten - Cantatas
24CD: Vol 24. Kantaten - Cantatas
25CD: Vol 25. Kantaten - Cantatas
26CD: Vol 26. Kantaten - Cantatas
27CD: Vol 27. Kantaten - Cantatas
28CD: Vol 28. Kantaten - Cantatas
29CD: Vol 29. Kantaten - Cantatas
30CD: Vol 30. Kantaten - Cantatas
31CD: Vol 31. Kantaten - Cantatas
32CD: Vol 32. Kantaten - Cantatas
33CD: Vol 33. Kantaten - Cantatas
34CD: Vol 34. Kantaten - Cantatas
35CD: Vol 35. Kantaten - Cantatas
36CD: Vol 36. Kantaten - Cantatas
37CD: Vol 37. Kantaten - Cantatas
38CD: Vol 38. Kantaten - Cantatas
39CD: Vol 39. Kantaten - Cantatas
40CD: Vol 40. Kantaten - Cantatas
41CD: Vol 41. Kantaten - Cantatas
42CD: Vol 42. Kantaten - Cantatas
43CD: Vol 43. Kantaten - Cantatas
44CD: Vol 44. Kantaten - Cantatas
45CD: Vol 45. Kantaten - Cantatas
46CD: Vol 46. Kantaten - Cantatas
47CD: Vol 47. Kantaten - Cantatas
48CD: Vol 48. Kantaten - Cantatas
49CD: Vol 49. Kantaten - Cantatas
50CD: Vol 50. Kantaten - Cantatas
51CD: Vol 51. Kantaten - Cantatas
52CD: Vol 52. Kantaten - Cantatas
53CD: Vol 53. Kantaten - Cantatas
54CD: Vol 54. Kantaten - Cantatas
55CD: Vol 55. Kantaten - Cantatas
56CD: Vol 56. Kantaten - Cantatas
57CD: Vol 57. Kantaten - Cantatas
58CD: Vol 58. Kantaten - Cantatas
59CD: Vol 59. Kantaten - Cantatas
60CD: Vol 60. Kantaten - Cantatas
61CD: Vol. 61 Weltliche Kantaten - Secular Cantatas
62CD: Vol. 62 Weltliche Kantaten - Secular Cantatas
63CD: Vol. 63 Weltliche Kantaten - Secular Cantatas
64CD: Vol. 64 Weltliche Kantaten - Secular Cantatas
65CD: Vol. 65 Weltliche Kantaten - Secular Cantatas
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1Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": Sinfonia (BWV 1046a)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Sinfonia in F major, BWV 1046a: I. [no tempo indication] (in 1996-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1718)
part of:
Sinfonia in F major, BWV 1046a (formerly BWV 1071)
4:03
2Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": I. Recitativo (Sopran I) "Was mir behagt, ist nur die muntre Jagd!"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:40
3Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": II. Aria (Sopran I) "Jagen ist die Lust de Göter"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
1:55
4Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": III. Recitativo (Tenor) "Wie? Schönste Göttin! Wie?"
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
1:05
5Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": IV. Aria (Tenor) "Willst du dich nicht mehr ergötzen"
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:50
6Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": V. Recitativo (Sopran I, Tenor) "Ich liebe dich zwar noch!"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:12
7Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": VI. Recitativo (Bass) "Ich, der ich sonst ein Gott in diesen Feldern bin"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:38
8Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": VII. Aria (Bass) "Ein Fürst ist seines Landes Pan!"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:30
9Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": VIII. Recitativo (Sopran II) "Soll denn der Pales Opfer hier das letzte sein?"
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:38
10Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": IX. Aria (Sopran II) "Schafe können sicher weiden"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:57
11Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": X. Recitativo (Sopran I) "So stimmt mit ein"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:13
12Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": XI. Chorus (Aria a 4) "Lebe, Sonne dieser Erdem"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:46
13Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": XII. Duetto (Sopran I, Tenor) "Entzücket uns beide"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
1:43
14Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": XIII. Aria (Sopran II) "Weil die wollenreichen Herden"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:15
15Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": XIV. Aria (Bass) "Ihr felder und Auen, laßt grünend euch schauen"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
choir vocals:
Gächinger Kantorei (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:57
16Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": XV. Chorus "Ihr lieblichste Bliche! ihr freudige Stunden"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
choir vocals:
Gächinger Kantorei (in 1996-09)
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:37
17Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
5:43
18Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo (Sopran) "Non sa che sia dolore"
soprano vocals:
Sibylla Rubens (soprano) (in 1998-01)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
0:54
19Kantate, BWV 209 "Non sa che sia dolore": III. Aria (Sopran) "Parti pur e con dolore"
soprano vocals:
Sibylla Rubens (soprano) (in 1998-01)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
7:46
20Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo (Sopran) "Tuo saver al tempo"
soprano vocals:
Sibylla Rubens (soprano) (in 1998-01)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
0:27
21Kantate, BWV 209 "Non sa che sia dolore": V. Aria (Sopran) "Ricetti gramezza e pavento"
soprano vocals:
Sibylla Rubens (soprano) (in 1998-01)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
5:07
66CD: Vol. 66 Weltliche Kantaten - Secular Cantatas
67CD: Vol. 67 Weltliche Kantaten - Secular Cantatas
68CD: Vol. 68 Weltliche Kantaten - Secular Cantatas
69CD: Vol 69 Motetten - Motets
70CD: Vol 69 Motetten - Motets
71CD: Vol. 70 h-Moll-Messe - Mass in B Minor
72CD: Vol. 70 h-Moll-Messe - Mass in B Minor
73CD: Vol. 71 Lateinische Kirchenmusik 1 - Sacred Music in Latin 1
74CD: Vol. 72 Lateinische Kirchenmusik 2 - Sacred Music in Latin 2
75CD: Vol. 73 Magnificat D-Dur - Magnificat D Major
76CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
77CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
78CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
79CD: Vol. 75 Johannes-Passion - St. John Passion
80CD: Vol. 75 Johannes-Passion - St. John Passion
81CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
82CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
83CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
84CD: Vol. 77 Oster-Oratorium - Easter Oratorio - Himmelfahrts-Oratorium - Ascension Oratorio
85CD: Vol. 78 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
86CD: Vol. 79 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
87CD: Vol. 80 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
88CD: Vol. 81 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
89CD: Vol. 82 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
90CD: Vol. 83 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
91CD: Vol. 84 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
92CD: Vol. 85 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
93CD: Vol. 85 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
94CD: Vol. 86 Orgelwerke - Organ Works
95CD: Vol. 86 Orgelwerke - Organ Works
96CD: Vol. 87 Orgelwerke - Organ Works
97CD: Vol. 87 Orgelwerke - Organ Works
98CD: Vol. 88 Orgelwerke - Organ Works
99CD: Vol. 89 Orgelwerke - Organ Works
100CD: Vol. 90 Orgelwerke - Organ Works
101CD: Vol. 91 Orgelwerke - Organ Works
102CD: Vol. 92 Orgelwerke - Organ Works
103CD: Vol. 93 Orgelwerke - Organ Works
104CD: Vol. 94 Orgelwerke - Organ Works
105CD: Vol. 95 Orgelwerke - Organ Works
106CD: Vol. 96 Orgelwerke - Organ Works
107CD: Vol. 97 Orgelwerke - Organ Works
108CD: Vol. 97 Orgelwerke - Organ Works
109CD: Vol. 98 Orgelwerke - Organ Works
110CD: Vol. 99 Orgelwerke - Organ Works
111CD: Vol. 100 Orgelwerke - Organ Works
112CD: Vol. 101 Orgelwerke - Organ Works
113CD: Vol. 101 Orgelwerke - Organ Works
114CD: Vol. 102 Werke für Tasteninstrumente - Keyboard Works
115CD: Vol. 103 Werke für Tasteninstrumente - Keyboard Works
116CD: Vol. 103 Werke für Tasteninstrumente - Keyboard Works
117CD: Vol. 104 Werke für Tasteninstrumente - Keyboard Works
118CD: Vol. 105 Werke für Tasteninstrumente - Keyboard Works
119CD: Vol. 106 Werke für Tasteninstrumente - Keyboard Works
120CD: Vol. 107 Werke für Tasteninstrumente - Keyboard Works
121CD: Vol. 107 Werke für Tasteninstrumente - Keyboard Works
122CD: Vol. 108 Werke für Tasteninstrumente - Keyboard Works
123CD: Vol. 109 Werke für Tasteninstrumente - Keyboard Works
124CD: Vol. 110 Werke für Tasteninstrumente - Keyboard Works
125CD: Vol. 110 Werke für Tasteninstrumente - Keyboard Works
126CD: Vol. 111 Werke für Tasteninstrumente - Keyboard Works
127CD: Vol. 111 Werke für Tasteninstrumente - Keyboard Works
128CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
129CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
130CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
131CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
132CD: Vol. 114 Werke für Tasteninstrumente - Keyboard Works
133CD: Vol. 114 Werke für Tasteninstrumente - Keyboard Works
134CD: Vol. 115 Werke für Tasteninstrumente - Keyboard Works
135CD: Vol. 115 Werke für Tasteninstrumente - Keyboard Works
136CD: Vol. 116 Werke für Tasteninstrumente - Keyboard Works
137CD: Vol. 116 Werke für Tasteninstrumente - Keyboard Works
138CD: Vol. 117 Werke für Tasteninstrumente - Keyboard Works
139CD: Vol. 117 Werke für Tasteninstrumente - Keyboard Works
140CD: Vol. 118 Kammermusik - Chamber Music
141CD: Vol. 119 Kammermusik - Chamber Music
142CD: Vol. 119 Kammermusik - Chamber Music
143CD: Vol. 120 Kammermusik - Chamber Music
144CD: Vol. 120 Kammermusik - Chamber Music
145CD: Vol. 121 Kammermusik - Chamber Music
146CD: Vol. 121 Kammermusik - Chamber Music
147CD: Vol. 122 Kammermusik - Chamber Music
148CD: Vol. 123 Kammermusik - Chamber Music
149CD: Vol. 124 Kammermusik - Chamber Music
150CD: Vol. 125 Orchesterwerke - Orchestral Works
151CD: Vol. 126 Orchesterwerke - Orchestral Works
152CD: Vol. 126 Orchesterwerke - Orchestral Works
153CD: Vol. 127 Orchesterwerke - Orchestral Works
154CD: Vol. 128 Orchesterwerke - Orchestral Works
155CD: Vol. 129 Orchesterwerke - Orchestral Works
156CD: Vol. 130 Orchesterwerke - Orchestral Works
157CD: Vol. 131 Orchesterwerke - Orchestral Works
158CD: Vol. 132 Orchesterwerke - Orchestral Works
159CD: Vol. 132 Orchesterwerke - Orchestral Works
160CD: Vol. 133 Kammermusik - Chamber Music
161CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
162CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
163CD: Vol. 135 Werke für Tasteninstrumente - Keyboard Works
164CD: Vol. 136 Werke für Tasteninstrumente - Keyboard Works
165CD: Vol. 136 Werke für Tasteninstrumente - Keyboard Works
166CD: Vol. 137 Werke für Tasteninstrumente - Keyboard Works
167CD: Vol. 137 Werke für Tasteninstrumente - Keyboard Works
168CD: Vol. 138 Orchesterwerke - Orchestral Works
169CD: Vol. 139 Kantaten - Cantatas
170CD: Vol. 139 Kantaten - Cantatas
171CD: Vol. 140 Kantaten - Cantatas
172CD: Vol. 140 Kantaten - Cantatas