Messiah (Complete)

~ Release by George Frideric Handel (see all versions of this release, 4 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Messiah Part II - Chorus: Surely he hath borne our griefs
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:14
2Messiah Part II - Chorus: And with His stripes we are healed
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:39
3Messiah Part II - Chorus: All we like sheep
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:31
4Messiah Part II - Recitative-Tenor: All they that see Him
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:46
5Messiah Part II - Chorus: He trusted in God
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:02
6Messiah Part II - Recitative-Tenor: Thy rebuke hath broken His heart
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:54
7Messiah Part II - Air-Tenor: Behold, and see if there be any sorrow
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
1:28
8Messiah Part II - Recitative-Tenor: He was cut off out of the land
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:41
9Messiah Part II - Air-Tenor: But thou didst not leave
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
2:38
10Messiah Part II - Chorus: Lift up your heads
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:14
11Messiah Part II - Recitative-Tenor: Unto which of the angels
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:19
12Messiah Part II - Chorus: Let all the angels of God worship him
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:18
13Messiah Part II - Air-Alto: Thou art gone up on high
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
3:19
14Messiah Part II - Chorus: The Lord gave the word
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:08
15Messiah Part II - Aria-Soprano: How beautiful are the feet
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
3:02
16Messiah Part II - Chorus: Their sound is gone out
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
1:14
17Messiah Part II - Air-Bass: Why do the nations?
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals and solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:58
18Messiah Part II - Chorus: Let us break their bonds asunder
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:52
19Messiah Part II - Recitative-Tenor: He that dwelleth in heaven
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:17
20Messiah Part II - Air-Tenor: Thou shalt break them
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
2:16
21Messiah Part II - Chorus: Hallelujah
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton (mezzo-soprano)
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Alexander Young (tenor)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
3:37
22Messiah Part III - Air-Soprano: I know that my redeemer liveth
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo soprano vocals and soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
7:18
23Messiah Part III - Chorus: Since by man came death
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
1:58
24Messiah Part III - Recitative-Bass: Behold, I tell you a mystery
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
0:43
25Messiah Part III - Air-Bass: The trumpet shall sound
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
8:45
26Messiah Part III - Recitative-Alto: Then shall be brought to pass
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
0:20
27Messiah Part III - Duet-Alto & Tenor: O death, where is thy sting?
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
1:11
28Messiah Part III - Chorus: But thanks be to God
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
2:25
29Messiah Part III - Air-Soprano: If God be for us
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
5:30
30Messiah Part III - Chorus: Worthy is the Lamb…Amen
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton (mezzo-soprano)
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Alexander Young (tenor)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
6:41