Die Hit-Giganten: Tanzsongs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2)
Kenny Loggins4.13:47
2Flashdance (What a Feeling)
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.553:52
3One (A Chorus Line)
producer:
Goddard Lieberson
choir vocals:
[theatre] (Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Donald Pippin (Broadway musical theatre director and conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
One (from “A Chorus Line”) (on 1975-06-02)
lyricist:
Edward Kleban
composer:
Marvin Hamlisch
part of:
A Chorus Line (Marvin Hamlisch musical)
Original Broadway Cast4:45
4The Ketchup Song (Aserejé)
additional recording engineer:
Javier Carrión
recording engineer:
Alberto Pinto Velasco (mixer)
producer:
Manny Benito (task: vocal production) and Manuel Ruiz "Queco" (Spanish)
background vocals [collaboration in vocals]:
Luisa Antonia Bodega Estevez and María Victoria Bodega Estevez
phonographic copyright (℗) by:
Shaketown Music S.L. (in 2002)
additionally recorded at:
Real Sound Studios (Miami) in Miami, Florida, United States
recorded at:
Eurosonic in Madrid, Comunidad de Madrid (Community of Madrid), Spain
edit of:
Aserejé (The Ketchup Song) by Las Ketchup
recording of:
Aserejé (spanglish version)
additional lyricist:
Manny Benito
lyricist and composer:
Francisco Manuel Ruiz Gomez (Spanish)
publisher:
Disparate Record, S.L.
is based on:
The Message
revision of:
Aserejé (“The ketchup song”)
Las Ketchup33:33
5Mambo No. 5 (A Little Bit Of…)
co-producer:
Lou Bega and Zippy (Christian Königseder)
producer:
D. Fact and Frank Lio
instruments:
D. Fact and Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
contains samples by:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) and Lautstark (in 1999)
produced for:
Syndicate
samples:
Mambo No. 5 by Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
lyricist:
Lou Bega and Zippy (Christian Königseder)
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag and Peermusic (Germany) GmbH
is based on:
Mambo No. 5 (original, 1949)
Lou Bega3.63:39
6Macarena
phonographic copyright (℗) by:
Serdisco, S.A. (in 1996)
part of:
A.Side: 10 Songs That Have Their Own Dance Moves (number: 4)
recording of:
Macarena
lyricist and composer:
Antonio Romero Monge and Rafael Ruiz
publisher:
Canciones del Mundo (publisher), Discorama, S. L. (Used on (p), (c) and as publishing company) and Editorial Discorama
Los del Río34:12
7Oye mi canto
programming:
Jorge Casas and Clay Ostwald
engineer and mixer:
Eric Schilling
producer:
Jorge Casas, Emilio Estefan, Jr. and Clay Ostwald
additional mixer:
John Haag
acoustic guitar:
Paco Fonta
membranophone:
Robert Rodriguez (American film director, producer and musician)
piano:
Paquito Hechavarría
solo trumpet:
Teddy Mulet
background vocals:
Jorge Casas, Teddy Mulet, Randy Barlow (of Miami Sound Machine) and Jon Secada
background vocals and lead vocals:
Gloria Estefan
horn arranger:
Jorge Casas, Gloria Estefan, Teddy Mulet and Clay Ostwald
arranger:
Jorge Casas, Gloria Estefan and Clay Ostwald
recording of:
Oye mi canto
lyricist:
Gloria Estefan
composer:
Jorge Casas, Gloria Estefan and Clay Ostwald
publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000) and Foreign Imported Productions & Publishing, Inc.
Gloria Estefan44:55
8Crying at the Discoteque
part of:
The Downloader’s Music Source Book (number: 324)
recording of:
Crying at the Discoteque
writer:
Alexander Bard, Bernard Edwards (American bassist and record producer), Michael Goulos, Anders Hansson (producer / writer / performer), Nile Rodgers and Anders Wollbeck (pop music songwriter and producer)
is based on:
Spacer
Alcazar43:51
9Cotton Eye Joe
recording engineer and mixer:
Lee Monteverde
engineer and producer:
Pat Reiniz
banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue and Ken Tacky
additional performer:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg and Bosse Nilsson
phonographic copyright (℗) by:
Zomba Records (in 1994) and Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
recorded at and mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Sweden
music videos:
Cotton‐Eye Joe by Rednex (Swedish Euro-House group)
part of:
A.Side: 10 Songs That Have Their Own Dance Moves (number: 7)
recording of:
Cotton-Eye Joe (Rednex version)
writer:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) and Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
version of:
Cotton‐Eyed Joe (traditional song)
Rednex43:11
10Rapper’s Delight
recording of:
Rapper’s Delight (on 1979-08-02)
writer:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang3.63:59
11Jack Is Back
The Clan3:11
12Theme From Shaft
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:35
13Looky, Looky
recording of:
Looky, Looky
lyricist:
Peter Rainford (songwriter)
writer and composer:
Giorgio Moroder
publisher:
Intro (German publisher) (in 1969)
Giorgio Moroder2:40
14Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:29
15(Mucho Mambo) Sway
samples:
Quién será (Sway) by Pérez Prado (Cuban bandleader, singer, organist, pianist and composer) feat. Rosemary Clooney
cover recording of:
Sway
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Shaft3.353:27
16Machine Gun
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael
recorded at and mixed at:
Motown Recording Studios in West Hollywood, California, United States
recording of:
Machine Gun
composer:
Milan Williams
publisher:
Jobete Music Co., Inc.
Commodores3.752:36
17Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
orchestrator:
John Wesley Barker (synthesizer player)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.653:33
18Ladies’ Night
producer:
Eumir Deodato and Kool & the Gang
recording of:
Ladies’ Night
writer:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens and Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.253:26
19Bee Gees – Medley (live)
The Ten Tenors5:44
20Blame It on the Boogie
engineer:
Don Murray (producer / engineer)
executive producer:
Mike Atkinson and Bobby Colomby
mixer:
John Luongo
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
flute, saxophone and trumpet:
Seawind Horns
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
background vocals:
Jackie Jackson (member of the Jackson 5), Marlon Jackson and Randy Jackson (brother of Michael and Janet)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
recording of:
Blame It on the Boogie
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
The Jacksons4.153:30

Credits

Release

ASIN:DE: B000CNEQAK [info]

Release group

part of:Die Hit-Giganten (number: 2006-02-10) (order: 25)