Complete Works

~ Release by Ludwig van Beethoven (see all versions of this release, 5 available)

Tracklist

1▶CD: Symphonies Nos. 1 & 3
2▶CD: Symphonies Nos. 2 & 7
3▶CD: Symphonies Nos. 6 & 8
4▶CD: Symphonies Nos. 4 & 5
5▶CD: Symphony No. 9
6▶CD: Piano Concertos Nos. 1 & 3
7▶CD: Piano Concertos No. 2 & Op. 61
8▶CD: Piano Concertos Nos. 4 & 5
9▶CD: Violin Concerto
10▶CD: Triple Concerto
11▶CD: Overtures
12▶CD: Orchestral Works/Organ Works
13▶CD: Dances I
14▶CD: Dances II
15▶CD: Music for Wind Ensemble I
16▶CD: Music for Wind Ensemble II
17▶CD: Chamber Music for Flute I
18▶CD: Chamber Music for Flute II
19▶CD: Septet Op. 20 & Sextet Op. 81b
20▶CD: Quintet Op. 16 – Trio Op. 11 – Horn Sonata Op. 17
21▶CD: Trio Op. 38; Duo WoO 40
22▶CD: Serenade Op. 25, Works for Mandolin & Piano
23▶CD: Piano Quartets
24▶CD: Piano Trios I
25▶CD: Piano Trios II
26▶CD: Piano Trios III
27▶CD: Piano Trios IV
28▶CD: Cello Sonatas I
29▶CD: Cello Sonatas II
30▶CD: Violin Sonatas I
31▶CD: Violin Sonatas II
32▶CD: Violin Sonatas III
33▶CD: String Trios I
34▶CD: String Trios II
35▶CD: String Quartets Op. 18 Nos. 1 & 2
36▶CD: String Quartets Op. 18 Nos. 3 & 4
37▶CD: String Quartets Op. 18 Nos. 5 & 6; Op. 95 “Serioso”
38▶CD: String Quartets Op. 59 Nos. 1 & 2
39▶CD: String Quartets Op. 74 & Op. 131
40▶CD: String Quartets Op. 127 & Op. 135
41▶CD: String Quartets Op. 132 & Op. 59 No. 3
42▶CD: String Quartet Op. 130 & Große Fuge
43▶CD: String Ensembles I
44▶CD: String Ensembles II
45▶CD: Piano Sonatas Op. 2 Nos. 1-3
46▶CD: Piano Sonatas Op. 7, Op. 10 Nos. 1, 2
47▶CD: Piano Sonatas Op. 10 No. 3, Op. 13, 14
48▶CD: Piano Sonatas Op. 22, 26, 27
49▶CD: Piano Sonatas Op. 28, 31 No. 1, 2
50▶CD: Piano Sonatas Op. 31 No. 3, Op. 49, 53, 54
51▶CD: Piano Sonatas Op. 57, 78, 79, 81a, 90
52▶CD: Piano Sonatas Op. 101, 106
53▶CD: Piano Sonatas Op. 109, 110, 111
54▶CD: Piano Variations I
55▶CD: Piano Variations II
56▶CD: Piano Variations III
57▶CD: Piano Variations IV, Bagatelles
58▶CD: Bagatelles
59▶CD: Piano Works
60▶CD: Piano Works 4-Hands
61▼CD: Leonore Part 1
#TitleRatingLength
1Leonore: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
14:03
2Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)
soprano vocals:
Helen Donath (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:35
3Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline)
soprano vocals:
Helen Donath (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 1 Aria "O wär' ich schon mit dir vereint" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:33
4Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:23
5Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
5:04
6Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:00
7Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
3:41
8Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Ist Fidelio noch nicht nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:18
9Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:52
10Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:48
11Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco)
bass vocals:
Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 5 Aria "Hat man nicht auch Gold beineben" (Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:47
12Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:38
13Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
7:08
14Leonore: Act II. No. 7 March
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 7 March
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:58
15Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:35
16Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:58
17Leonore: Act II. "Rocco!" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Rocco!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:09
18Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
5:00
19Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:10
20Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 10 Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
6:05
21Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:17
22Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)
soprano vocals:
Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
8:18
62▶CD: Leonore Part 2
63▶CD: Fidelio Part 1
64▶CD: Fidelio Part 2
65▶CD: Egmont
66▶CD: Die Geschöpfe des Prometheus, Ballet Music Op. 43
67▶CD: Die Ruinen von Athen, König Stephan
68▶CD: Arias
69▶CD: Cantatas WoO 87 & 88
70▶CD: Der Glorreiche Augenblick Op. 136
71▶CD: Vocal Works
72▶CD: Oratorio “Christ on the Mount of Olives” (Christus am Ölberge)
73▶CD: Missa solemnis
74▶CD: Missa solemnis, Mass in C major
75▶CD: Songs I
76▶CD: Songs II
77▶CD: Songs III
78▶CD: Songs IV
79▶CD: Canons, Epigrams and Jokes
80▶CD: Irish Songs WoO 152 & 153, Selection
81▶CD: 12 Irish Songs WoO 154
82▶CD: 26 Welsh Songs WoO 155
83▶CD: Scottish Songs WoO 156 & 157, Complete
84▶CD: Scottish Songs Op. 108 & WoO 158/1
85▶CD: Folksongs WoO 158 a/b/c