The Grand Budapest Hotel (Original Soundtrack)

~ Release by Alexandre Desplat (see all versions of this release, 5 available)

Annotation

℗ «2014 ABKCO Music & Records, Inc.»

Annotation last modified on 2022-01-03 16:16 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1s’Rothe‐Zäuerli
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
S'Rothe-Zäuerli
composer:
Ruedi Roth and Werner Roth (composer)
Öse Schuppel41:13
2The Alpine Sudetenwaltz
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Alpine Sudetenwaltz
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat30:37
3Mr. Moustafa
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Mr. Moustafa
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat43:04
4Overture: M. Gustave H
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Overture: M. Gustave H
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat40:30
5A Prayer for Madame D
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
A Prayer for Madame D
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat41:21
6The New Lobby Boy
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The New Lobby Boy
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat42:18
7Concerto for Lute and Plucked Strings I. Moderato
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Siegfried Behrend & DZO Chamber Orchestra32:53
8Daylight Express to Lutz
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Daylight Express to Lutz
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat42:17
9Schloss Lutz Overture
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Schloss Lutz Overture
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat30:32
10The Family Desgoffe und Taxis
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Family Desgoffe Und Taxis
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat41:50
11Last Will and Testament
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Last Will and Testament
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat32:17
12Up the Stairs/Down the Hall
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Up the Stairs / Down the Hall
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat30:28
13Night Train to Nebelsbad
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Night Train to Nebelsbad
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat41:44
14The Lutz Police Militia
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Lutz Police Militia
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat30:50
15Check Point 19 Criminal Internment Camp Overture
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Check Point 19 Criminal Internment Camp Overture
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat40:11
16The Linden Tree (edit)
partial recording of:
Липа
composer:
[traditional] (special purpose artist)
arranger:
Павел Куликов (Pavel Kulikov, Soviet composer and condictor)
Osipov State Russian Folk Orchestra & Vitaly Gnutov42:25
17J.G. Jopling, Private Inquiry Agent
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
J.G. Jopling, Private Inquiry Agent
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat41:29
18A Dash of Salt (Ludwig’s Theme)
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
A Dash of Salt (Ludwig’s Theme)
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat31:32
19The Cold‐Blooded Murder of Deputy Vilmos Kovacs
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Cold-Blooded Murder of Deputy Vilmos Kovacs
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat42:47
20Escape Concerto
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Escape Concerto
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat42:13
21The War (Zero’s Theme)
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The War (Zero’s Theme)
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat31:02
22No Safe‐House
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
No Safe-House
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat31:32
23The Society of the Crossed Keys
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Society of the Crossed Keys
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat42:21
24M. Ivan
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
M. Ivan
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat41:15
25Lot 117
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Lot 117
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat40:31
26Third Class Carriage
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Third Class Carriage
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat41:21
27Canto at Gabelmeister’s Peak
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Canto at Gabelmeister's Peak
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat45:35
28A Troops Barracks (Requiem for the Grand Budapest)
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
A Troops Barracks (Requiem for the Grand Budapest)
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat45:18
29Cleared of All Charges
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Cleared of All Charges
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat41:10
30The Mystical Union
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Mystical Union
orchestrator:
Alexandre Desplat (French score composer) and Mark Graham (conductor)
composer:
Alexandre Desplat (French score composer)
part of:
The Grand Budapest Hotel
Alexandre Desplat41:26
31Kamarinskaya
recorded in:
Soviet Union (historical, 1922-1991) (in 1962-06)
associate engineer:
Robert Eberenz (in 1962-06)
engineer:
C. Robert Fine (in 1962-06)
solo domra:
Рудольф Белов (Rudolf Belov) (in 1962-06)
orchestra:
Osipov State Russian Folk Orchestra (Ossipov Russian Folk Orchestra) (in 1962-06)
conductor:
Vitaly Gnutov (in 1962-06)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1962-06)
recording of:
Kamarinskaya
composer:
Nikolay Osipov (Soviet virtuoso balalaika player, conductor and teacher)
Osipov State Russian Folk Orchestra & Vitaly Gnutov42:43
32Traditional Arrangement: “Moonshine”
assistant recording engineer:
Florent Berthier (recording engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programming:
Romain Allender
producer:
Wes Anderson (US film director, screenwriter & actor) and Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
conductor:
Mark Graham (conductor)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Светит месяц («Светит месяц, светит ясный, светит белая заря…»)
writer:
[traditional] (special purpose artist)
part of:
Русские народные песни (Russian traditional songs)
Alexandre Desplat43:21