Car Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Suspicious Minds
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (Guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 363)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley4.14:30
2I Drove All Night
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Jeff Lynne
guitar and lead vocals:
Roy Orbison (in 1987)
instruments:
Jeff Lynne (from 1987 until 1991)
phonographic copyright (℗) by:
Estate Of Roy Orbison (Rights company of the late Roy Orbison) (in 1991)
produced for:
Trembler Prods. Inc. (Jeff Lynne production company)
recording of:
I Drove All Night (from 1987 until 1991)
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. and Warner Chappell Music Ltd.
Roy Orbison4.653:46
3You Can Call Me Al
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
baritone saxophone and bass saxophone:
Ronald E. Cuber
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
electric bass guitar [six-string electric bass] and background vocals:
Paul Simon (of Simon & Garfunkel)
guitar:
Chikapa “Ray” Phiri
guitar synthesizer:
Adrian Belew
percussion:
Ralph MacDonald
solo tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
synthesizer:
Rob Mounsey
trombone:
Kim Allan Cissel and David W. Bargeron (US trombonist & tubist)
trumpet:
Alan Rubin, John Faddis, Lewis Michael Soloff and Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
horn arranger:
Rob Mounsey
additional arranger:
Chikapa “Ray” Phiri
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
You Can Call Me Al
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.44:41
4Livin’ Thing
engineer:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) and Duane Scott
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1976-07)
cello:
Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1976-07)
guitar:
Jeff Lynne (in 1976-07) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
violin:
Mik Kaminski (in 1976-07)
background vocals:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) and Patti Quatro (in 1976-07)
lead vocals:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
orchestrator:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1976-07) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1976-07)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
edited at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Livin’ Thing (in 1976-07)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.153:32
5Nothing’s Gonna Stop Us Now
cover recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship4:28
6Don’t Stop Believin’
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.34:09
7Bat out of Hell
bass guitar:
Kasim Sulton
drums (drum set):
Max Weinberg
guitar and guitar [Motorcycle guitar]:
Todd Rundgren
keyboard:
Roy Bittan, Todd Rundgren and Jim Steinman
percussion:
Jim Steinman
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
additional background vocals:
Rory Dodd and Ellen Foley
background vocals:
Todd Rundgren and Kasim Sulton
lead vocals:
Meat Loaf
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
edit of:
Bat Out of Hell by Meat Loaf
recording of:
Bat out of Hell
lyricist and composer:
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music and Peg Music Co.
Meat Loaf4.654:53
8Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:31
9Walk This Way
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Russell Simmons
guest guitar:
Joe Perry (guitarist for Aerosmith)
guest vocals:
Steven Tyler
phonographic copyright (℗) by:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
Run‐D.M.C. & Aerosmith3.653:37
1099 Red Balloons
producer:
Jay Faires, Tricia Holloway, Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987) (in 1983)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Songs Ltd.
translated version of:
99 Luftballons
Nena3.83:51
11Since U Been Gone
additional engineer:
John Hanes (audio engineer, mixer) (task: pro-tools engineer)
engineer:
Johan Brorsson
producer:
Łukasz Gottwald and Max Martin (Swedish record producer)
additional mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea
drums (drum set):
Olle Dahlstedt
performer:
Łukasz Gottwald and Max Martin (Swedish record producer)
phonographic copyright (℗) by:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (in 2004)
music videos:
Since U Been Gone by Kelly Clarkson
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 5) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 93)
recording of:
Since U Been Gone
writer:
Łukasz Gottwald and Martin Karl Sandberg (Swedish record producer)
Kelly Clarkson3.73:10
12We Can’t Stop
co-producer:
P-Nasty
producer:
Mike WiLL Made‐It and R. City (hip‐hop/R&B artist/producer duo, aka Rock City)
performer:
Miley Cyrus
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 17), Billboard Decade End Chart: Streaming Songs (2010s) (number: 41), Rolling Stone: The 100 Best Songs of the 2010s (number: 62) and BILLIONS CLUB
recording of:
We Can’t Stop
writer:
Miley Cyrus, Douglas Davis, Michael Williams, Pierre Ramon Slaughter, Theron Thomas, Timothy Thomas (US-based caribbean R&B/hip hop musician) and Richard Walters (US rapper Slick Rick)
version of:
We Can’t Stop Parody
Miley Cyrus3.53:52
13Heart Skips a Beat
recording of:
Heart Skips a Beat
writer:
Alex James Smith (English songwriter and producer), Harley Alexander-Sule (English songwriter, musician & actor), Jim Eliot (UK singer-songwriter, composer, record producer), Samuel Preston (Sam Preston, English singer-songwriter, musician, actor) and Jordan Stephens (British rapper, singer-songwriter, lyricist, actor)
publisher:
B-Unique (publisher; do NOT use as release label), BMG Rights (see annotation), Metrophonic Music, Music of Stage Three, Sony ATV Publishing and Stage Three Music Publishing Limited
Olly Murs3:20
14Budapest
programming and producer:
Cam Blackwood
engineer:
Cam Blackwood and Liam Thorne
assistant producer:
Liam Thorne
assistant mixer:
Sean Julliard
mixer:
Cenzo Townshend (engineer)
bass synthesizer:
Cam Blackwood
guitar, keyboard and percussion:
Cam Blackwood and George Ezra
lead vocals:
George Ezra
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
recorded at:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Decoy Studios in Studio City, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 89)
recording of:
Budapest
writer:
George Ezra Barnett and Joel Pott
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:21
15Only Love Can Hurt Like This
recording engineer:
Mario Luccy
additional producer:
AC Burrell and Kyle Townsend
producer:
AC Burrell
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
bass:
Bryan “B-Dub” White (bassist and producer)
lead vocals:
Paloma Faith
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
recorded at:
Realsongs in Los Angeles, California, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Only Love Can Hurt Like This
lyricist and composer:
Diane Warren (US songwriter)
Paloma Faith3.53:53
16You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:15
17Tragedy
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
bass and guitar:
Mark Topham
drums (drum set) [drums]:
Chris McDonnell (engineer)
keyboard:
Karl Twigg
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
cover recording of:
Tragedy
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) and Warner/Chappell (Warner/Chappell Music, Inc.)
Steps3.44:32
18Hey Baby
phonographic copyright (℗) by:
Pro Sound GmbH (from 2000 until 2001) and EMI Austria GmbH (in 2001)
music videos:
Hey Baby (taxi version) by DJ Ötzi (Austrian entertainer and schlager singer)
cover recording of:
Hey! Baby (in 2000)
writer:
Bruce Channel and Margaret Cobb
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) and Le Bill Music (in 1961)
DJ Ötzi23:37
19Timber
programming and producer:
Cirkut and Dr. Luke
engineer:
Al Burna (Recording and mixing engineer), Rachael Findlen (engineer), Alana Da Fonseca, Clint Gibbs and Ryan Gladieux
mixer:
John Hanes (audio engineer, mixer)
instruments:
Cirkut and Dr. Luke
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2013 to present)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 11) and Billboard Decade End Chart: Streaming Songs (2010s) (number: 42)
recording of:
Timber
writer:
Armando C. Perez (American rapper), Steve Arrington, Breyan Stanley Isaac, Charles Carter (American saxophonist, composer, and producer), Greg Errico, Łukasz Gottwald, Waung Hankerson, Henry Walter, Kesha Sebert (Kesha, American singer fka Ke$ha), Keri Oskar, Lee Oskar, Roger Parker (US R&B drummer), Priscilla “Priscilla Renea” Hamilton, Jamie Sanderson (UK songwriter) and Pebe Sebert (American singer-songwriter, mother of Ke$ha)
publisher:
Abuela y Tía Songs, Artist 101 Publishing Group, Artist Publishing Group West, BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Dynamite Cop Music, Far Out Music, Far Out Music, Inc., Ikke-Bad Music, Ikke-Bad Music, Inc., Kasz Money Publishing (ASCAP affiliated), Keep It Simple Stupid Publishing, Kesce Rose Music, Oneirology Publishing, Prescription Songs, Radio Active Material Publishing Co., Songs of Lastrada (BMI-affiliated), Sony/ATV Songs LLC, Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) and Where da Kasz At
Pitbull ft. Ke$ha3.73:25
20Copacabana (At the Copa) (1993 remix)
producer:
Ron Dante and Barry Manilow
remixer:
Dave Ford (remixer, producer & technician known for work with SAW)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1993)
remix of:
Copacabana by Barry Manilow
edit of:
Copacabana (At the Copa) The 1993 Remix (12″ version) by Barry Manilow
recording of:
Copacabana (original 1978 disco/pop song)
lyricist:
Jack Feldman and Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music and Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Copacabana (1985 TV film soundtrack)
part of:
Foul Play (1978 film soundtrack)
Barry Manilow44:02
3CD

Credits

Release

ASIN:UK: B076CZXXDB [info] (ended)