The John Eliot Gardiner Collection

~ Release by Sir John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1▶CD: Claudio Monteverdi: Vespro della Beata Vergine (nos. 1-10)
2▶CD: Claudio Monteverdi: Vespro della Beata Vergine (nos. 11-13b)
3▶CD: Henry Purcell: The Fairy Queen (Acts I-III)
4▶CD: Henry Purcell: The Fairy Queen (Acts IV-V)
5▶CD: Johann Sebastian Bach: Matthäus-Passion (Part I)
6▶CD: Johann Sebastian Bach: Matthäus-Passion (Part II, nos. 30-52)
7▶CD: Johann Sebastian Bach: Matthäus-Passion (Part II, nos. 53a-68)
8▶CD: George Frideric Handel: Jephtha (Act I)
9▶CD: George Frideric Handel: Jephtha (Act II)
10▶CD: George Frideric Handel: Jephtha (Act III)
11▶CD: Christoph Willibald Gluck: Iphigénie en Tauride (Acts I-II)
12▶CD: Christoph Willibald Gluck: Iphigénie en Tauride (Acts III-IV)
13▶CD: Wolfgang Amadeus Mozart: Idomeneo (Acts I - II beg.)
14▶CD: Wolfgang Amadeus Mozart: Idomeneo (Acts II cont. - III beg.)
15▶CD: Wolfgang Amadeus Mozart: Idomeneo (Act III cont.)
16▶CD: Wolfgang Amadeus Mozart: Piano Concertos nos. 20 & 21
17▶CD: Joseph Haydn: Die Jahreszeiten (Der Frühling, Der Sommer)
18▶CD: Joseph Haydn: Die Jahreszeiten (Der Herbst, Der Winter)
19▶CD: Ludwig van Beethoven: Leonore (Acts I-II beg.)
20▶CD: Ludwig van Beethoven: Leonore (Acts II cont.-III)
21▶CD: Ludwig van Beethoven: Missa solemnis
22▶CD: Hector Berlioz: Symphonie fantastique
23▶CD: Robert Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Parts I-II)
24▶CD: Robert Schumann: Das Paradies und die Peri (Part III) / Symphony no. 4 (original version)
25▶CD: Giuseppe Verdi: Messa da Requiem
26▶CD: Edward Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
27▶CD: Franz Lehár: Die lustige Witwe
28▶CD: Percy Grainger: Songs and Dancing Ballads
29▼CD: Kurt Weill: Speak Low: Songs by Kurt Weill & The Seven Deadly Sins
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1Die sieben Todsünden: Prologue: "Meine Schwester und ich stammen aus Louisiana" (Anna)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:24
2Die sieben Todsünden: 1. Faulheit: "Hoffentlich nimmt sich unsre Anna auch zusammen" (Family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:47
3Die sieben Todsünden: 2. Stolz: "Als wir aber ausgestattet waren" (Anna, Family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:19
4Die sieben Todsünden: 3. Zorn: "Das geht nicht varwärts!" (Family, Anna)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:00
5Die sieben Todsünden: 4. Völlerei: "Da ist ein Brief aus Philadelphia" (Family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:58
6Die sieben Todsünden: 5. Unzucht: "Und wir fanden einen Mann in Boston" (Anna, Family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:38
7Die sieben Todsünden: 6. Habsucht: "Wie hier in der Zeitung steht, ist Anna" (Family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:57
8Die sieben Todsünden: 7. Neid: "Und die letzte Stadt der Reise war san Francisco" (Anna, Family)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (German bass-baritone) (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:06
9Die sieben Todsünden: Epilogue: "Darauf kehrten wir zurück nach Louisiana" (Anna)
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill1:56
10Lady in the Dark: My Ship
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Lady in the Dark: My Ship (in 1993-09)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Lady in the Dark: Act II. Childhood Dream
Kurt Weill2:42
11Lady in the Dark: One Life to Live
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Lady in the Dark: One Life to Live (in 1993-09)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act I. Glamour Dream
Kurt Weill3:04
12Buddy on the Nightshift
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Buddy on the Nightshift (in 1993-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Kurt Weill (composer)
Kurt Weill2:09
13Nannas Lied
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Lied eines Freudenmädchens (Nanna’s Lied) (music by Kurt Weill) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1939-12)
dedicated to:
Lotte Lenya
Kurt Weill4:06
14Happy End: Bilbao‐Song
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 1. No. 1: Bilbao‐Song. “Bills Ballhaus in Bilbao” (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
publisher:
Universal Edition AG (Wien) (publisher; do NOT use as release label)
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Kurt Weill4:27
15Happy End: Surabaya‐Johnny
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill6:01
16Happy End: Das Lied von der harten Nuss
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 3. No. 11: Das Lied von der harten Nuss. "Wer will einen großen Mann hab'n" (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill1:08
17Je ne t’aime pas
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
engineer and audio engineer:
Ulrich Vette (engineer) (in 1993-09)
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
grand piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Je ne t’aime pas (in 1993-09)
lyricist:
Maurice Magre
composer:
Kurt Weill (composer) (in 1934)
was commissioned by:
Heugel & Cie. (in 1934)
Kurt Weill4:29
18Schickelgruber
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Schickelgruber (in 1993-09)
lyricist:
Howard Dietz (librettist)
composer:
Kurt Weill (composer)
Kurt Weill2:51
19Der Abschiedsbrief
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Der Abschiedsbrief (in 1993-09)
lyricist:
Erich Kästner
composer:
Kurt Weill (composer)
Kurt Weill3:28
20One Touch of Venus: Foolish Heart
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Foolish Heart (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill2:28
21One Touch of Venus: Speak Low
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Speak Low (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:59
22One Touch of Venus: I’m a Stranger Here Myself
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
I’m a Stranger Here Myself (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:13
30▶CD: Lili Boulanger: Psalms / Vielle Prère bouddhique / Du fond du l'abîme / Igor Stravinsky: Symphony of Psalms