Paradisum: Serene Sacred Songs

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

To do: Add performers from https://www.amazon.com/gp/product/B01AU2R924?tag=musicbrainz0d-20 (or from booklet)

Annotation last modified on 2024-01-22 22:35 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Ave Maria
tenor vocals [Tenor]:
Juan Diego Flórez (Peruvian operatic tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Michele Mariotti (conductor)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Bach / Gounod2:58
2Cantique de Jean Racine
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1996-07-01 until 1996-07-05)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Gabriel Fauré5:37
3The Ground: Pleni sunt caeli
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Alexander Van Ingen
editor:
Dave Rowell (engineer)
piano:
Ola Gjeilo (Norwegian composer)
vocals:
Tenebrae (UK choir)
orchestra:
Chamber Orchestra of London
chorus master:
Nigel Short (British counter-tenor and conductor)
concertmaster:
Thomas Gould (violinist)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2015-04-13 until 2015-04-15)
recording of:
The Ground (Pleni sunt caeli)
lyricist:
[anonymous] (special purpose artist)
composer:
Ola Gjeilo (Norwegian composer) (in 2010)
Ola Gjeilo3:39
4Mass: Simple Song
soprano vocals:
Renée Fleming (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Andreas Delfs (conductor)
recording of:
Mass: I. Devotions before Mass, No. 2. Hymn and Psalm: “A Simple Song”
additional lyricist:
Leonard Bernstein (American conductor, composer, pianist) (in 1971) and Stephen Schwartz (musical theatre lyricist/composer) (in 1971)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1971)
premiered at:
John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1971-09-08)
part of:
Mass: A Theatre Piece for Singers, Players, and Dancers
Leonard Bernstein4:09
5Panis Angelicus
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 1976-01)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck (Belgian‐born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck4:04
6Liturgy of St. John Chrysostom: We Praise Thee ("Tebe Poem")
choir vocals:
St. Petersburg Chamber Choir (in 1994-01)
soprano vocals:
Natalia Kornieva (in 1994-01)
chorus master:
Nikolai Korniev (chorus master) (in 1994-01)
recorded at:
Peter and Paul Cathedral in Sankt-Peterburg (Saint Petersburg), Russia (in 1994-01)
partial recording of:
Liturgy of St. John Chrysostom, op. 31 (in 1994-01)
premiered in:
Moscow, Russia (on 1910-11-25)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910-07)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 31)
recording of:
Liturgy of St. John Chrysostom, op. 31: XII. We Praise Тhee (in 1994-01)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910-07)
part of:
Liturgy of St. John Chrysostom, op. 31
Sergei Rachmaninov3:37
7Sancta Maria
recording engineer:
Thijs Hoekstra, Everett Porter and Roger de Schot
producer:
Anna Barry (classical producer)
mixer and balance engineer:
Jean‐Marie Geijsen
solo tenor vocals:
Andrea Bocelli (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy
recording of:
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni)
composer:
Pietro Mascagni (composer & conductor)
arranger:
Steven Mercurio (conductor and composer)
is based on:
Cavalleria rusticana: Intermezzo
Pietro Mascagni33:38
8Misa Criolla: Kyrie
percussion:
Domingo Cura (in 1987-07) and Jorge Padin (in 1987-07)
choir vocals:
Coral Salvé de Laredo (in 1987-07) and Sociedad Coral de Bilbao (Bilbao Choral Society) (in 1987-07)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-07)
orchestra:
Huancara (in 1987-07)
conductor:
José Luis Ocejo
chorus master:
José Luis Ocejo (in 1987-07)
recorded at:
Santuario de la Bien Aparecida in Ampuero, Cantabria, Spain (in 1987-07)
recording of:
Misa criolla: I. Kyrie (in 1987-07)
composer:
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
part of:
Misa criolla
Ariel Ramírez3:49
9Auf Flügeln des Gesangs (On Wings of Song)
producer:
Andrew Cornall (engineer / producer) and Paul Myers (classical record producer) (task: session recording producer)
mixer:
Philip Siney (sound engineer) (from 1998-09-19 until 1998-09-25)
soprano vocals:
Angela Gheorghiu (Romanian soprano) (from 1998-09-19 until 1998-09-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (conductor) (from 1998-09-19 until 1998-09-25)
arranger:
Chris Hazell
balance engineer:
James Lock (James Locke, engineer) (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:51
10Os justi
recording engineer:
Andrew Mellor (engineer)
producer:
Nicholas Parker (Production music composer)
vocals:
VOCES8 (in 2013-04)
recorded at:
Église Notre-Dame d'Herment in Herment, Puy-de-Dôme, Auvergne-Rhône-Alpes, France (from 2013-04-05 until 2013-04-11)
recording of:
Os justi, WAB 30 (in 2013-04)
composer:
Anton Bruckner (Austrian composer) (on 1879-07-18)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 30)
Anton Bruckner4:48
11Nulla in mundo, RV 630
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
baroque trumpet [natural trumpet]:
Michael Laird (classical trumpeter) (in 1978-06)
bassoon:
Jeremy Ward (UK classical bassoonist) (in 1978-06)
cello:
Anthony Pleeth (cellist) (in 1978-06) and Richard Webb (cellist) (in 1978-06)
chamber organ:
Christopher Hogwood (conductor, harpsichordist) (in 1978-06)
double bass:
Peter McCarthy (double bassist) (in 1978-06)
oboe:
Clare Shanks (oboist) (in 1978-06)
viola:
Annette Isserlis (violist) (in 1978-06), Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06) and Colin Kitching (in 1978-06)
violin:
Joan Brickley (in 1978-06), Judith Falkus (in 1978-06), Miles Golding (violinist) (in 1978-06), Rachel Isserlis (in 1978-06), June Baines (in 1978-06), Catherine Mackintosh (violinist) (in 1978-06), Michela Comberti (English violinist) (in 1978-06), Simon Standage (English violinist and conductor) (in 1978-06), Robin Stowell (in 1978-06), Kay Usher (in 1978-06), Polly Waterfield (in 1978-06) and Christel Wiehe (in 1978-06)
soprano vocals:
Emma Kirkby (soprano) (in 1978-06)
orchestra:
Academy of Ancient Music (in 1978-06)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1978-06)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Nulla in mundo pax sincera, RV 630: I. Aria “Nulla in mundo pax”. Larghetto (in 1978-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nulla in mundo pax sincera, RV 630
recording of:
Nulla in mundo pax sincera, RV 630
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
part of:
Ryom-Verzeichnis (number: RV 630)
Antonio Vivaldi36:48
12Zdes' khorosho
recording engineer:
Wolf‐Dieter Karwatky (from 2005-12 until 2006-06)
sound engineer:
Rainer Maillard (from 2005-12 until 2006-06)
producer:
Christopher Alder (editor/engineer/producer) (from 2005-12 until 2006-06)
soprano vocals:
Anna Netrebko (soprano) (from 2005-12 until 2006-06)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (from 2005-12 until 2006-06)
conductor:
Valery Gergiev (conductor) (from 2005-12 until 2006-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
recorded at:
Mariinsky Theatre (Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (from 2005-12 until 2006-06)
recording of:
12 Romances, op. 21: No. 7 “How Fair This Spot” (12 Romances, op. 21: no. 7 “How Fair This Spot”)
lyricist:
Галина Галина (Galina Galina)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1902)
part of:
12 Romances, op. 21
Sergei Rachmaninov2:26
13Vespers K339: Laudate Dominum
producer:
Chris Hazell
choir vocals:
Choir of St John’s College, Cambridge (from 1979-08-01 until 1979-08-02)
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1979-08-01 until 1979-08-02)
orchestra:
The Wren Orchestra (from 1979-08-01 until 1979-08-02)
conductor:
George Guest (organist and conductor) (from 1979-08-01 until 1979-08-02)
balance engineer:
John Dunkerley (engineer) (in 1979-08) and Kenneth Wilkinson (engineer) (in 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1979-08-01 until 1979-08-02)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1979-08-01 until 1979-08-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:52
14Magnificat: Quia respexit
producer:
Andrew Cornall (engineer / producer) and Paul Myers (classical record producer) (task: session recording producer)
mixer:
Philip Siney (sound engineer) (from 1998-09-19 until 1998-09-25)
choir vocals:
Romanian National Choir "Madrigal-Marin Constantin"
soprano vocals:
Angela Gheorghiu (Romanian soprano) (from 1998-09-19 until 1998-09-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (conductor) (from 1998-09-19 until 1998-09-25)
balance engineer:
James Lock (James Locke, engineer) (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:02
15Lux Aurumque
choir vocals:
Eric Whitacre Singers
conductor:
Eric Whitacre (composer)
recording of:
Lux aurumque
lyricist:
Edward Esch
composer:
Eric Whitacre (composer) (in 2000)
translator:
Charles Anthony Silvestri (US poet, fl. early 21c)
was commissioned by:
Master Chorale of Tampa Bay
Eric Whitacre4:11