Complete Deutsche Grammophon & Argo Recordings

~ Release by Michael Tilson Thomas (see all versions of this release, 1 available)

Tracklist

1▶CD: Tchaikovsky: Symphony no. 1
2▶CD: Schumann / Grieg: Piano Concertos
3▶CD: Debussy: Images pour orchestre / Prélude à l’après‐midi d’un faune
4▶CD: Debussy: Violin Sonata / Cello Sonata / Flute Sonata / Syrinx
5▶CD: Ives: Three Places in New England / Ruggles: Sun‐Treader
6▶CD: Stravinsky: Le Roi des étoiles / Le Sacre du printemps
7▶CD: Piston: Symphony no. 2 / W. Schuman: Violin Concerto
8▶CD: Shostakovich: Cello Concertos nos. 1 & 2
9▶CD: Bernstein: On the Town
10▶CD: Bernstein: Arias And Barcarolles / A Quiet Place / Symphonic Dances from West Side Story
11▼CD: Costello: Il sogno
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1Il sogno: Prelude
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Prelude
composer:
Elvis Costello
Elvis Costello2.50:49
2Il sogno: Overture
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Overture
composer:
Elvis Costello
Elvis Costello2.51:19
3Il sogno: Puck One
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Puck 1
composer:
Elvis Costello
Elvis Costello3.52:20
4Il sogno: Act I: The Court
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Court
composer:
Elvis Costello
Elvis Costello32:27
5Il sogno: Act I: The State of Affairs
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The State of Affairs
composer:
Elvis Costello
Elvis Costello44:45
6Il sogno: Act I: Hermia and Lysander
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Hermia and Lysander
composer:
Elvis Costello
Elvis Costello33:16
7Il sogno: Act I: The Jealousy of Helena
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Jealousy of Helena
composer:
Elvis Costello
Elvis Costello20:55
8Il sogno: Act I: Workers’ Playtime
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Workers’ Playtime
composer:
Elvis Costello
Elvis Costello32:16
9Il sogno: Act II: Oberon and Titania
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Oberon and Titania
composer:
Elvis Costello
Elvis Costello3.54:14
10Il sogno: Act II: The Conspiracy of Oberon and Puck
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Conspiracy of Oberon and Puck
composer:
Elvis Costello
Elvis Costello3.51:08
11Il sogno: Act II: Slumber
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Slumber
composer:
Elvis Costello
Elvis Costello31:25
12Il sogno: Act II: Puck Two
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Puck 2
composer:
Elvis Costello
Elvis Costello31:49
13Il sogno: Act II: The Identity Parade
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Identity Parade
composer:
Elvis Costello
Elvis Costello34:42
14Il sogno: Act II: The Face of Bottom
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Face of Bottom
composer:
Elvis Costello
Elvis Costello2.52:50
15Il sogno: Act II: The Spark of Love
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Spark of Love
composer:
Elvis Costello
Elvis Costello3.54:22
16Il sogno: Act II: Tormentress
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Tormentress
composer:
Elvis Costello
Elvis Costello3.51:41
17Il sogno: Act II: Oberon Humbled
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Oberon Humbled
composer:
Elvis Costello
Elvis Costello43:41
18Il sogno: Act II: Twisted – Entangled – Transform and Exchange
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Twisted – Entangled – Transform and Exchange
composer:
Elvis Costello
Elvis Costello32:35
19Il sogno: Act II: The Fairy and the Ass
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Fairy and the Ass
composer:
Elvis Costello
Elvis Costello31:36
20Il sogno: Act II: Sleep
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Sleep
composer:
Elvis Costello
Elvis Costello2.52:48
21Il sogno: Act II: Bottom Awakes
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Bottom Awakes
composer:
Elvis Costello
Elvis Costello31:44
22Il sogno: Act II: Lovers Arise
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Lovers Arise
composer:
Elvis Costello
Elvis Costello33:18
23Il sogno: Act III: The Play
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Play
composer:
Elvis Costello
Elvis Costello31:31
24Il sogno: Act III: The Wedding
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Wedding
composer:
Elvis Costello
Elvis Costello34:22
12▶CD: Tangazo: Music of Latin America
13▶CD: Dahl: Concerto for Alto Saxophone / Hymn / Music for Brass Instruments / The Tower of Saint Barbara
14▶CD: Feldman: Piano and Orchestra / Cello and Orchestra / Coptic Light