Iedereen klassiek: Klassiek voor alle emoties

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Book + CDs
Borgerhoff & Lambrichts is book publisher

Annotation last modified on 2018-06-23 21:28 UTC.

Tracklist

1▶CD: Verdriet / Troost
2▶CD: Angst / Macht
3▶CD: Melancholie / Verlangen
4▶CD: Verlangen / Extase
5▶CD: Extase / Pathos
6▶CD: Evenwicht / Rust
7▶CD: Rust / Poëzie / Gratie
8▶CD: Gratie / Energie / Feest
9▶CD: Feest / Ironie
10▼CD: Humor
#TitleArtistRatingLength
1Les Indes galantes: Les Sauvages: Forêts paisibles
engineer:
Hugues Deschaux (from 2013-05-06 until 2013-05-08)
soprano vocals:
Sabine Devieilhe (soprano) (from 2013-05-06 until 2013-05-08)
orchestra:
Les Ambassadeurs (orchestra playing period instruments) (from 2013-05-06 until 2013-05-08)
conductor:
Alexis Kossenko (flutist and conductor) (from 2013-05-06 until 2013-05-08)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2013-05-06 until 2013-05-08)
partial recording of:
Les Indes galantes (from 2013-05-06 until 2013-05-08)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Louis Fuzelier
part of:
Catalogue thématique des oeuvres musicales de Jean-Philippe Rameau (number: RCT 44)
Jean‐Philippe Rameau54:44
2Sonata violin solo representative (Representativa avium)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146
composer:
Heinrich Ignaz Franz von Biber (composer)
part of:
The Church Music of Heinrich Biber (number: C 146)
Heinrich Ignaz Franz von Biber10:49
3Così fan tutte: Suave sia il vento
producer:
John Fraser (UK producer)
bass vocals [Don Alfonso]:
Claudio Desderi (baritone) (in 1986-02)
mezzo-soprano vocals [Dorabella]:
Dolores Ziegler (mezzo-soprano) (in 1986-02)
soprano vocals:
Delores Ziegler (mezzo-soprano)
soprano vocals [Fiordiligi]:
Carol Vaness (soprano) (in 1986-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1986-02)
conductor:
Bernard Haitink (conductor) (in 1986-02)
balance engineer:
Stuart Eltham (engineer) (in 1986-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-02)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1986-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:04
4Symfonie nr. 94 “Surprise”: Andante
producer:
Suvi Raj Grubb
orchestra:
Pittsburgh Symphony Orchestra (from 1978-05-13 until 1978-05-15)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-05-13 until 1978-05-15)
balance engineer:
Michael Sheady (engineer)
recorded at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (from 1978-05-13 until 1978-05-15)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (from 1978-05-13 until 1978-05-15)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn6:52
5Háry János: Weense klok
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1983-09-22 until 1983-09-26)
conductor:
Klaus Tennstedt (conductor) (from 1983-09-22 until 1983-09-26)
balance engineer:
Neville Boyling (engineer) (from 1983-09-22 until 1983-09-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-09-22 until 1983-09-26)
recording of:
Háry János Suite: II. Viennese Musical Clock: Allegretto (from 1983-09-22 until 1983-09-26)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály2:05
6Háry János: Intermezzo
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1983-09-22 until 1983-09-26)
conductor:
Klaus Tennstedt (conductor) (from 1983-09-22 until 1983-09-26)
balance engineer:
Neville Boyling (engineer) (from 1983-09-22 until 1983-09-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-09-22 until 1983-09-26)
recording of:
Háry János Suite: V. Intermezzo: Andante maestoso, ma con fuoco (from 1983-09-22 until 1983-09-26)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály5:11
7Orphée aux enfers: Ce bal est original (galop infernal)
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US-american operatic tenor) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (French tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre de Chambre de Grenoble, Orchestre de l'Opera National de Lyon and Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Galop infernal “Ce bal est original” (Tous) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:50
8An American in Paris
producer:
Christopher Bishop (conductor/producer)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
orchestra:
London Symphony Orchestra (on 1971-06-04, on 1971-06-06)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-06-04, on 1971-06-06)
recording of:
An American in Paris (on 1971-06-04)
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
part of:
An American in Paris (2015 Broadway musical)
George Gershwin18:06