| # | Title | Artist | Rating | Length |
|---|
| 1 | Footloose- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| Kenny Loggins | 4.1 | 3:49 |
| 2 | Holding Out for a Hero- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1984), Sony Music Entertainment Inc. (in 1984), Sony Music Entertainment UK Limited (in 1984) and Sony Music Entertainment (UK) Ltd. (in 1985)
- recording of:
- Holding Out for a Hero
- lyricist:
- Dean Pitchford
- composer:
- Jim Steinman
- publisher:
- BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. , Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC
- is based on:
- Stark Raving Love
| Bonnie Tyler | 4.15 | 4:23 |
| 3 | Let's Hear It for the Boy | Deniece Williams | 3.6 | 4:18 |
| 4 | Jumpin' Jack Flash | Aretha Franklin | | 5:08 |
| 5 | I Say a Little Prayer | Diana King | | 3:36 |
| 6 | Don't Leave Me This Way | Harold Melvin & The Blue Notes | 3.5 | 6:09 |
| 7 | Ain't No Stoppin' Us Now | McFadden & Whitehead | | 7:02 |
| 8 | Boogie Nights | Heatwave | 4.65 | 3:38 |
| 9 | Best of My Love | The Emotions | 4.15 | 3:42 |
| 10 | That Lady, Pts. 1 & 2 | The Isley Brothers | 4 | 5:36 |
| 11 | O-o-h Child | The Five Stairsteps | 3.8 | 3:15 |
| 12 | I'm So Excited- recorded in:
- Los Angeles, California, United States (in 1983)
- synthesizer programming:
- Michael Boddicker
- engineer:
- Gabe Veltri
- associate producer:
- Trevor Lawrence
- producer:
- Richard Perry
- bass:
- Nathan Watts (in 1983)
- drums (drum set):
- John “JR” Robinson (in 1983)
- guitar:
- George Doering (in 1983) and Lee Ritenour (in 1983)
- organ:
- William D. “Smitty” Smith (in 1983)
- percussion:
- Paulinho da Costa (in 1983)
- piano:
- John Barnes (in 1983)
- reeds:
- Gary Herbig (in 1983) and Jim Horn (in 1983)
- synthesizer:
- Greg Phillinganes (in 1983)
- trombone:
- Dick Hyde (in 1983)
- trumpet:
- Chuck Findley (in 1983) and Gary Grant (in 1983)
- lead vocals:
- Anita Pointer (in 1983)
- horn arranger:
- Trevor Lawrence
- remix of:
- I’m So Excited by The Pointer Sisters
- recording of:
- I’m So Excited (in 1983)
- writer:
- Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence
- publisher:
- ’Til Dawn Music, Braintree Music, Copyright Control , EMI Blackwood Music Inc., EMI Music Publishing , EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc.
- sub-publisher:
- Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Pointer Sisters | 5 | 4:54 |
| 13 | In the Wee Small Hours of the Morning | Carly Simon | 4 | 3:19 |
| 14 | I'm Kissing You | Des’ree | 3.75 | 4:53 |
| 15 | Someday | John Legend | | 3:05 |
| 16 | She's Like the Wind | Patrick Swayze feat. Wendy Fraser | 4.35 | 3:52 |
| 17 | Almost Paradise | Mike Reno feat. Ann Wilson | | 3:51 |
| 18 | Angel | Sarah McLachlan | 4.5 | 4:33 |