Jazz in Paris (Volumes 1-76)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Love Is Just Around the Corner
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Love Is Just Around the Corner (in 1957-11)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Lewis E. Gensler
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
Earl Hines3:24
2You're Gettin' to Be a Habit
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
You’re Getting to Be a Habit With Me (in 1957-11)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
Earl Hines2:52
3Hallelujah
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Hallelujah! (in 1957-11)
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
Earl Hines2:55
4I Got It Bad and That Ain't Good
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (in 1957-11)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Earl Hines4:44
5Royal Garden Blues
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Royal Garden Blues (in 1957-11)
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) and Spencer Williams (US jazz composer, pianist & singer) (in 1919)
Earl Hines4:04
6Save It Pretty Mama
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Save It, Pretty Mama (in 1957-11)
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
Earl Hines2:51
7If I Could Be With You One Hour Tonight
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
If I Could Be With You (One Hour Tonight) (from 1957-11-15 until 1957-11-16)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
Earl Hines3:19
8Walkin' My Baby Back Home
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Walkin’ My Baby Back Home (in 1957-11)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Earl Hines3:25
9Moonlight in Vermont
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Moonlight in Vermont (in 1957-11)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Earl Hines3:14
10Makin' Whoopee
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental cover recording of:
Makin’ Whoopee! (from 1957-11-15 until 1957-11-16)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
Earl Hines3:37
11Muskrat Ramble
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
recording of:
Muskrat Ramble (1926 original instrumental version) (in 1957-11)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Earl Hines3:02
12Am I Wasting Time on You?
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
Earl Hines4:25
13'S Wonderful
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
’S Wonderful (in 1957-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Earl Hines3:00
14Perdido
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
recording of:
Perdido (original instrumental version) (in 1957-11)
composer:
Juan Tizol
Earl Hines3:07
15Nice Work If You Can Get It
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Nice Work If You Can Get It (in 1957-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Earl Hines2:24
16Muskrat Ramble (Take 2)
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
recording of:
Muskrat Ramble (1926 original instrumental version) (in 1957-11)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Earl Hines2:41
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