Bach Cantatas (The Complete Live Recordings from the Sir John Eliot Gardiner Bach Cantata Pilgrimage.)

~ Release by Johann Sebastian Bach; Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

The Complete Live Recordings from the Sir John Eliot Gardiner Bach Cantata Pilgrimage.

This is a box set. All the discs in this set were released previously most of them in double-cd pairs named Cantatas Vol. XX with the name of the place of performance.

This box set starts with CD one on New Years Day whereas the double-cd series starts with Vol. 1 as The Feast of St John The Baptist.

Annotation last modified on 2014-05-04 02:06 UTC.

Tracklist

1CD: For Christmas Day
2CD: For New Year's Day
3CD: For the Sunday after New Year / For Epiphany
4CD: For the First Sunday after Eipiphany
5CD: For the Second Sunday after Epiphany
6CD: For the Third Sunday after Epiphany
7CD: For the Fourth Sunday after Epiphany
8CD: For the Feast of the Purification of Mary
9CD: For Septuagesima
10CD: For Sexagesima
11CD: For Quinquagesima
12CD: For the Annunciation / Palm Sunday / Oculi
13CD: For Easter Sunday / Easter Monday
14CD: For Easter Monday / Easter Tuesday
15CD: For the First Sunday after Easter
16CD: For the Second Sunday after Easter
17CD: For the Third Sunday after Easter
18CD: For the Fourth Sunday after Easter
19CD: For the Fifth Sunday after Easter
20CD: For Ascension Day
21CD: For the Sunday after Ascension Day
22CD: For Whit Sunday
23CD: For Whit Monday
24CD: For Whit Tuesday
25CD: For Trinity Sunday
26CD: For the Feast of St John The Baptist
27CD: For the First Sunday after Trinity
28CD: For the Second Sunday after Trinity
29CD: For the Third Sunday after Trinity
30CD: For the Fourth Sunday after Trinity
31CD: For the Fifth Sunday after Trinity
32CD: For the Sixth Sunday after Trinity
33CD: For the Seventh Sunday after Trinity
34CD: For the Eighth Sunday after Trinity
35CD: For the Ninth Sunday after Trinity
#TitleArtistRatingLength
1Kantate, BWV 94 "Was frag' ich nach der Welt": I. Chorus: Was frag' ich nach der Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:44
2Kantate, BWV 94 "Was frag' ich nach der Welt": II. Aria (Basso): Die Welt ist wie ein Rauch und Schatten
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:24
3Kantate, BWV 94 "Was frag' ich nach der Welt": III. Chorale & Recitative (Tenor): Die Welt sucht Ehr' und Ruhm - Ein Stolzer baut die prächtigste
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:01
4Kantate, BWV 94 "Was frag' ich nach der Welt": IV. Aria (Alt): Betörte Welt, betörte Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach5:52
5Kantate, BWV 94 "Was frag' ich nach der Welt": V. Chorale & Recitative (Bass): Die Welt bekümmert sich - Was muss wohl doch der Kummer sein
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:33
6Kantate, BWV 94 "Was frag' ich nach der Welt": VI. Aria (Tenor): Die Welt kann ihre Lust und Freud
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VI. Aria (Tenor) "Die Welt kann ihre Lust und Freud" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach4:21
7Kantate, BWV 94 "Was frag' ich nach der Welt": VII. Aria (Sopran): Es halt es mit der blinden Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VII. Aria (Sopran) "Es halt es mit der blinden Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:10
8Kantate, BWV 94 "Was frag' ich nach der Welt": VIII. Chorale: Was frag ich nach der Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VIII. Choral "Was frag ich nach der Welt!" (on 2000-08-19)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 281)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:03
9Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass): Tue Rechnung! Donnerwort
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:10
10Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitative (Tenor): Es ist nur fremdes Gut
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:38
11Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor): Kapital und Interessen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:04
12Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitative (Bass): Jedoch, erschocknes Herz, leb und verzage
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:53
13Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Duett Sopran & Alt): Herz, zerreiß des Mammons Kette
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:10
14Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Chorale: Stärk mich mit Deinem Freudengeist
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:14
15Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": I. Chorus: Herr, gehe nicht ins Gericht
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:20
16Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": II. Recitative (Alt): Mein Gott, verwirf mich nicht
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach0:56
17Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": III. Aria (Soprano): Wie zittern und wanken
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:41
18Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": IV. Recitative (Bass): Wohl aber dem, der seinen Bürgen weiß
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:44
19Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": V. Aria (Tenor): Kann ich nur Jesum mir zum Freunde machen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach5:18
20Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": VI. Chorale: Nun, ich weiß, Du wirst mir stillen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:11
36CD: For the Tenth Sunday after Trinity
37CD: For the Eleventh Sunday after Trinity
38CD: For the Twelfth Sunday after Trinity
39CD: For the Thirteenth Sunday after Trinity
40CD: For the Fourteenth Sunday after Trinity
41CD: For the Fifthteenth Sunday after Trinity
42CD: For the Feast of St Michael and All Angels
43CD: For the Sixteenth Sunday after Trinity
44CD: For the Seventeenth Sunday after Trinity
45CD: For the Eighteenth Sunday after Trinity
46CD: For the Nineteenth Sunday after Trinity
47CD: For the Feast of the Reformation
48CD: For the Twentieth Sunday after Trinity
49CD: For the Twenty-first Sunday after Trinity
50CD: For the Twenty-second Sunday after Trinity
51CD: For the Twenty-third Sunday after Trinity
52CD: For the First Sunday in Advent
53CD: For the Fourth Sunday in Advent
54CD: For Christmas Day / For the Second Day of Christmas
55CD: For the Third Day of Christmas
56CD: For the Sunday after Christmas