| # | Title | Artist | Rating | Length |
|---|
| 1 | Cuddly Toy | Roachford | 3.75 | 3:47 |
| 2 | Maid of Orleans | Orchestral Manoeuvres in the Dark | 2.5 | 4:13 |
| 3 | Send Me an Angel- recorded in:
- Australia
- engineer:
- Andrew Scott
- executive producer:
- Mike Curb and Jack Schwartzman
- producer:
- Ross Cockle and Glenn Wheatley
- phonographic copyright (℗) by:
- Curb Records, Inc. (in 1983)
- recorded at:
- Rhinoceros Studios in Sydney, New South Wales, Australia
- mixed at:
- Fast Forward Studios in Warranwood, Melbourne, Victoria, Australia
- recording of:
- Send Me an Angel
- lyricist:
- David Sterry
- composer:
- Richard Zatorski
- publisher:
- Chappell & Co. GmbH , Warner Chappell, Warner Chappell Music , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Australia Pty. Ltd. and Wheatley Music Pty Ltd. (in 1983)
| Real Life | 4.5 | 3:52 |
| 4 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:56 |
| 5 | The Time of My Life- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- ヤマハミュージックEH(CM) (ended), Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. , Sony/ATV Tunes LLC , ソニー・ミュージックパブリッシング A事業部 , フジパシフィックミュージック , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | | 4:47 |
| 6 | Rock It | Herbie Hancock | 2.65 | 3:42 |
| 7 | The Riddle | Nik Kershaw | 3.25 | 3:51 |
| 8 | Runaway Boys | Stray Cats | 3.65 | 3:00 |
| 9 | Breakaway | Tracey Ullman | 3.65 | 2:37 |
| 10 | Der Kommisar | Falco | 4.25 | 3:47 |
| 11 | Sunshine Reggae | Laid Back | 3.35 | 4:17 |
| 12 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:36 |
| 13 | Gloria | Laura Branigan | 4.65 | 3:52 |
| 14 | Respectable- producer:
- Jamie Bromfield and Mark McGuire
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. (in 1987), EMI Records Ltd. (in 1987) and The Supreme Record Company Ltd. (in 1987)
- music videos:
- Respectable by Mel & Kim
- recording of:
- Respectable
- writer:
- Matt Aitken, Mike Stock and Pete Waterman
- publisher:
- All Boys Music, All Boys Music Ltd., Copyright Control , Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music , Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd.
| Mel & Kim | 2.5 | 3:22 |
| 15 | It’s a Sin | Pet Shop Boys | 4.65 | 5:02 |
| 16 | Someone’s Watching Me | Rockwell | 3.85 | 3:51 |
| 17 | Maniac- producer:
- Phil Ramone and Michael Sembello
- vocals:
- Michael Sembello (in 1983)
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983) and The Island Def Jam Music Group (in 1983)
- recording of:
- Maniac (in 1983)
- writer:
- Dennis Matkosky and Michael Sembello
- publisher:
- Copyright Control , Famous Music Corporation , Intersong Music, Intersong Music Ltd., Intersong USA, Inc. , Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp.
- part of:
- The 56th Academy Award for Best Original Song (number: 2)
| Michael Sembello | 4.15 | 4:05 |
| 18 | It Doesn’t Have to Be This Way | The Blow Monkeys | 2.5 | 4:05 |
| 19 | I Don’t Want to Get Hurt | Donna Summer | | 3:28 |
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