100 Hits: 70s Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Queen of Clubs
producer:
Harry Wayne Casey and Richard Finch
recording of:
Queen of Clubs
writer:
Harry Wayne Casey and Richard Finch
KC and the Sunshine Band53:20
2Right Back Where We Started From
recording of:
Right Back Where We Started From
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale3:13
3Get It Right Next Time
engineer:
Nick Patrick
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Get It Right Next Time
lyricist and composer:
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty34:42
4Street Life
engineer:
John Punter
producer:
Chris Thomas (UK record producer / remixer)
electric bass guitar:
Chris Thomas (UK record producer / remixer) (in 1973-09)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1973), Virgin EG Records Ltd. (in 1973) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Street Life (in 1973-09)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher)
Roxy Music43:28
5Let’s Work Together
engineer:
David Weichman
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
International Sound Studios in Los Angeles, California, United States (on 1969-12-03)
engineered at:
Annex Studios (aka Music Annex or Annex Digital) in San Mateo, California, United States
cover recording of:
Let’s Work Together (on 1969-12-03)
lyricist:
Wilbert Harrison
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
Canned Heat2.653:13
6Roxette
recording of:
Roxette
composer:
Wilko Johnson
publisher:
EMI United Partnership Ltd.
Dr. Feelgood4.52:56
7I Love Rock ’n’ Roll
bass and lead vocals:
Alan Merrill
drums (drum set):
Paul Varley
guitar:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
recording of:
I Love Rock ’n’ Roll
writer:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) and Alan Merrill
publisher:
Finchley Music Corp.
The Arrows3:04
848 Crash
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
48 Crash
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music
Suzi Quatro4.53:54
9No More Heroes (radio edit)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
No More Heroes
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers52:57
10Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
Blondie3.83:04
11Malt and Barley Blues
miscellaneous support:
Chris Kimsey
engineer and producer:
Glyn Johns
bass and guitar:
Benny Gallagher, Graham Lyle and Tom McGuinness
keyboard [keyboards]:
Dennis Coulson and Benny Gallagher
mandolin:
Graham Lyle
percussion:
Hughie Flint
lead vocals [vocals]:
Dennis Coulson, Benny Gallagher and Graham Lyle
phonographic copyright (℗) by:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Malt and Barley Blues
writer:
Benny Gallagher and Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint2:14
12Oh Boy
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Mud22:53
13Boy Oh Boy
producer:
Mickie Most (English record producer)
recording of:
Boy Oh Boy
writer:
Roger D. Ferris and Gloria Macari
Racey2:54
14Oh You Pretty Things
recording of:
Oh! You Pretty Things
lyricist and composer:
David Bowie (English singer‐songwriter)
Peter Noone3:06
15I’d Love to Change the World (single edit)
recording of:
I’d Love to Change the World
lyricist and composer:
Alvin Lee
Ten Years After3:14
16Fog on the Tyne
producer:
Bob Johnston (US record producer and early rockebilly singer)
bass and fiddle:
Rod Clements
drums (drum set) and percussion:
Ray Laidlaw
guitar:
Rod Clements, Alan Hull and Si Cowe
harmonica:
Ray Jackson
vocals:
Alan Hull, Ray Jackson and Si Cowe
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1971)
recording of:
Fog on the Tyne
lyricist and composer:
Alan Hull
publisher:
Charisma Music (generic publishing entity, relating to Charisma Music Publishing Co. Ltd. or Charisma Music Publishing USA, Inc.) and Hazy Music
Lindisfarne53:24
17Freedom Come, Freedom Go.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Freedom Come, Freedom Go
writer:
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) and Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and PolyGram Music Publishing
The Fortunes3:21
18Goodbye Sam Hello Samantha
producer:
Norrie Paramor
vocals:
Cliff Richard
recording of:
Goodbye Sam, Hello Samantha
writer:
Peter Callander, Mitch Murray and Geoff Stephens
Cliff Richard2:49
19Just a Smile
recording of:
Just a Smile
writer:
Billy Lyall and David Paton (of Pilot)
Pilot3:07
20Who Was It?
recording of:
Who Was It?
lyricist and composer:
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd.
sub-publisher:
渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Hurricane Smith3:04
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Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 101) (order: 97)