The Complete Deutsche Grammophon Recordings III

~ Release by Claudio Abbado, Berliner Philharmoniker (see all versions of this release, 4 available)

Tracklist

40CD: Mozart: Requiem / Betracht dies Herz und frage mich / Laudate dominum
42CD: Mozart: Arias, Motets and Scenes / Strauss: Orchestral Songs
43CD: Mussorgsky: Night on Bald Mountain / Pictures at an Exhibition / Choral Works
44CD: Prokofiev: Romeo and Juliet (excerpts)
45CD: Prokofiev: Piano Concertos nos. 1 & 3 (Kissin)
46CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto (Argerich)
47CD: Rachmaninov: Piano Concertos nos. 2 & 3 (Zilberstein)
48CD: Schumann / Schoenberg: Piano Concertos (Pollini)
49CD: Strauss: Orchestral Songs / Vier letzte Lieder (Mattila)
50CD: Tchaikovsky: Piano Concerto no. 1 (Argerich)
51CD: Tchaikovsky: The Tempest / Slavonic March / Overtures
52CD: Verdi: Overtures and Preludes
53CD: Verdi: Falstaff (Acts I & II, Part I)
54CD: Falstaff (Act II, Part II & Act III)
55CD: Verdi: Arias (Alagna)
56CD: Wagner: Tannhäuser / Parsifal / Tristan und Isolde (Orchestral Music)
57CD: Wagner: Holländer / Meistersinger / Tannhäuser / Parsifal / Walküre (Terfel)
58CD: Wagner Gala 1993
59CD: Berlin Gala 1997: A Salute to Carmen
60CD: Berlin Gala 1998
#TitleArtistRatingLength
1Le nozze di Figaro: Ouverture
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1998-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:27
2Le nozze di Figaro: “Giunse alfin il momento ... Deh vieni, non tardar, o gioia bella” (Susanna)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Susanna]:
Christine Schäfer (soprano) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1998-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:52
3Don Giovanni: Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Don Giovanni]:
Simon Keenlyside (baritone) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1998-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:59
4Die Zauberflöte: Duet: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Simon Keenlyside (baritone) (in 1998-12)
soprano vocals [Pamina]:
Christine Schäfer (soprano) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1998-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:54
5Don Giovanni: “Fin ch'han dal vino” (Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Don Giovanni]:
Simon Keenlyside (baritone) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1998-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:26
6Don Giovanni: Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Don Giovanni]:
Simon Keenlyside (baritone) (in 1998-12)
soprano vocals [Zerlina]:
Christine Schäfer (soprano) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1998-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:02
7German Dance “The Sleighride”, K 605 no. 3
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (in 1998-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart2:38
8L'Arlésienne: Suite no. 1: Carillon & Suite no. 2: Farandole
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live medley including a recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (in 1998-12)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
live medley including a recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1998-12)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet7:41
9La forza del destino: Sinfonia
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
La forza del destino: Sinfonia (in 1998-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:41
10Rigoletto: Duetto: “È il sol dell'anima” ... “Forse mio padre” ... “Addio, speranza ed anima” (duca, Gilda)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Gilda]:
Christine Schäfer (soprano) (in 1998-12)
tenor vocals [duca]:
Marcelo Álvarez (argentine tenor) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Rigoletto: Atto I, scena 2. “Addio! speranza ed anima” (Duca, Gilda) (in 1998-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Giuseppe Verdi4:46
11Rigoletto: Aria: “Caro nome che il mio cor” (Gilda)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Gilda]:
Christine Schäfer (soprano) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1998-12)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi4:38
12Rigoletto: Canzone: “La donna è mobile” (duca)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals [duca]:
Marcelo Álvarez (argentine tenor) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1998-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:14
13Un ballo in maschera: Aria: “Eri tu che macchiavi quell'anima” (Renato)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Renato]:
Simon Keenlyside (baritone) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (in 1998-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:36
14Eugen Onegin: “Puskay pogibnu ya, no prežde” (Tatyana)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Tatyana]:
Mirella Freni (soprano) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Евгений Онегин, op. 24: Действие I, картина 2, no. 9. Сцена письма “Пускай погибну я, но прежде” (Eugene Onegin: Act I, Scene 2, no. 9. Letter scene "Let me die, but first...", Letter Scene “Puskay pogibnu ya, no prezhde”) (in 1998-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
librettist:
Константин Шиловский (Konstantin Shilovsky) and Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие первое (Eugene Onegin, op. 24: Act I)
Pyotr Ilyich Tchaikovsky13:34
15Eugen Onegin: Act III. Polonaise
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise) (in 1998-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Pyotr Ilyich Tchaikovsky4:38
16La traviata: “Libiamo ne' lieti calici” (Alfredo, Violetta, tutti)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Violetta]:
Mirella Freni (soprano) (in 1998-12)
tenor vocals [Alfredo]:
Marcelo Álvarez (argentine tenor) (in 1998-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1998-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Pyotr Ilyich Tchaikovsky3:31
17Concert Overture “La Carnaval romain”, op. 9
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (The Roman Carnival Overture for Orchestra, op. 9) (in 1998-12)
composer:
Hector Berlioz (French composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
Hector Berlioz8:28