The Beat Goes On: The Greatest Hits of the 60’s and 70’s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Small box, separate CDs in card sleeves
CD1 CatNo: BX 887312
CD2 CatNo: BX 887322
CD3 CatNo: BX 887332
CD4 CatNo: BX 887342
CD5 CatNo: BX 887352
CD6 CatNo: BX 887362
CD7 CatNo: BX 887372
CD8 CatNo: BX 887382
CD9 CatNo: BX 887392
CD10 CatNo: BX 887302

Annotation last modified on 2022-09-17 12:48 UTC.

Tracklist

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4▶CD
5▼CD
#TitleArtistRatingLength
1Thunder in My Heart
engineer:
Howard Steele (US producer, sound engineer)
producer:
Richard Perry (producer)
bass guitar:
Abraham Laboriel
congas:
Lenny Castro
drums (drum set):
Jeff Porcaro
guitar:
Lee Ritenour and Fred Tackett
piano:
Tom Snow (US keyboardist/songwriter)
tambourine:
Bobbye Hall
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
recording of:
Thunder in My Heart
lyricist:
Leo Sayer
composer:
Tom Snow (US keyboardist/songwriter)
Leo Sayer53:34
2Get Dancin’
producer:
Bob Crewe
recording of:
Get Dancin’
writer:
Bob Crewe and Kenny Nolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. and Warner/Chappell Artemis Music
Disco Tex & the Sex‐O‐Lettes4:15
3I Like It
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
lyricist and composer:
Mitch Murray
Gerry & the Pacemakers22:14
4Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:19
5The Man Who Sold the World
performer:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
recording of:
The Man Who Sold the World
lyricist:
David Bowie (English singer‐songwriter) (on 1970-05-22)
composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems-EMI, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Chrysalis Music (music publisher, ASCAP-affiliated) (in 1974) and MainMan (in 1974)
Lulu & David Bowie33:50
6Motorcycle Mama
recording of:
Motorcycle Mama
lyricist and composer:
John D. Wyker III (Guitarist, producer and songwriter)
Harpo3:24
7Good Vibrations
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
8Boy Oh Boy
producer:
Mickie Most (English record producer)
recording of:
Boy Oh Boy
writer:
Roger D. Ferris and Gloria Macari
Racey2:52
9What’s Your Name, What’s Your Number
phonographic copyright (℗) by:
Buddah Records, Inc. (in 1978)
recording of:
What’s Your Name, What’s Your Number
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Bobby Wood (American pianist, keyboard player and songwriter)
Andrea True Connection6:30
10All I Have to Do Is Dream
cover recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
Nitty Gritty Dirt Band3:49
11Something’s Gotten Hold of My Heart
cover recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
cover recording of:
Something’s Gotten Hold of My Heart
lyricist and composer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing
Gene Pitney3:38
12No Milk Today
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
lyricist and composer:
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hournew Music Ltd.
Herman’s Hermits4.652:57
13The Bump
recording of:
The Bump
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:34
14I Wanna Dance Wit’ Choo
recording of:
I Wanna Dance Wit Choo (Doo Dat Dance)
writer:
Bob Crewe and Denny Randell
Disco Tex & the Sex‐O‐Lettes4:56
15Ride a Wild Horse
phonographic copyright (℗) by:
Chelsea Records Corp. (in 1975)
recording of:
Ride a Wild Horse
writer:
Kenny Nolan
Dee Clark52:49
16Silver Machine
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt (on 1972-02-13)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (on 1972-02-13)
drums (drum set):
Simon King (drummer) (on 1972-02-13)
flute and saxophone:
Nik Turner (on 1972-02-13)
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13)
synthesizer:
Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13), Robert Calvert (on 1972-02-13) and Nik Turner (on 1972-02-13)
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd. and United Partnership Ltd.
Hawkwind3.654:39
17Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.51:50
18Bus Stop
producer:
The Hollies and Ron Richards
bass:
Bernie Calvert (on 1966-05-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) and Parlophone (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-05-18)
cover recording of:
Bus Stop (on 1966-05-18)
lyricist and composer:
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited and Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.52:53
19I’m a Tiger
recording of:
I’m a Tiger
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Marty Wilde
Lulu42:44
20Only a Fool
cover recording of:
Only a Fool Breaks His Own Heart
writer:
Norman Bergen (in 1964) and Shelly Coburn (in 1964)
Byron Lee & Mighty Sparrow2:44
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Credits

Release

design:Studio van Dijken (ICT, media and graphic design studio)
distributed by and marketed by:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyrighted (©) by and phonographic copyright (℗) by:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 1998)
licensed from:A.T. Hiller
Antoine Domino
Barnaby Records, Inc.
Broadley Records Ltd.
Buddah Records (revived/renamed in 1998 as Buddha Records)
Celebrity Licensing, Inc.
Chelsea/Roxbury/Wes Sky Industries Inc.
Chrysalis Copyrights Ltd.
Creole Records Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Janus Records Inc.
Jimmy Joe Lee
Jonathan King Enterprises Ltd.
K-Tel Entertainment Ltd. (international budget record label)
Laurence Myers Ltd.
Mole Records
Munnycroft Ltd.
Negus Fancey Co. Ltd.
Nestshare Ltd.
Red Bullet (Dutch independent label)
Repertoire Records (Hamburg‐based multinational reissue label)
Roadshow Music Corp.
State Records Ltd.
Templemill Ltd.
The Hit Label
Tree Productions, Inc. (Nashville, TN)
Trojan Records
Valdene Records
Discogs:https://www.discogs.com/release/469039 [info]
ASIN:DE: B0000242OY [info]