Matthäus Passion / Johannes Passion / Hohe Messe

~ Release by Bach; Frans Brüggen, Nederlands Kamerkoor, Orkest van de 18e Eeuw (see all versions of this release, 1 available)

Annotation

With NRC Handelsblad / NRC Next on front cover

Annotation last modified on 2021-07-28 08:46 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▼CD
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Coro a 5. Credo in unum Deum
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach2:00
2Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Coro a 4. (Credo in umum Deum). Patrem omnipotentem
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach1:46
3Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Duetto. Et in unum Dominum
alto vocals:
Michael Chance (British countertenor) (in 1989-03)
soprano vocals:
Jennifer Smith (soprano) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach4:30
4Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Coro a 5. Et incarnatus est
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach3:05
5Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Coro a 4. Crucifixus
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach2:59
6Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Coro a 5. Et resurrexit
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach3:46
7Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Aria. Et in Spiritum Sanctum
bass vocals:
Harry van der Kamp (operatic bass) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach5:07
8Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Coro a 5. Confiteor unum baptisma
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach3:02
9Mass in B minor, BWV 232: Mass in B minor, BWV 232: Symbolum Nicenum. (Credo). Coro a 5. Et expecto resurrectionem
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach3:45
10Mass in B minor, BWV 232: Sanctus. Coro a 6. Sanctus
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach4:10
11Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem: Osanna, Benedictus. Coro a 8. Osanna in excels
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach2:26
12Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem: Osanna, Benedictus. Aria. Benedictus
tenor vocals:
Nico van der Meel (tenor) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach3:59
13Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem: Osanna, Benedictus. Coro a 8 da capo. Osanna i
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach2:25
14Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem: Agnus Dei, Dona nobis pacem. Aria. Agnus Dei
alto vocals:
Michael Chance (British countertenor) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach5:08
15Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem: Agnus Dei, Dona nobis pacem. Coro a 4. Dona no
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1989-03)
orchestra:
Orchestra of the Eighteenth Century (in 1989-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1989-03)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach2:56