| 4. Ballade : “Nes que on porroit les estoiles nombrer” | Ensemble Guillaume de Machaut de Paris | | | 5:15 | instrument |
| 5. Double ballade : “Quant Theseus – Ne quier veoir” | Ensemble Guillaume de Machaut de Paris | | | 4:20 | instrument |
| 7. Rondeau : Dix et sept, cinc" | Ensemble Guillaume de Machaut de Paris | | | 4:00 | instrument |
| A bruxa | Milladoiro | | 5 | 3:12 | instrument (as “cromorno”) |
| A la una yo naci | La Rondinella | | | 2:22 | instrument |
| A'har noghenim | La Rondinella | | | 1:48 | instrument |
| Adio, querida | La Rondinella | | | 3:01 | instrument |
| Agora | Aman | | | 4:04 | instrument |
| Aidû | Eluveitie | | 3.35 | 3:10 | instrument |
| Aimez-moi, ma mignonne | Michel Hindenoch | | | 2:08 | instrument (as “cromorne”) |
| Allemandes (arr. Piffaro) | Piffaro, The Renaissance Band | | | 3:17 | instrument (as “tenor crumhorn”), instrument arranger, instrument (as “alto crumhorn”), instrument (as “bass crumhorn”) |
| Amande "Et Dóu Venez Vous Madame Lucette" | István Nyerges, László Barsvári, Zsolt Kovács & Dénes Magyar | | | 1:12 | instrument |
| Anchor che col partire (Cipriano di Rore) | Elsa Frank, Jérémie Papasergio, Bernhard Stilz, Johanne Maitre & Stéphane Tamby | | | 3:30 | instrument |
| AnDro | Eluveitie | | 4.65 | 3:41 | instrument |
| Animals Dance | Thierry Fervant | | | 3:32 | instrument |
| Antidotum Tarantulae | Atrium Musicæ de Madrid | | | 4:10 | instrument (as “cromorne basse”), instrument (as “cromorne alto”) |
| Armes, Amours | Syntagma Musicum, Kees Otten | | | 6:34 | instrument |
| At the Bridge | Peter McConnell | | | 1:09 | instrument |
| Aus tiefer Not schrei ich zu dir | Sixt Dietrich | | | 2:22 | instrument (as “discant crumhorn”) |
| Ave Virgo | Syntagma Musicum, Kees Otten | | | 4:01 | instrument |
| Avre tu puerta cerrada | La Rondinella | | | 1:40 | instrument |
| Axéitame a polainiña | Milladoiro | | | 4:16 | instrument (as “cromorno”) |
| Ballade: Phyton, le mervilleus serpent | Early Music Consort of London, David Munrow | | | 4:32 | instrument |
| Ballet des sorciers | Atrium Musicæ de Madrid | | | 1:34 | instrument (as “cromorne basse”), instrument (as “cromorne soprano”), instrument (as “cromorne alto”) |
| Banchetto Musicale: Paduana | Johann Hermann Schein | | | 2:17 | instrument |
| Basse Dance 'la Brosse' | [unknown] | | | 5:54 | instrument |
| Basse Dance "Content desir" | Scottish Early Music Consort | | | 1:18 | instrument (as “treble crumhorn”), instrument (as “alto crumhorn”) |
| Beata mater | Syntagma Musicum, Kees Otten | | | 2:33 | instrument |
| Beati immaticuli | Johann Walter | | | 2:49 | instrument (as “discant crumhorn”) |
| Biance flour | Early Music Consort of London | | | 1:57 | instrument |
| Bien veignes vous | Syntagma Musicum, Kees Otten | | | 1:19 | instrument |
| Bleakwood Hollow | Les Penning with Robert Reed | | | 3:05 | instrument |
| Bon jour, bon mois | Syntagma Musicum, Kees Otten | | | 1:59 | instrument |
| Bonté biauté | Syntagma Musicum, Kees Otten | | | 1:55 | instrument |
| C'bien raison | Syntagma Musicum, Kees Otten | | | 5:03 | instrument |
| Canario | Capella Antiqua Bambergensis | | | 1:09 | instrument |
| Canción sefardí | Radio Tarifa | | | 4:23 | instrument |
| Cara mie donna | Early Music Consort of London | | | 3:57 | instrument |
| Chon brachi assai | Early Music Consort of London | | | 3:25 | instrument |
| Con dolce brama | Early Music Consort of London | | | 1:53 | instrument |
| Country Dance: Running Footman | Atrium Musicæ de Madrid | | | 0:43 | instrument (as “cromorne basse”), instrument (as “cromorne ténor”) |
| Credo | Syntagma Musicum, Kees Otten | | | 4:03 | instrument |
| Cuando el rey Nimrod | La Rondinella | | | 3:59 | instrument |
| Cursed, Coined and Crucified | Gorky’s Zygotic Mynci | | | 2:27 | instrument |
| D. Martini Lutheri Symbolum | Musica Antiqua Wien | | | 2:23 | instrument (as “discant crumhorn”) |
| Dà, dà, a chi avaregia | Early Music Consort of London | | | 3:46 | instrument |
| Das erst Kapitel des hohenliedes Salomonis | Leonhard Lechner | | | 1:56 | instrument (as “discant crumhorn”) |
| De pastoribus / Mathematica dies irae / Crepuscularis / Sine nomine / Tristis est anima mea / Equites fortis armaturae / Audaces fortuna juvat / Sine praeputium / Ecclesiastica | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 5:15 | instrument (as “cromorne”), instrument (as “cromorno”) |
| De tolerentia aetherea / Fuga ficta et carrus triumphalis | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 4:34 | instrument (as “cromorno”), instrument (as “cromorne”) |
| De! Dinmi tu | Early Music Consort of London | | | 2:49 | instrument |
| Der Herr kennt die Tage der Frommen a 3 | Thomas Stoltzer | | | 3:12 | instrument, instrument (as “Exilent-Krummhorn”), instrument (as “treble crumhorn”), instrument (as “bass crumhorn”), instrument (as “tenor crumhorn”) |
| Deutschland: Die Weiber vom Weinsberg | Peter Kaempfe | | | 8:19 | instrument |
| Deutschland: Wie Siegfried den Drachen besiegte | Peter Kaempfe | | | 8:44 | instrument |
| Die Megdlein sind von Flandern | Convivium Musicum | | | 1:01 | instrument (as “4 crumhorns”) |
| Die Sagen | Peter Kaempfe | | | 3:52 | instrument |
| Dona i ardenti ray | Syntagma Musicum, Kees Otten | | | 1:26 | instrument |
| Donna'l tuo partimento | Early Music Consort of London | | | 1:40 | instrument |
| Dort oben auf dem Berge | Convivium Musicum | | | 2:17 | instrument (as “2 crumhorns”) |
| Dos amantes tengo la mi mama | La Rondinella | | | 2:26 | instrument |
| Double ballade d’Andrieu: Déploration sur la mort de Machaut | Ensemble Guillaume de Machaut de Paris | | | 6:25 | instrument |
| Dropping In | Peter McConnell | | | 1:43 | instrument |
| Due saltarelli | Early Music Consort of London | | | 3:04 | instrument |
| Dueil angoisseus | Syntagma Musicum, Kees Otten | | | 1:53 | instrument |
| Durme, durme, hermozo hijico | La Rondinella | | | 2:29 | instrument |
| Ecclesiae militantis | Syntagma Musicum, Kees Otten | | | 3:59 | instrument |
| Ecco la primavera | Early Music Consort of London | | | 1:16 | instrument |
| Ein feste Burg ist unser Gott | Johann Walter, Caspar Othmayr, Lucas Osiander | | | 5:36 | instrument (as “discant crumhorn”) |
| Ein meidlein tet mir klagen | [anonymous] | | | 1:52 | instrument |
| El son del repique | Eliseo Parra | | | 7:00 | instrument |
| Empyree | Thierry Fervant | | | 4:34 | instrument |
| En la mar hay una torre | La Rondinella | | | 1:42 | instrument |
| England: Robin Hood, der grüne Räuber | Peter Kaempfe | | | 9:45 | instrument |
| Era escuro | La Rondinella | | | 2:19 | instrument |
| Es hett ein biderman ein weib | Ludwig Senfl | | | 2:10 | instrument |
| Es wolt ein meydlin wasser holn | [anonymous] | | | 2:14 | instrument |
| Esta montana d'enfrente | La Rondinella | | | 3:20 | instrument |
| Esta Rachel la estimoza | La Rondinella | | | 1:11 | instrument |
| Extravagans / Laurea minima / In vitro | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 2:08 | instrument (as “cromorne”), instrument (as “cromorno”) |
| Fenice fu' e vissi | Early Music Consort of London | | | 2:46 | instrument |
| Finally Cracked It | Jah Wobble & Evan Parker | | | 13:39 | instrument (as “bass crumhornh”) |
| Fons vitae / Dementia praecox angelorum / Supra solfamirevt | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 5:56 | instrument (as “cromorne”), instrument (as “cromorno”) |
| Frankreich/Spanien: Das Rolandslied | Peter Kaempfe | | | 14:12 | instrument |
| Fuga septimi toni | Johann Walter | | | 1:38 | instrument (as “discant crumhorn”) |
| Fumeux fume | Syntagma Musicum, Kees Otten | | | 5:40 | instrument |
| Galliarde II. a 4 | Musicalische Compagney | | | 1:03 | instrument, instrument (as “Exilent-Krummhorn”), instrument (as “treble crumhorn”), instrument (as “bass crumhorn”), instrument (as “tenor crumhorn”) |
| Galliarde IX a 4 (gedruckt von Pierre Attaingnant) | Musicalische Compagney | | | 1:15 | instrument (as “treble crumhorn”), instrument, instrument (as “Exilent-Krummhorn”), instrument (as “bass crumhorn”), instrument (as “tenor crumhorn”) |
| Gerinaldo, o atrevido | José Barros e Navegante | | | 5:14 | instrument |
| Giunta vaga bitta | James Bowman, Early Music Consort of London, David Munrow | | | 3:24 | instrument |
| Gloria | Syntagma Musicum, Kees Otten | | | 5:16 | instrument |
| Gloria | Syntagma Musicum, Kees Otten | | | 2:34 | instrument |
| Gloria, laus et honor | Syntagma Musicum, Kees Otten | | | 1:10 | instrument |
| God Rest Ye Merry Gentlemen | Les Penning with Robert Reed | | | 3:01 | instrument |
| Gratias agimus tibi a 4 | Hans Leo Hassler | | | 1:26 | instrument, instrument (as “treble crumhorn”), instrument (as “Exilent-Krummhorn”), instrument (as “bass crumhorn”), instrument (as “tenor crumhorn”) |
| Grew the Oak Tall | Les Penning with Robert Reed | | | 3:18 | instrument |
| Griechenland: Wie der Wechsel der Jahreszeiten entstand | Peter Kaempfe | | | 7:56 | instrument |
| Guardane almo pastore | Francesco Corteccia, Elsa Frank, Patrick Denecker, Jérôme Lejeune, Bernhard Stilz, Dani Pelagatti & Jérémie Papasergio | | | 2:47 | instrument |
| Helas mon dueil | Syntagma Musicum, Kees Otten | | | 3:47 | instrument |
| Herr, lass meine Klage für dich kommen | Johann Hermann Schein | | | 3:11 | instrument (as “discant crumhorn”) |
| Herzsprung | Ougenweide | | | 4:38 | instrument |
| Hija mia | La Rondinella | | | 2:52 | instrument |