| vocals |
|---|
| 1961-10 | Salome, Op. 54: „Ich will nicht bleiben” | mezzo-soprano vocals [Ein Page] | Birgit Nilsson, Josephine Veasey, Wiener Philharmoniker, Sir Georg Solti | 1:47 |
| 1961-10 | Salome, Op. 54: „Jauchze nicht, du Land Palästina” | mezzo-soprano vocals [Ein Page] | Heinz Holecek, Zenon Kosnowski, Birgit Nilsson, Josephine Veasey, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 2:21 |
| 1961-10 | Salome, Op. 54: „Nach mir wird Einer kommen” | mezzo-soprano vocals [Ein Page] | Birgit Nilsson, Heinz Holecek, Waldemar Kmentt, Zenon Kosnowski, Theodor Kirschbichler, Josephine Veasey, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 2:36 |
| 1961-10 | Salome, Op. 54: „Wie schön ist die Prinzessin Salome heute Nacht!” | mezzo-soprano vocals [Ein Page] | Birgit Nilsson, Heinz Holecek, Waldemar Kmentt, Zenon Kosnowski, Josephine Veasey, Wiener Philharmoniker, Sir Georg Solti | 2:50 |
| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 2. “Qu'en dites-vous? / Je n'en dis rien” … “C'est Pelléas” (Geneviève, Arkel, Pelléas) | mezzo-soprano vocals [Geneviève] | Guus Hœkman, Camille Maurane, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 5:16 |
| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 2. “Voici ce qu'il écrit à son frère Pelléas” (Geneviève) | mezzo-soprano vocals [Geneviève] | Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 2:53 |
| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 3. Interlude - “Il fait sombre dans les jardins” … “Hoé! Hisse hoé!” (Mélisande, Geneviève, Pelléas, voix) | mezzo-soprano vocals [Geneviève] | Camille Maurane, Erna Spoorenberg, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 8:11 |
| 1966-01 – 1966-02 | Beatrice di Tenda, Atto I, scena 4. "Ah! tal onta io meritai..." (Beatrice, Agnese) | mezzo-soprano vocals [Agnese del Maino] | John McCarthy, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 8:00 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 2. "Sì: rivale... rivale regnante" (Agnese, Orombello) | mezzo-soprano vocals [Agnese del Maino] | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 6:58 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 2. "Silenzio e notte intorno" (Agnese, Orombello) | mezzo-soprano vocals [Agnese del Maino] | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 5:00 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I. "Ah! non pensar che pieno" (Agnese, Filippo) | mezzo-soprano vocals [Agnese del Maino] | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 9:24 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "[Oh, troppo a mie preghiere sordo...]" (Anichino, Agnese) | mezzo-soprano vocals [Agnese del Maino] | Josephine Veasey, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 6:49 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Filippo!... Tu! ti appressa" (Agnese, Filippo) | mezzo-soprano vocals [Agnese del Maino] | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 2:08 |
| 1966-05-08 | Requiem in Re minore K 626: Benedictus | mezzo-soprano vocals and solo | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 4:50 |
| 1966-05-08 | Requiem in Re minore K 626: Domine Jesu | mezzo-soprano vocals and solo | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 4:08 |
| 1966-05-08 | Requiem in Re minore K 626: Recordare | mezzo-soprano vocals and solo | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 5:58 |
| 1966-05-08 | Requiem in Re minore K 626: Tuba mirum | mezzo-soprano vocals and solo | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 4:02 |
| 1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo | mezzo-soprano vocals and solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 18:52 |
| 1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria | mezzo-soprano vocals and solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 18:16 |
| 1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie | mezzo-soprano vocals and solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 9:49 |
| 1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus | mezzo-soprano vocals and solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 16:25 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Deiner ew’gen Gattin heilige Ehre“ (Fricka, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:44 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Der alte Sturm, die alte Müh’!“ (Wotan, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 4:56 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „So ist es denn aus mit den ewigen Göttern“ (Fricka, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 9:18 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Was verlangst du?“ (Wotan, Fricka, Brünnhilde) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 2:28 |
| 1966 | A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring" | mezzo-soprano vocals [Hermia] | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 2:41 |
| 1966 | A Midsummer Night's Dream: Act I. "How now, my love?" | mezzo-soprano vocals [Hermia] | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 4:33 |
| 1966 | A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius" | mezzo-soprano vocals [Hermia] | Heather Harper, Thomas Hemsley, Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 5:15 |
| 1966 | A Midsummer Night's Dream: Act I. "Through the forest have I gone" | mezzo-soprano vocals [Hermia] | Stephen Terry, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 1:45 |
| 1966 | A Midsummer Night's Dream: Act II. "Flower of this purple dye" | mezzo-soprano vocals [Hermia] | Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 6:32 |
| 1966 | A Midsummer Night's Dream: Act II. "How now, mad spirit" | mezzo-soprano vocals [Hermia] | Alfred Deller, Stephen Terry, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 3:06 |
| 1966 | A Midsummer Night's Dream: Act II. "Puppet? why so?" | mezzo-soprano vocals [Hermia] | Josephine Veasey, Heather Harper, Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra, Benjamin Britten | 3:05 |
| 1966 | A Midsummer Night's Dream: Act II. "Up & Down" | mezzo-soprano vocals [Hermia] | Stephen Terry, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 6:02 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | mezzo-soprano vocals [Hermia] | Thomas Hemsley, Peter Pears, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 4:46 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | mezzo-soprano vocals [Hermia] | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 1:20 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | mezzo-soprano vocals [Hermia] | Robert Tear, Josephine Veasey, Peter Pears, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | 1:10 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | mezzo-soprano vocals [Hermia] | Keith Raggett, Peter Pears, John Shirley‐Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 1:50 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | mezzo-soprano vocals [Hermia] | David Kelly, Josephine Veasey, Thomas Hemsley, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | 0:46 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta" | mezzo-soprano vocals [Hermia] | John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 7:24 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Du da, folge uns!“ (Fafner, Freia, Froh, Donner, Fasolt, Wotan, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 1:36 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Ein Runenzauber zwingt das Gold zum Reif“ (Loge, Donner, Wotan, Froh, Fricka, Fafner) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:11 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Endlich, Loge! Eiltest du so“ (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:33 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Immer ist Undank Loges Lohn!“ (Loge, Wotan, Fasolt, Fafner, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 6:57 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Schwester! Brüder! Rettet! helft!“ (Freia, Froh, Donner, Loge, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 4:36 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „So schirme sie jetzt“ (Fricka, Freia, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 1:44 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Wotan, Gemahl, unsel’ger Mann!“ (Fricka, Wotan, Loge, Donner, Froh) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 1:56 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Wotan! Gemahl! erwache!“ (Fricka, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 6:26 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Gepflanzt sind die Pfähle nach Pfandes Maß“ (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasolt, Freia) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 5:55 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Lauschtest du seinem Liebesgruß?“ (Loge, Wotan, Froh, Donner, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:07 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Lieblichste Schwester, süßeste Lust!“ (Fricka, Fasolt, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 2:46 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Nun blinzle nach Freias Blick“ (Fafner, Wotan, Loge, Fricka, Donner) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:57 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „So grüß’ ich die Burg“ (Wotan, Fricka, Loge) | mezzo-soprano vocals [Fricka] | Dietrich Fischer‐Dieskau, Josephine Veasey, Gerhard Stolze, Berliner Philharmoniker, Herbert von Karajan | 2:06 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Soll ich sorgen und fürchten“ (Wotan, Fricka, Froh, Donner, Freia) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 2:27 |
| 1967-12 | Das Rheingold: "Zur Burg führt die Brücke" - "Abendlich strahlt der Sonne Auge" (Froh / Wotan) | mezzo-soprano vocals [Fricka] | Richard Wagner | 9:00 |
| 1969-04-21 – 1969-04-22 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai – Recitativo: “O Freunde, nicht diese Töne” – Allegro assai – Allegro assai vivace. Alla marcia – Andante maestoso – Allegro energico, sempre ben marcato | mezzo-soprano vocals | Plácido Domingo, Sherrill Milnes, New England Conservatory Chorus, Josephine Veasey, Boston Symphony Orchestra, Erich Leinsdorf | 23:34 |
| 1969-10 | Les Troyens: Act III: No. 19 Récitatif et air: "Nous avons vu finir" - "Chers Tyriens" | mezzo-soprano vocals [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 7:20 |
| 1969-10 | Les Troyens: Act III: No. 23 Récitatif et choeur: "Peuple!" - "Gloire à Didon" | mezzo-soprano vocals [Didon] | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:19 |
| 1969-10 | Les Troyens: Act III: No. 24 Récitatif et duo: "Les chants joyeux" - "Sa voix fait naître dans mon sein" | mezzo-soprano vocals [Didon] | Heather Begg, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 10:21 |
| 1969-10 | Les Troyens: Act III: No. 25 Récitatif et air: "Echappés à grand peine" - "Errante sur les mers" | mezzo-soprano vocals [Didon] | Ian Partridge, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:20 |
| 1969-10 | Les Troyens: Act III: No. 26 Marche troyenne dans le mode triste - "J'éprouve une soudaine et vive impatience" | mezzo-soprano vocals [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:08 |
| 1969-10 | Les Troyens: Act III: No. 27 Récitatif: "Auguste reine, un peuple" | mezzo-soprano vocals [Didon] | Anne Howells, Anthony Raffell, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:33 |
| 1969-10 | Les Troyens: Act IV: No. 34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès" | mezzo-soprano vocals [Didon] | Ian Partridge, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 6:38 |
| 1969-10 | Les Troyens: Act IV: No. 35 Récitatif et quintette: "Pardonne, Iopas" - "O pudeur!" | mezzo-soprano vocals [Didon] | Heather Begg, Ian Partridge, Roger Soyer, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 6:26 |
| 1969-10 | Les Troyens: Act IV: No. 36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix" | mezzo-soprano vocals [Didon] | Heather Begg, Chorus of the Royal Opera House, Covent Garden, Anne Howells, Ian Partridge, Anthony Raffell, Roger Soyer, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:18 |
| 1969-10 | Les Troyens: Act IV: No. 37 Duo: "Nuit d'ivresse et d'extase" | mezzo-soprano vocals [Didon] | Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 10:06 |
| 1969-10 | Les Troyens: Act V: No. 44 Duo et choeur: "Errante sur tes pas" - "Italie!" | mezzo-soprano vocals [Didon] | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:27 |
| 1969-10 | Les Troyens: Act V: No. 45 Scène: "Va, ma soeur, l'implorer" | mezzo-soprano vocals [Didon] | Heather Begg, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:07 |
| 1969-10 | Les Troyens: Act V: No. 46 Scène: "En mer, voyez!" - "Dieux immortels!" | mezzo-soprano vocals [Didon] | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:24 |
| 1969-10 | Les Troyens: Act V: No. 47 Monologue: "Ah! Ah! He vais mourir..." | mezzo-soprano vocals [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:06 |
| 1969-10 | Les Troyens: Act V: No. 48 Air: "Adieu, fière cité" | mezzo-soprano vocals [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:32 |
| 1969-10 | Les Troyens: Act V: No. 50 Scène: "Pluton... semble m'être propice" | mezzo-soprano vocals [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:16 |
| 1969-10 | Les Troyens: Act V: No. 51 Choeur: "Ah! au secours!" - No. 52 Imprécation: "Rome... Rome.. immortelle" | mezzo-soprano vocals [Didon] | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:36 |
| 1969 | Les Troyens, Nr. 48: "Adieu fière cité" | mezzo-soprano vocals | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:30 |
| 1970-02-25 | Messa da Requiem: I. Requiem & Kyrie (chœur et solistes) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 10:42 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Lacrymosa, dies illa” (solistes, chœur) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 7:04 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | mezzo-soprano vocals and solo | Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 5:08 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Quid sum miser” (soprano, mezzo-soprano, tenor) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, London Symphony Orchestra, Leonard Bernstein | 4:00 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Recordare, Jesus pie” (mezzo-soprano, soprano) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 4:34 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Rex tremendae majestatis” (chœur, solistes) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 4:05 |
| 1970-02-25 | Messa da Requiem: III. Offertorio (solistes) | mezzo-soprano vocals and solo | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 11:44 |
| 1970-02-25 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chœur) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 5:55 |
| 1970-02-25 | Messa da Requiem: VI. Lux aeterna (mezzo-soprano, ténor, basse) | mezzo-soprano vocals and solo | Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 6:35 |
| A Midsummer Night's Dream: Act II - Conclusion | mezzo-soprano vocals [Hermia] | Gordon Clark, Richard Dakin, Thomas Hemsley, Peter Pears, John Pryer, Stephen Terry, Josephine Veasey, Ian Wodehouse, London Symphony Orchestra, Benjamin Britten | 9:14 |
| Beatrice di Tenda: Atto I. “Sì, rivale … rival regnante” | mezzo-soprano vocals | Luciano Pavarotti | 7:03 |
| Beatrice di Tenda: Atto I. Part 1 | mezzo-soprano vocals [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto I. Part 2 | mezzo-soprano vocals [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto I. Part 3, Conclusion | mezzo-soprano vocals [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto II. Part 1 | mezzo-soprano vocals [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto II. Part 2 | mezzo-soprano vocals [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto II. Part 3, Conclusion | mezzo-soprano vocals [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Das Rheingold: »Wotan, Gemahl, erwache!« (2. Szene; Fricka, Wotan) | | Dietrich Fischer‐Dieskau, Josephine Veasey, Berliner Philharmoniker, Herbert von Karajan | 3:41 |
| Die Zauberflöte, KV 620: Erster Akt: Nr. 8 Finale „Zum Ziele führt Dich diese Bahn“ | mezzo-soprano vocals [Dritter Knabe] | Franz Crass, Nicolai Gedda, Agnes Giebel, Philharmonia Chorus, Anna Reynolds, Josephine Veasey, Berliner Philharmoniker, Sir Thomas Beecham | ?:?? |
| Die Zauberflöte, KV 620: Zweiter Akt: Nr. 16 Terzett „Seid uns zum zweiten Mal willkommen“ | mezzo-soprano vocals [Dritter Knabe] | Agnes Giebel, Anna Reynolds, Josephine Veasey, Berliner Philharmoniker, Sir Thomas Beecham | ?:?? |
| Die Zauberflöte, KV 620: Zweiter Akt: Nr. 21 Finale „Bald prangt, den Morgen zu verkünden“ | mezzo-soprano vocals [Dritter Knabe] | Agnes Giebel, Gundula Janowitz, Anna Reynolds, Josephine Veasey, Berliner Philharmoniker, Sir Thomas Beecham | ?:?? |
| La Damnation de Faust: D'amour l'ardente flamme | mezzo-soprano vocals | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 8:39 |
| La Damnation de Faust: Merci, doux crépuscule! | mezzo-soprano vocals | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 4:49 |
| La Damnation de Faust: Part III, scène 10. « Autrefois un roi de Thulé » | mezzo-soprano vocals [Marguerite] | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 5:39 |
| La Damnation de Faust: Part III, scène 10. « Que l’air est étouffant ! » | mezzo-soprano vocals [Marguerite] | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 3:11 |
| La Damnation de Faust: Part III, scène 13. « Grands Dieux ! » / « Ange adoré ! » | mezzo-soprano vocals [Marguerite] | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 5:45 |
| La Damnation de Faust: Part III, scène 14. « Allons, il est trop tard ! » / « Je connais donc enfin » | mezzo-soprano vocals [Marguerite] | Ambrosian Singers, Jules Bastin, Nicolai Gedda, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 4:39 |
| See all 106 relationships |
| vocals |
|---|
| Das Rheingold | mezzo-soprano vocals | Richard Wagner; Berliner Philharmoniker, Herbert von Karajan | |
| Die Walküre | mezzo-soprano vocals | Richard Wagner; Berliner Philharmoniker, Herbert von Karajan | |